NIAGARA FALLS, NEW YORK
March 23-26, 2023
Location: Niagara Falls Convention Center
Hotel: Sheraton Niagara Falls

The study of violence works on constituting different angles through which violent actions take place, while also focusing on the difference in the morality of actions that are thus committed. Since everybody accepts facts in an interpretational setup, the realities of ground zero are ignored. The act of attaining knowledge, as Michel Foucault says, requires digging. Rather than interpretation there needs to be an understanding of the difference between the representative point of view and representation.

Please consider submitting an abstract to my panel for the NEMLA 2023 conference which will be held March 23-26th 2023 at the Niagara Falls Convention Center. This session, "When Resilience Isn't Enough: Justice for Domestic and Sexual Violence Survivors" invites papers across different methodologies or methods of inquiry that address literary or media representations of sexual and domestic violence and/or global rape culture.

Location: Belvedere, Vienna (online)

Date: 16–20 January 2023

Submission deadline: 16 October 2022

Website: https://www.belvedere.at/en/digitalmuseum2023

The Art Museum in the Digital Age – 2023

Northeast Modern Languages Association (NeMLA) annual convention

Niagara Falls, NY

March 23 - 26, 2023

Submission Deadline: September 30, 2022 through the NeMLA portal: https://www.cfplist.com/nemla/Home/S/19960

Please consider submitting a proposal to the NeMLA 2023 Panel “Resiliency in the Face of Trauma”. Grazie!

Valentina e Irene

NeMLA 2023 - CFP  

 “Resiliency in the Face of Trauma”

The concept of trauma is largely understood as the impact of disruptive experiences on one’s sense of self, one’s environment, one’s external reality. In this panel, we would like to further investigate the aftermath of trauma and the resiliency of both physical and human nature in the face of destructive events as represented in contemporary Italian literature and cinema.

The UW-Milwaukee Rhetoric Society of America Chapter is hosting the "Taking Action: Interrogating Race, Space, and Place for Social Change" symposium.

The 2023 NeMLA conference will take place on March 23 - 26, 2023 in Niagara Falls, New York. Abstracts can be submitted at the link below.

Abstract

The Association for the Study of Literature and Environment (ASLE) and The Association for Environmental Studies and Sciences (AESS) are excited to announce that they will hold their next conference jointly in Portland, Oregon on July 9-12, 2023 at the Oregon Convention Center.  The theme of the conference will be “Reclaiming the Commons.”  This event will offer opportunities for interdisciplinary collaboration, networking and professional development with a variety of sessions sponsored by both organizations.  Call for proposals from ASLE is below, and will be issued soon from AESS, and registration will open in early 2023.  Details can be found on the respective websites: 

Panel Session, NeMLA’s 54th Annual Convention in Niagara Falls, March 23-26

State and national parks alike often function with the purpose of stewardship over the environment and historical spaces across the country, but their design often may provide instruction on how to read the space. Though the National Park Services states that their conservation of these spaces leaves natural resources “unimpaired,” parks are places which are highly mediated in service of their use to visitors in those spaces; likewise, parks are subject to rhetorics of space and their construction may contain explicit or implicit messaging about how people are supposed to engage with the world around them.

In the 1990s, transgressive fiction authors like Chuck Palahniuk, Bret Easton Ellis, and Irvine Welsh shocked, disgusted, and offended audiences with their depictions of terrorizing, murdering, and drug-abusing characters whose bad behavior rejected and subverted the Western hegemony of neoliberalism. But their behavior was only seen as “shocking” or “transgressive” because of its blatant opposition to the dominant paradigm. What does it mean to transgress norms, boundaries, and conventions in today’s post-9/11 world, when the paradigms of whiteness, masculinity, heteronormativity, etc. are not necessarily viewed as the ultimate gatekeepers of what is normal, standard, correct, or expected?

While it appears to be perennially tempting to see one’s own time as exceptional and unprecedented, it is nevertheless safe to say that our present time is perceived by many as characterized by crises of different kinds (democratic, humanitarian, environmental) to an unusually high degree. As a result, the stakes are high when it comes to identifying causes and cures and the political, media and academic communities are all concerned in their different ways with constructing narratives that make sense of what is happening: Backlash, renewal, apocalypse?

Several examples of literature produced from the late Victorian age narrate great concerns about the future and the destiny of humanity, concerns that would be significantly exacerbated in the twentieth century by the First World War, soon followed by the Second, the unspeakable savagery of Nazis, the nuclear detonations in Hiroshima and Nagasaki and, last but not least, by the terror of a nuclear apocalypse during the long Cold War. Modernism appears thus as a cultural movement that, as Vincent Sherry maintains, “works most indicatively within an imaginative concept of time interrupted”, of a time that presents itself basically as provisional and utterly deprived of a future.

CFP – ALA Fall 2022 Symposium – Charlotte Perkins Gilman Society – Deadline: 9.1.2022American Literature Association – Fall 2022 Symposium“The Historical Imagination in American Literature”

October 27-29, 2022

Drury Plaza Hotel in Santa Fe, NM

Vernon Press invites chapter proposals for the volume: Fix It Fics: Challenging the Status Quo through Fan Fiction edited by Kaitlin Tonti (Albright College).

This edited collection of essays is seeking chapters that consider fan fiction as a force for change, a response to trauma, and a way of encouraging inclusivity. It will also consider how performed fan fiction, or fan fiction acknowledged by the original creators impacts fandom canon.