*BOTH CREATIVE AND CRITICAL CONTRIBUTIONS WELCOME*CALL FOR SUBMISSIONS FOR VOLUME 16 OF
Katherine Mansfield Studies
THE PEER-REVIEWED YEARBOOK OF THE KATHERINE MANSFIELD SOCIETY
PUBLISHED BY EDINBURGH UNIVERSITY PRESS
on the theme ofKatherine Mansfield and LondonEditors
*BOTH CREATIVE AND CRITICAL CONTRIBUTIONS WELCOME*CALL FOR SUBMISSIONS FOR VOLUME 16 OF
Feminist Theologies in American Literature
Call for Chapters
The editor of a collection in development seeks completed chapters on literary expressions of feminist theology broadly construed. The scope of the volume is wide and inclusive. Chapters may focus on any religious tradition, historical period, genre, or form of American literature. We particularly welcome essays on works of literature
- that examine the power, enfranchisement, ideas, and practices of women
- that consider how religion subverts or reinforces androcentrism and patriarchy
- that engage with the ways that gender relations inform women’s religious concepts, commitments, and experience
CFP: Individuality and Community in Mid-Century American Culture (1945-1968)One-day symposium, October 27, 2023
NB this symposium will now take place online, via Zoom!
Este panel invita a explorar la cultura de internet del mundo hispanohablante y sus representaciones en producciones artísticas. El meme fue acuñado por el biólogo Richard Dawkins en 1976 para referirse a la difusión de “tunes, ideas, catch- phrases, clothes fashions, ways of making pots or builduing arches” (249) mediante procesos de imitación. Décadas más tarde, el estudio de Patrick Davison (2012) corroboraría que la idea de “meme” había evolucionado gracias a las redes sociales y había pasado a tener el poder de exclusivamente cumplir un objetivo humorístico. Autores como B. E. Wiggins y G. Bret Bowers (2014) argumentan que la circulación del meme es una herramienta conversacional que alienta la participación de la cultura digital.
Technology, Literature, and the Body
(This is a CFP for a Special Session at the 2023 PAMLA conference in Portland, OR: https://www.pamla.org/conference/2023-conference-theme/)
Please Submit Absracts via the following link: https://pamla.ballastacademic.com/Home/S/18853
The Society of Nineteenth Century Historians, in partnership with the Pamplin College of Arts, Humanities, and Social Sciences at Augusta University, presents the 31st annual Symposium on the 19th Century Press, the Civil War, and Free Expression. The Society invites submissions dealing with any aspect of the US mass media of the 19th century, including the Civil War in fiction and history, freedom of expression in the 19th century, presidents and the 19th century press, the African American and immigrant press, sensationalism and crime in 19th century newspapers, and coverage of 19th century spiritualism and ghost stories.
SUBMISSION: FULL PAPER OR **ABSTRACT**
Due in part to well-publicised advancements in generative AI technologies such as GPT-4, there has been a recent explosion of interest in – and hype around – Artificial Intelligence (AI) technologies. Whether this hype cycle continues to grow or fades away, AI is anticipated to have significant repercussions for fandom (Lamerichs 2018), and is already inspiring polarised reactions. Fan artists have been candid about using creative AI tools like Midjourney and DALL-E to generate fan art, while fanfiction writers have been using ChatGPT to generate stories and share them online (there are 470 works citing the use of these tools on AO3 and 20 on FanFiction.net at the time of writing).
The concept of virtual worlds, while not new, has become a normalized part of 21st-century consciousness. Once a realm reserved for playful escape, “dissolv[ing] the constraints of the anchored world so that we can lift anchor—not to drift aimlessly without point, but to explore anchorage in ever-new places” (Heim, 1993), virtual spaces have taken center stage in our everyday lives. Our meeting places, our workplaces, our places of learning, even the places where we unite to break bread have shifted from the physical realm to the virtual. Children in particular have felt the seismic cultural shift from in-person to virtual interaction, as it has fundamentally changed the way they play, learn, and grow.
