UPDATE: Voices Across Boundaries: Stony Brook 2006 (grad) (12/15/05; 2/24-25/06)
Please note update: Keynote Speaker announced.
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FAQ changelog |
Please note update: Keynote Speaker announced.
American Comparative Literature Association Conference 2006 (Princeton
University, March 23-26)
Ecocriticism and its Postcolonial Futures
Seminar Organizer(s): George Handley, Brigham Young University; Elizabeth
DeLoughrey, Cornell University
American Comparative Literature Association Conference 2006 (Princeton
University, March 23-26)
Ecocriticism and its Postcolonial Futures
Seminar Organizer(s): George Handley, Brigham Young University; Elizabeth
DeLoughrey, Cornell University
American Comparative Literature Association Conference 2006 (Princeton
University, March 23-26)
Ecocriticism and its Postcolonial Futures
Seminar Organizer(s): George Handley, Brigham Young University; Elizabeth
DeLoughrey, Cornell University
THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
(SPFFA)
Announces its Eighth International Colloquium
"Creation and Reality in the French Idiom
and
The Centennial of Léopold Sédar Senghor"
THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
(SPFFA)
Announces its Eighth International Colloquium
"Creation and Reality in the French Idiom
and
The Centennial of Léopold Sédar Senghor"
CHARCOAL CANONS
Race and Faith in African American Literature
Call for Submissions
As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.
CHARCOAL CANONS
Race and Faith in African American Literature
Call for Submissions
As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.
Paper proposals are invited for the following seminar at the American
Comparative Literature Association (ACLA) Annual Conference in Princeton, NJ,
23-26 March, 2006:
The Relevances of Raymond Williams
Seminar Organizer: Keith O'Regan, York University, koregan_at_yorku.ca
THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
(SPFFA)
Announces its Eighth International Colloquium
"Creation and Reality in the French Idiom
and
The Centennial of Léopold Sédar Senghor"
Paper proposals are invited for the following seminar at the American
Comparative Literature Association (ACLA) Annual Conference in Princeton, NJ,
23-26 March, 2006:
The Relevances of Raymond Williams
Seminar Organizer: Keith O'Regan, York University, koregan_at_yorku.ca
CHARCOAL CANONS
Race and Faith in African American Literature
Call for Submissions
As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.
CHARCOAL CANONS
Race and Faith in African American Literature
Call for Submissions
As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.
THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
(SPFFA)
Announces its Eighth International Colloquium
"Creation and Reality in the French Idiom
and
The Centennial of Léopold Sédar Senghor"
THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
(SPFFA)
Announces its Eighth International Colloquium
"Creation and Reality in the French Idiom
and
The Centennial of Léopold Sédar Senghor"
CHARCOAL CANONS
Race and Faith in African American Literature
Call for Submissions
As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.
We invite submissions to a collection of essays (already in progress)
entitled Anomalous Eyes: Postcoloniality and the Detective. Essays should
address such questions as: In what ways do societies in the throes of
decolonization or postcoloniality resist or transform the epistemological
"truth quest" conventionalized in the structure of the detective narrative?
Can the detective novel operate independently of national, imperial, or
global ideologies? How have authors worked with the figure of the detective
in ways that complicate the narrative or ideological stances typically
associated with modernism and postmodernism? And what happens when authors
We invite submissions to a collection of essays (already in progress)
entitled Anomalous Eyes: Postcoloniality and the Detective. Essays should
address such questions as: In what ways do societies in the throes of
decolonization or postcoloniality resist or transform the epistemological
"truth quest" conventionalized in the structure of the detective narrative?
