South Asian texts and cultures offer a panoply of terms that are difficult to translate. Consider bhāva — a keyword in premodern philosophy, dramaturgy, and poetics — which may refer to an emotion, a meaning, an essential characteristic, a physical object, a living being, or existence itself. In contemporary South Asia, numerous colloquial terms such as timepass, jugaad, and aunty evoke nuanced existential states, techniques, and relationships that call for careful (and playful) theorization.
To whom does aestheticism belong? Traditionally critiqued as an outgrowth of western bourgeois culture, aestheticism, with its assorted attributes (including aesthetic detachment, disinterestedness, and autonomy) seems ill equipped to respond to our contemporary concerns with marginalization, power imbalances, and the reproduction of hegemonic structures. And yet, the commitment to aesthetic detachment continues to pop up in seemingly unlikely places—in various corners of postcolonial literary production and in the writings of political exiles and Holocaust survivors. We therefore ask to whom aestheticism belongs today, who makes use of it, to what ends, and under what circumstances?
Though “posthumousness” takes a variety of forms, the texts within its ambit share a quality that Jean-Christophe Cloutier, in Shadow Archives, calls “a belated form of timeliness.” The editorial apparatus of posthumously published texts, such as Claude McKay’s Amiable with Big Teeth or Muriel Rukeyser’s Savage Coast, foregrounds these novels’ prior lostness and subsequent belated arrival in forms and contexts that their authors could not have foreseen.
The panel intends to explore the depiction of Muslim American identity across various discourses and works of Muslim American authors, filmmakers, novelists, and musicians who draw upon such identities. The diverse emergence of Muslim American identity calls for insights that examine such identities depicted in various forms of text and talk. Keeping in context the theme of NeMLA’s 54th convention “resilience” the session draws on the theoretical underpinnings of Edward Said’s notion of Orientalism in order to further investigate discursive constructions of Muslim identities along with various discourses and the role Muslim Americans play in shaping these identities.
Migration is broadly defined as the movement of people from one place to another and the people pursuing this journey are called migrants. However, there are various distinctions within the concept of migration that relates to factors that define if an individual should be considered a migrant, immigrant, refugee, or asylum seeker depending on their length of stay and motivation to migrate. Two major distinctions overarch all forms of movements that individuals make. First, voluntary, and involuntary; second, short term versus long term. Voluntary migrants include sojourners such as people who go abroad to study or visit for business purposes whereas involuntary migrants include refugees and asylum seekers seeking haven from ideology-based persecution.
Paper proposals on any aspect of biography, autobiography, memoir, and personal narrative are welcome. Literary papers as well as creative works will be accepted. Send a 500 word abstract by November 14, 2022, to to conference's database at
Directions: Once you have accessed the above web site, you will have to creat an account. After creating you account, on the web sicte choose Conference, then from the drop-down menu click Call for Papers/Submit Proposal. Scroll down to the Language and Literature section to Biography, Autobiography, Memoir, and Personal Narrative. Click the + sign under the Biography area, then choose Submit Proposal.
University of Toronto Quarterly (UTQ) is currently seeking submissions. Established in 1931, UTQ publishes innovative and exemplary scholarship from all areas in the humanities. The journal welcomes articles, in English or French, on art and visual culture, gender and sexuality, history, literature and literary studies, music, philosophy, theory, theatre and performance, religion, and other areas of the humanities not listed here. As an interdisciplinary journal, UTQ favours articles that appeal to a scholarly readership beyond the specialists of a given discipline or field.
In a world gradually opening itself to diversity, cultural perceptions are greatly influenced by translation of emotions, and their expressions in public discourse and art. But what happens when humor is translated? Humor in literary discourse harnesses amusement arising from perception of differences and/or contrasts, and as such, it is especially challenging to ensure that it retains its amusing quality despite the change in linguistic and cultural registers of perception.
In H.G. Wells’s A Modern Utopia (1905), the botanist declares to the utopia-planning narrator: “I do not like your utopia, if there are to be no dogs.” Yet humanity’s civilizations have often been in tension with nonhuman animals: the dog-loving botanist imagines friendly, amenable pet animals bred and reared to emotionally service human needs while the utopianist envisions packs of mangy, diseased strays terrorizing a metropolis.
A One-Day International Interdisciplinary Conference
Postcolonial Ecospheres: Principles, Policies & Politics
Department of English, Sadhan Chandra Mahavidyalaya
(Date of Conference- 15 November, 2022 (Tuesday))
Tales of explorers and adventurers often blur the line between science and fiction, with chronicles of the exotic and the unknown becoming the stuff of legends and the building blocks of history. Explorer’s tales spin heroic stories of adventures that cross borders, shatter boundaries, develop new knowledge, and, in so doing, depict the causes and consequences of seeking dominion over people and places.
MEMORY AND REPRESENTATION
CALL FOR PAPERS
The Memory and Representation area of the Popular Culture Association/American Culture Association invites submissions on any pertinent topic (see description below) for the 2023 National Conference in San Antonio, Texas, April 5-8, 2023.
Memory and Representation: Area Description
Last Night’s Fun: Ciaran Carson: A Conference and Commemoration
13th—16th September 2023
The Seamus Heaney Centre, School of Arts, English and Languages at Queen’s University, Belfast.