Educational Dimension is a Diamond Open Access peer-reviewed journal that publishes research papers, systematic reviews, and meta-analyses on all aspects of education, learning, and training. We are interested in submissions that explore the latest theories and technologies in education, as well as the philosophical and social implications of education.
Our main focus areas include:
“The End of the Human(ities)”
In The Souls of Black Folk, W. E. B. Du Bois explained that the problem of the color line was a problem of (meta)physical and educational implications for those who “still seek, the freedom of life and limb, the freedom to work and think.” Du Bois’s “freedom” connected the liberation of the body, soul, and mind—the desire to live and learn unbounded—to the human. He introduced a quandary still relevant today: To think and be human is to think about how to study life through the “humanities.”
Subtitled “Surplus Data,” the Winter 2022 issue of Critical Inquiry began by proclaiming that, “It is no longer enough to say that data is big. Data is now in a state of surplus” (Halprin et al. 197). As private and state actors rush to generate ever more surplus surveillance data about consumer-citizens and workers across domains of life, literary scholars are compelled to question how this data is made meaningful and by whom. After all, data never speaks for itself; it must be assigned value and transformed into narratives. These surveillance stories often reify “identities of suspicion” (Monahan), marking marginalized people as themselves surplus subjects.
This is a call for paper for the NeMLA (Northeast Modern Language Association) 2024 panel on spoken word poetry. The convention will take place in Boston from 7th to 10th March 2024. The panel invite papers that address the rich form of spoken word poetry in any of its manifestations within the UK and US scenes.
Call for Chapters
Narratives of Confinement in American Literature and Popular Culture
Historically, the campus of the Historically Black College and/or University has been inclusive and accepting for students, faculty, and staff members who hailed from various socio-economic statuses, geographical location, and even, political affiliations. However, for the individual who identifies as Lesbian, Gay, Bisexual, Transgender, and/or Queer, there is often no recoprocity in their experience on their respective HBCU campus.
The Representation of Famines in Indian literatures
The Proposed work will be submitted to Routledge under its ongoing series “South Asian Literature in Focus”
According to the UN Refugee Agency, “[A] famine is a situation in which a substantial proportion of the population of a country or region is unable to access adequate food, resulting in widespread acute malnutrition and loss of life by starvation and disease.” Famines have played a vital role in shaping the world’s demography. Some examples of devastating famines that brought extreme changes in the demography are as follows:
The Journal of Consent-Based Performance invites artists, educators, and scholars to interrogate our existing practices and propose new ideas in pursuit of increasingly more equitable, ethical, anti-oppressive, and effective consent-based practices within the fields of theatre and performance. We encourage authors to submit essays that do the work of:
Analyzing or interrogating current or past understandings of and approaches to intimacy and consent—in theory or in performance practice, modeling continuous adjustment of artistic praxis
Introducing or investigating theories related to consent and power imbalances in other fields, contextualizing these theories’ potential impact upon the performance industry
This panel is interested in the mediation of popular visual idioms in North American Indigenous contemporary art. Imagined as a "shared language," pop culture offers Indigenous artists a set of mediums, forms, and figures for representing shared experiences of survivance across disparate and distinct transnational and tribal contexts. Prior to its “discovery” and appropriation by metropolitan modernists in the 1920s and 1930s, Indigenous material culture circulated commercially in the early 1900s. Creators of this material culture navigated market appetites by introducing innovative designs often through new mediums.
When students are given the opportunity to use more than one mode in learning, they are taking a multimodal approach to thinking critically. Multimodality, first addressed by Kress and van Leeuwen (1996), is meaning that is made through multiple representations and communications systems. This session allows the presenters to answer the question: “What happens when students use more than one mode to demonstrate understanding of concepts, texts, and/or literature? While multimodal is a more recently coined term, organizations like The National Council of Teachers of English have traditionally proposed such learning as demonstrated in Kist’s 2011 English Journal article “From Queen Mab to Big Boy: A Century of “New” Literacies.”