Can the detective novel operate independently of national, imperial, or
global ideologies? How have authors worked with the figure of the detective
in ways that complicate the narrative or ideological stances typically
associated with modernism and postmodernism? And what happens when authors
There are still open slots on a panel whose title is "Poetry as Theory,
Theory as Poetry," which will be a part of the annual conference of the New
Jersey College English Association, to be held at Seton Hall University in
South Orange, NJ on March 18, 2006 (see entire conference Call for Papers
here: http://faculty.ucc.edu/english-chewning/cfp.htm). Abstracts for the
"Poetry as Theory, Theory as Poetry" panel should be e-mailed to Burt
Kimmelman at kimmelman_at_njit.edu, by December 1, 2005. To learn more about
the New Jersey College English Association go to: http://njcea.org.
There are still open slots on a panel whose title is "Poetry as Theory,
Theory as Poetry," which will be a part of the annual conference of the New
Jersey College English Association, to be held at Seton Hall University in
South Orange, NJ on March 18, 2006 (see entire conference Call for Papers
here: http://faculty.ucc.edu/english-chewning/cfp.htm). Abstracts for the
"Poetry as Theory, Theory as Poetry" panel should be e-mailed to Burt
Kimmelman at kimmelman_at_njit.edu, by December 1, 2005. To learn more about
the New Jersey College English Association go to: http://njcea.org.
The (se)X Factor in Labor
The (se)X Factor in Labor
The (se)X Factor in Labor
The (se)X Factor in Labor
CALL FOR PAPERS
Michigan Feminist Studies seeks submissions for its 2005-2006 issue: Bodies:
Physical & Abstract
CALL FOR PAPERS
Michigan Feminist Studies seeks submissions for its 2005-2006 issue: Bodies:
Physical & Abstract
CFP: The Mysterious Unknown: The Gothic and Its Human Others
ACLA 2006 Annual Meeting: The Human and Its Others
Princeton University, March 23-26, 2006
The Mysterious Unknown: The Gothic and Its Human Others
Seminar Organizer: Ruth Bienstock Anolik, Villanova University
Conventionally, the Gothic narrative traces the encounter of the human
subject with the mysterious and horrifying supernatural, beyond human
experience. This seminar will address the tendency of the Gothic text
to replace the supernatural figure of horror with the human Other, the
person who is represented as being inhumanly horrifying. The seminar
will be divided into three sections (one for each day of the
conference):
CFP: The Mysterious Unknown: The Gothic and Its Human Others
ACLA 2006 Annual Meeting: The Human and Its Others
Princeton University, March 23-26, 2006
The Mysterious Unknown: The Gothic and Its Human Others
Seminar Organizer: Ruth Bienstock Anolik, Villanova University
Conventionally, the Gothic narrative traces the encounter of the human
subject with the mysterious and horrifying supernatural, beyond human
experience. This seminar will address the tendency of the Gothic text
to replace the supernatural figure of horror with the human Other, the
person who is represented as being inhumanly horrifying. The seminar
will be divided into three sections (one for each day of the
conference):
CFP: The Mysterious Unknown: The Gothic and Its Human Others
ACLA 2006 Annual Meeting: The Human and Its Others
Princeton University, March 23-26, 2006
The Mysterious Unknown: The Gothic and Its Human Others
Seminar Organizer: Ruth Bienstock Anolik, Villanova University
Conventionally, the Gothic narrative traces the encounter of the human
subject with the mysterious and horrifying supernatural, beyond human
experience. This seminar will address the tendency of the Gothic text
to replace the supernatural figure of horror with the human Other, the
person who is represented as being inhumanly horrifying. The seminar
will be divided into three sections (one for each day of the
conference):
CFP: The Mysterious Unknown: The Gothic and Its Human Others
ACLA 2006 Annual Meeting: The Human and Its Others
Princeton University, March 23-26, 2006
The Mysterious Unknown: The Gothic and Its Human Others
Seminar Organizer: Ruth Bienstock Anolik, Villanova University
Conventionally, the Gothic narrative traces the encounter of the human
subject with the mysterious and horrifying supernatural, beyond human
experience. This seminar will address the tendency of the Gothic text
to replace the supernatural figure of horror with the human Other, the
person who is represented as being inhumanly horrifying. The seminar
will be divided into three sections (one for each day of the
conference):