This conference and commemoration will celebrate the work of Ciaran Carson, esteemed poet, writer and musician, Professor and founding Director of the Seamus Heaney Centre at Queen’s, whose high standards of excellence, and high-spirited blend of local rootedness and global openness (in poet Alan Gillis’s words) he personified. The conference will provide an opportunity for an extended discussion of his contributions to literature, and of his legacy for future generations of poets, critics and general readers.
Our seminar “A Ponderous Hush: the Poetics and Politics of Silence” approaches silence in a way that can synthesize and deconstruct the overlaps between silence as a concept and as an act, aiming to confront silence's poetics and politics. In an attempt to disengage the topic from views which forefront silence's negativity (as in the "unsayable" or semantic contents which lie outside the sufficient operations of language), we want to interrogate silence as "tacere"/"Schweigen" (the voluntary act of remaining quiet) and "silere"/"Stille" (the absence of sound).
The process that is central to the development of language is the critical encounter between different groups (marked by their "physical, cognitive, neurological differences," as NeMLA's note on "resilience" suggests) in possession of different kinds of valuation in the course of which "certain words, tones, rhythms, meanings are offered, felt for, tested, confirmed, asserted, qualified, changed" (Keywords 12). This process of evolution/metamorphosis, as demonstrated by Raymond Williams in his Keywords, is often accelerated in periods of unprecedented crisis.
We seek presentations on any aspect of teaching the eighteenth-century within a global context. Presentations might focus on strategies for teaching transcultural and transnational encounters; travel, trade, or colonialism; eighteenth-century world literatures; or any text or set of texts—written, oral, visual, aural, or material—that “globalizes” students’ engagement with the eighteenth century. We welcome presentations on the teaching of subject matter that exposes, interrogates, unsettles, decenters, or displaces a Eurocentric world view.
October 24, 2022, is the extended deadline.
Due to staffing and scheduling changes at ChLAQ, this special issue has been pushed back to Summer 2024. The deadline for submissions has therefore changed to November 1, 2023.
Laughter is a physical manifestation or, as Jean-Luc Nancy wrote, it is “a body shaken by a thought that is not possible”. In a performance of conceptual poetry you hear as much laughter as in a stand-up comedy performance. However, in the academic world, conceptual writing has been treated mainly as a rational endeavor or a cerebral and intellectual exercise. Enthusiasts and critics alike have often read conceptualist works very seriously.
The Southern Humanities Conference, 2023
Call for Papers
Conference Theme: Myths and Mythmaking
San Antonio, Texas, January 26-29, 2023
The Southern Humanities Conference offers an opportunity for scholars, artists, writers, musicians,
performers, and humanists of all kinds to share their knowledge, research, work, and experiences in an
interdisciplinary, welcoming, and engaging intellectual space.
The modern world is redolent with myths, mythologies, and mythmakers in various guises. Myths are
The Department of English and American Studies and the Department of Romance Languages and Literatures of Masaryk University are pleased to announce a call for papers for their interdisciplinary conference held in Brno, Czech Republic on two full conference days on 25–26 November 2022.
Women of the World:
Literature, Language, and Translation
The Faculty of Education, Alexandria University, Egypt cordially invites you to attend its international conference on “Women of the World: Literature, Language, and Translation.” It is an onsite conference that will take place between March 9th- 11th 2023.
Educational Technology Quarterly (ETQ, Educ. Technol. Q) is a Diamond Open Access peer-reviewed journal focused on the ways in which digital technology can enhance education. ETQ welcomes research papers on the pedagogical uses of digital technology where the focus is broad enough to be of interest to a wider education community.
In addition to empirical work, we welcome systematic reviews and meta-analyses that include clear research questions, a framework of analysis, and conclusions that reflect the aims of the paper. ETQ also offers the opportunity to publish special issues or sections to reflect current interest and research in topical or developing areas.
Universities increasingly recognize the value of connecting students to local communities to promote concepts of care: volunteerism, problem-solving, stewardship. What role does literature play in place-based community engagement? How does reading or writing ‘literatures of place’ (regional or environmental literature, travel or nature writing, ecopoetry) connect students to a place and contribute to place-based solutions?
Call for Papers: ACLA 2023 seminar
Editors: A.D. Boynton, II (U of Kansas), Joanna Davis-McElligatt (U of North Texas), and Kristen Reynolds (U of Minnesota - Twin Cities)
[abstract deadline extended]
54th NeMLA Annual Convention, March 23-26, 2023, in Niagara Falls, New York
Call for papers
The Women’s Network of the European Association for American Studies invites contributions to the interdisciplinary symposium titled
Access to Equality: Reproductive Justice in the United States
Cfp Between XIV.26 (November 2023), Images and representations of work in literature and visual culture
Edited by Raul Calzoni (University of Bergamo) and Valentina Serra (University of Cagliari)
Submission deadline: 2023-03-31 (Friday)
Estimated review response: 2023-07-31
Publication date: 2023-11-30 (Wednesday)
The topic proposed for the next thematic issue of «Between» is the artistic, literary and visual representation of work and its imagery, its conflicts and often utopian potential to revolutionize society.