“Visibility and Invisibility in Southern Women’s Literature,” is an affiliated group session, hosted by the Elizabeth Madox Roberts Society.  One of the panel’s goals is to connect to the theme of SAMLA 96: “Seen and Unseen.”  In that spirit, the session coordinator invites papers that address the theme in a wide variety of ways, with the hope that this session will engender a rich and robust discussion of how the writing of Southern women has examined what is either visible or invisible, seen or unseen.  While the EMRS invites papers from all approaches, we are particularly interested in papers that emphasize how the theme is connected to gender or to the South–or both.   

Open Call for Papers – European Journal of Theatre and Performance (EJTP)

EJTP currently welcomes submissions for the Essays Section for Issue 8. This issue will feature one of EJTP’s “open” Essays Sections (instead of a “themed” one), which means that authors can submit contributions on a topic of their choice. If interested, send your article by 15 July 2024 to ejtp_editors@eastap.com. 

Keynote Address

Matthew Biberman

University of Louisville

 Teaching Milton Reading Shakespeare 

The PAMLA 2024 Conference will be held at the Margaritaville Resort in Palm Springs, California (formerly the Riviera Resort, a favorite hangout of Sinatra, Dean Martin, Sammy Davis Jr., and other Hollywood and musical stars) between Thursday, November 7 and Sunday, November 10, 2024 (yes, you are correct: we have moved the conference back one week from its initially-scheduled weekend).

The 2024 PAMLA Conference is being held entirely in-person. We won’t be having any virtual or hybrid sessions or papers.

PAMLA will meet next within a year of the sixtieth anniversary of Frank Herbert’s Dune, which appeared in August of 1965. We will also be within a year since the appearance of the second part of Denis Villeneuve’s widely praised adaptation of it, in anticipation of part three of his projected trilogy adapting its sequel Dune Messiah (1969).

PAMLA 2024: PALM SPRINGS, CALIFORNIA

November 7-10, 2024

If you are a graduate student interested in talking about your graduate experience via a roundtable, this session is for you! This roundtable is still seeking sessions until June 16th or when there is enough submissions to fill a roundtable. All graduate students at all stages of their degree programs are heavily encouraged to submit an abstract! If you are a graduate student interested in presenting in a traditional paper panel, do not fear. You are also allowed to present in a roundtable.

The Northeast Popular Culture Association (NEPCA) Romance and Popular Romance Fiction Area invites submissions for NEPCA’s annual conference to be held online October 3 – 5, 2024, and in person at Nichols College, MA. Virtual sessions will take place on Thursday evening and Friday morning via Zoom. In-person sessions will take place on Friday evening and Saturday morning via Zoom.

Extended Call for Papers: Sixteenth International Robert Graves Conference (deadline 12 July)

Organised by the Robert Graves Society with St John’s College Oxford, Sheffield Hallam University and the Fundació Robert Graves

Keynote speakers include Jean Moorcroft Wilson and Patrick McGuinness. With poetry readings to include David Harsent and Sean O'Brien.

Plans are becoming advanced for the Sixteenth International Robert Graves Conference, to be held at St John’s College, Oxford, 15-18 September 2024. The theme of the conference will be ‘Robert Graves and the Popular Imagination’.

 Call for Journal Articles Now Open  Sensing Euphoric and Dysphoric Atmospheres (Volume 4) Following our symposium, we invite authors to submit papers for publication consideration. 

Our fifth annual online event addressed the theme of ‘sensing euphoric and dysphoric atmospheres’ in festive, celebratory, and ritual cultures. Taking an embodied perspective, we seek journal articles that focus on the role of corporeal perception in making sense of lived experience.

SAMLA 96Seen and UnseenFriday, November 15 to Sunday, November 17, 2024Hyatt Regency Jacksonville Riverfront | Jacksonville, FL

Call for papers

Who/What Counts

“What Matters” is an invitation to rethink the weight of habits, established structures and validated categories. Arguing that someone/something counts goes against economic/budgetary/financial accounting, which is typically the work of a dominant power that keeps precise accounts, compiling or capitalising, trying to contain or control. What matters is an invitation to give an account of what does not seem to count, what is unthought of or invisible (Fricker 2007, Le Blanc 2009).

Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts, one of the major global publications exploring the reception history of religious texts, is making plans for a special issue devoted to the Bible and Contemporary Fiction

I will serve as the guest editor.

I hope to feature 4-6 essays (8000 words each, including references) on how biblical patterns, themes, and trajectories surface in works of contemporary fiction, broadly construed, from the non-western as well as western world.

Teaching English in the Two-Year College and College EnglishSymposium“Equity and Material Conditions in Access-Intensive College English Programs”I feel like what we do and who we are is overlooked.

—Jason C. Evans, 2023 TYCA Conference Chair's Address

The perception that the work occurring in two-year colleges and reports of it in TETYC are relevant only to those spaces means that the new knowledge the journal offers can be overlooked, even when it clearly contributes to a larger disciplinary conversation. 

—Holly Hassel, Mark Reynolds, Jeff Sommers and Howard Tinberg, “Editorial Perspectives on Teaching English in the Two-Year College,” p. 332 

The editors of the volume are calling for chapter abstracts for a volume focused on the representation of disability in superhero film and media, with a particular focus on intersectional discourses of race, ethnicity, gender, sexuality, power, and beyond. The volume will provide perspectives on the growing field of superheroes and disability by placing a specific focus on screen representations. As such, the collections will engage with critical debates over super-identities and super-bodies as politicized spaces in the 21st centuries.