“Looking Back and Ahead: Exploring Uniquely Canadian Cultural Narratives”
Debrecen University Symposium, 2024

This international, in-person conference is organized by the Canadian Studies Centre of the Institute of English and American Studies at the University of Debrecen, Hungary, as part of the Debrecen University Symposium series.

Date:

• October 24-25, 2024

Venue:

• Debrecen, Hungary, Main Building of the University of Debrecen

We are pleased to announce the call for papers for our upcoming, international, in-person conference, "Looking Back and Ahead: Exploring Uniquely Canadian Cultural Narratives." 

Many of the theoretical fundamentals developed for literary and cultural studies throughout the twentieth century have become less efficacious. In recent decades, scholars have, indeed, investigated the transformations of storytelling and cultural consumption in the digital age. However, this issue looks to further explore the future of literary and cultural studies from a world-systems perspective with a focus on the alterations of novelistic narratives in the larger context of the supplanting of liberal, humanistic, sense-making mechanisms by computational regimes of meaning.

ReFocus: The Films of Shirin Neshat

Edited by Maryam Ghorbankarimi (University of Lancaster) and Mazyar Mahan (University of Texas at Dallas) 

Posthuman Fictions: Rethinking ‘the Human’ in Contemporary Culture

19-20 September 2024

Deadline for submissions: an abstract of 200 to 250 words should be sent by 7 July 2024.

Conference venue: Scuola di Scienze Umanistiche, Università di Genova, Italy

The Foreign Literatures and Civilisations (LCE) Research Laboratory at Lumière Lyon 2 University organises a conference on “Phantoms in Rites, Myths, and Discourse” on February 13-14, 2025. For the purpose of this conference, we invite scholars from various disciplines belonging to human sciences, and from various geographical and cultural areas, to study the figure of the ghost under its variegated forms, appearances, and representations (whether they are anthropological, artistic, political, linguistic, or else), from ghosts that we ourselves fashion to ghosts who fashion who we are.

Call for Papers: Journal of Integrative and Innovative Humanities (Chiang Mai University)

Theme: Art, Politics, and Society in Asia

The Journal of Integrative and Innovative Humanities, Chiang Mai University, is pleased to announce a call for papers for its upcoming issue which will be published at the end of November 2024 on the theme of "Art, Politics, and Society in Asia". 

Concept Note :

We are pleased to announce a call for papers for a special issue of EMA (Etudes Médiévales Anglaises) on the theme
"Borders / Crossing in medieval English literature, language, and culture." 

The notions of borders and crossing, and the articulation between them, can be conceived in many ways. Borders, whether natural or arbitrary, sealed or porous, fixed or mobile, as limits or confines, spatial or temporal, can be seen as an obstacle or a wall. They are also a challenge to be taken up and overcome (expansion, threshold to a new era), hence the notion of crossing (movement, transfer, transformation). As delimitations, borders help to constitute an identity which refers to the outside as otherness. 

Historically Black Colleges and Universities (HBCUs) serve as pivotal cultural and educational institutions, fostering academic excellence and community engagement. However, within the HBCU workplace, Black women often navigate complex dynamics shaped by pervasive stereotypes and societal expectations.

30th International Population Conference (UIESP/IUSSP)
13-18 July 2025
Brisbane (Australia)
https://ipc2025.iussp.org/

Thematic Session n°62

Theme: Data and methods

Analyzing fiction in demographic research. What can we learn? What are the specific challenges?

Organisers: Carole Brugeilles (Université Paris Nanterre), Mathieu Arbogast (Cresppa-GTM et CEMS), and Virginie Rozée (INED)

Call for Chapters

Popular Music and Politics in the UK

The Reframing Hollywood series features dynamic and original short monographs and edited collections, each of which explore a single film of significant cultural impact which has emerged from the American film industry since the turn of the new millennium. These vibrant critical explorations of contemporary American film will offer a stimulating, academic, yet accessible interrogation of a single work from a variety of critical perspectives.

Conference online: 29-30 July 2024

ABOUT CONFERENCE: 

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“To create a broad analogy, monster is to ‘normality’ as homosexual is to heterosexual” (Benshoff, 1997). This quote, well worn within the pages of academic criticism, speaks to how the connection between queer identity and the horror genre is now so established as to become indivisible. From Frankenstein’s Creature to Dracula, the Babadook to Jennifer Check, in fiction and in film these monstrous queers “live in a world that hates them. They’ve adapted, they’ve learned to conceal themselves. They’ve survived” (Machado, 2020). Kirsty Logan, in the Foreword to It Came From the Closet, suggests that “horror [never] gives us LGBTQIA+ people accurate representation.