The Northeast Popular/American Culture Association (NEPCA) The Body, Fashion, and Popular Culture Area invites submissions for NEPCA’s annual conferenceto be held online October 12 – October 14, 2023, via the Zoom platform.
In alignment with this subject matter area at the national level:
Yale Africa-China Symposium: Cultural Dimensions Date: 14-15 March 2024
Venue: School of Arts and Communication, Eduardo Mondlane University, Maputo Mozambique
Please consider submitting an abstract for the NeMLA session "Romantic Religions: Re-evaluating Secularism in the Romantic Era" (55th Annual NeMLA Convention March 7th in Boston, MA). The deadline for submissions is September 30, 2023. You can submit an abstract for this session here: https://cfplist.com/nemla/Home/S/20719
Session Abstract: How does our understanding of religion in the Romantic era shape our interpretation and evaluation of Romantic thought and literature? How might we reconsider Romantic literature within the contexts of religious surplus in the eighteenth and nineteenth centuries?
Call for Papers: Panel, "Naturalizing the Normative in the Eighteenth Century," ASECS 54th Annual Meeting (Toronto, April 4-6)
Deadline: September 15th, 2023
They Live: Female Monsters and Their Impact on the Frankenstein Tradition
Sponsored by the Monsters & the Monstrous Area of the Northeast Popular Culture Association
Organized by Michael A. Torregrossa
Call for Papers - Please Submit Proposals by 30 September 2023
55th Annual Convention of Northeast Modern Language Association
Sheraton Boston Hotel (Boston, MA)
On-site event: 7-10 March 2024
See the shared Google Doc for the full call with a list of bibliographic resources on the topic: https://tinyurl.com/They-Live-NeMLA-2024.
Villainous Science: Cloning, Experimentation, and Hybridization in Transmedia Cultures and Storytelling
The 2023 Northeast Popular Culture Association (a.k,a. NEPCA) will host its annual conference this fall as a virtual conference from Thursday, October 12-Saturday, October 14. Thursday’s session will be held in the late afternoon-evening (EST), Friday’s session will be held mid-afternoon into the evening (EST), and Saturday’s session will be from morning until midday (EST).
Special Issue of Nineteenth Century Studies:
Blackness, Race, and Racism in Nineteenth-Century Studies
deadline for submission: August 15, 2024
full name(s)/name of organization:
Wendy Castenell and A. Maggie Hazard co-editors/Nineteenth-Century Studies
Call For Expressions of Interest
Transcribe-a-thon: Towards a Collaborative Transcription of a Medieval Ovidian Commentary
(A virtual workshop at Kalamazoo ICMS 2024)
The Societas Ovidiana invites participants to a Medieval Ovidian Transcribe-a-thon.
In this workshop, we will collaboratively develop a transcription of a previously-unstudied medieval manuscript of Ovid. We invite those with an interest in any area of textual scholarship to collaborate.
The Societas Ovidiana welcomes proposals for a virtual roundtable to be held at the International Congress of Medieval Studies (ICMS) at Kalamazoo, May 9-11 2024.
This roundtable invites short presentations based on concrete studies of particular manuscripts (or sets of manuscripts) containing works by, or in any way involving, Ovid.
Go Slow Now, or A Dream Deferred: William Faulkner and Civil Rights
Call for Panel Papers at the 2024 Faulkner and Yoknapatawpha Conference “Faulknerian Anniversaries”
July 21-25, 2024
University of Mississippi
Organised by the Faulkner Studies in the UK Research Network
The Shelley Conference 2024
Posthumous Poems, Posthumous Collaborations
Keats House Museum, London, 28-29 June 2024
Two years after the death of Percy Bysshe Shelley in the summer of 1822, Mary Shelley, after a painstaking editorial process, published Posthumous Poems (1824). The volume contained much of Shelley’s major poetry, including the hitherto unpublished ‘Julian and Maddalo’, together with translations of Goethe and Calderón, and unfinished compositions such as ‘The Triumph of Life’ and ‘Charles the First’.