EXTENDED DEADLINE

We are pleased to announce that the abstract submission deadline for Alizés 45 - Learning and Teaching English in Multilingual Educational Environments, has been extended to September 1, 2024.

Learning and Teaching English in Multilingual Educational Environments

Deadline for abstracts (400 words) and short biographical notes (150 words):: Sptembre 1, 2024
Notification of acceptance: September 16, 2024
Submission of full draft papers: January 31, 2025

Submission of final papers: June 15, 2025 

Languages: English, French

FIRST FORUM CONFERENCE 2024—CALL FOR PROPOSALS 

DIVISION OF CINEMA AND MEDIA STUDIES

UNIVERSITY OF SOUTHERN CALIFORNIA

SEPTEMBER 27TH AND 28TH

This year’s keynote presentation will be given by Dr. Mal Ahern (The University of Washington). The conference will also feature a virtual roundtable with Dr. Shannon Mattern (The University of Pennsylvania) and Dr. Nicole Starosielski (The University of California, Berkeley). 

Infrastructure and Abstraction

“The immaterial has become… immaterial.” 

– Lord Cutler Beckett, Pirates of the Caribbean: At World’s End

With apologies for cross-posting, please consider submitting, and please share widely.

We seek proposals for the 6th edition of Race/Gender/Class/Media (Routledge). This reader contains upwards of 50 relatively short, tightly-written, good-quality research reports. We're looking for the same wide range of content as in prior editions, preferably focusing on contemporary media content.  

Bandung to Berlin explores the radical imagination of the global Cold War, the aesthetics of Non-Alignment, and the role of art in the era of decolonization. Though these topics are often treated as separate paradigms, their points of interconnection are deeply entangled. As former colonies across Africa, Asia, and the Caribbean fought for and gained independence, new national agendas navigated the competing pressures of the Cold War and resisted a dichotomous world order. This conference will explore transnational artistic exchanges and cultural diplomacy in the years 1947-1989, especially across regions in the Global South. We hope to foster new conversations about the confluence of art and politics in larger cultural imaginaries. 

How are Asian American and Pacific Islander bodies figured across different media—in contemporary novels, poetry, and visual arts? How do the transits and residues of US empire across the Pacific inform these representations? This panel investigates texts that center AAPI bodies and their varying materialities, wherein racialized bodies take on other-than-human forms (i.e., paper, digital, textual, watery, earthy, animal, etc.). The panel aims to explore how these embodiments are shaped by the residual and ongoing violences of US empire and/or war in the Pacific.

Nutan Adarsh Arts, Commerce, and Smt. M. H. Wegad Science College, Umred, Dist. Nagpur

Announces
A Call for Papers for an Edited Book with ISBN
On

Indian Knowledge Tradition: Values and Philosophies 

Dear Researchers,
Under the guidance of the college’s language department, we are publishing an interdisciplinary edited book with an ISBN number on the theme of "Indian Knowledge Tradition: Life, Values and Philosophy," centred around the Indian knowledge systems in the context of the new educational policy. We request you to submit well-researched papers addressing any of the following sub-themes.

Please consider submitting an abstract for the NeMLA 2025 in Philadelphia.

Moments, Intervals, Epochs: Time in the Visual Arts

50th Annual Cleveland Symposium

Case Western Reserve University and the Cleveland Museum of Art, Cleveland, Ohio

Friday and Saturday, November 22-23, 2024

The "Poetry and Pain" panel at the NeMLA Conference in spring 2025 will address how pain is felt, articulated, negotiated, alleviated, withstood, or appreciated through poetry and poetics. Elaine Scarry’s formative work, The Body in Pain (1985), describes physical suffering as an inexpressible, singular force that establishes an interpretive void between sufferer and witness. More recently, scholars of disability studies such as Margaret Price have retheorized pain as shared, structural, creative, or even desirable. This session aims to explore the many ways in which poetry thus contends with pain. Does poetry’s speaker/reader construction mimic or alter the sufferer/witness divide?

Call for Papers: MIRAJ 13.2

View the full call here>>

https://www.intellectbooks.com/miraj-the-moving-image-review-art-journal#call-for-papers

Moving Image Review and Art Journal is currently accepting contributions for inclusion in Issue 13.2 (launching December 2024). The Editorial team is currently interested in receiving scholarly articles and opinion pieces (5000–8000 words), feature articles and interviews (3000–4000 words) from art historians and critics, film and media scholars, curators and, not least, practitioners.

NeMLA 56th Annual Convention

Philadelphia, PA, 6-9 March 2025

Primary Area / Secondary Area:

French and Francophone / Cultural Studies and Media Studies 

Chair:

Atim Mackin (Harvard University)

New Forms of Revolution in the Francophone World

 Revolutions have always been pivotal moments in the history of societies, but the forms they take are constantly evolving. This panel aims to explore the new forms of revolution within French and Francophone contexts. We seek contributions that question, analyze, and discuss the following aspects (among others):

Special Issue Call for Papers: Fictions of the Pandemic

Guest Editors: Roanne Kantor (Stanford) and Ragini Tharoor Srinivasan (Rice) Extended Deadline for Submissions: 1 August 2024

This panel is being organized as part of NeMLA 2025, centered around the theme of (R)Evolution.

Description:

In dialogue with theorists of (post)humanism, this panel seeks to examine how science fiction has historically been used to bolster erroneous and destructive "scientific" discourses, such as social Darwinism, and, conversely, how science fiction has been used toward revolutionary ends to imagine alternative formations of (post)humanity that defy socially constructed taxonomies and hierarchies.

Abstract: 

Despite the increased prominence of the Far North in the political and environmental crises of the twenty-first century, this space remains largely absent from Global South studies, an omission that unwittingly reproduces outdated notions of the Arctic as a kind of terra nullius, a region outside both the Global North and the Global South, devoid of people and history. As the effects of climate change continue to undermine perceptions of the Arctic as a region isolated from the modern world, this panel seeks to explore the relationship between the Far North and the Global South, as depicted in popular culture. How might concepts of the Global South prove generative in relation to the histories of the Far North?