ReFocus: The Films of Shirin Neshat

Edited by Maryam Ghorbankarimi (University of Lancaster) and Mazyar Mahan (University of Texas at Dallas) 

Posthuman Fictions: Rethinking ‘the Human’ in Contemporary Culture

19-20 September 2024

Deadline for submissions: an abstract of 200 to 250 words should be sent by 7 July 2024.

Conference venue: Scuola di Scienze Umanistiche, Università di Genova, Italy

The Foreign Literatures and Civilisations (LCE) Research Laboratory at Lumière Lyon 2 University organises a conference on “Phantoms in Rites, Myths, and Discourse” on February 13-14, 2025. For the purpose of this conference, we invite scholars from various disciplines belonging to human sciences, and from various geographical and cultural areas, to study the figure of the ghost under its variegated forms, appearances, and representations (whether they are anthropological, artistic, political, linguistic, or else), from ghosts that we ourselves fashion to ghosts who fashion who we are.

Call for Papers: Journal of Integrative and Innovative Humanities (Chiang Mai University)

Theme: Art, Politics, and Society in Asia

The Journal of Integrative and Innovative Humanities, Chiang Mai University, is pleased to announce a call for papers for its upcoming issue which will be published at the end of November 2024 on the theme of "Art, Politics, and Society in Asia". 

Concept Note :

We are pleased to announce a call for papers for a special issue of EMA (Etudes Médiévales Anglaises) on the theme
"Borders / Crossing in medieval English literature, language, and culture." 

The notions of borders and crossing, and the articulation between them, can be conceived in many ways. Borders, whether natural or arbitrary, sealed or porous, fixed or mobile, as limits or confines, spatial or temporal, can be seen as an obstacle or a wall. They are also a challenge to be taken up and overcome (expansion, threshold to a new era), hence the notion of crossing (movement, transfer, transformation). As delimitations, borders help to constitute an identity which refers to the outside as otherness. 

Historically Black Colleges and Universities (HBCUs) serve as pivotal cultural and educational institutions, fostering academic excellence and community engagement. However, within the HBCU workplace, Black women often navigate complex dynamics shaped by pervasive stereotypes and societal expectations.

30th International Population Conference (UIESP/IUSSP)
13-18 July 2025
Brisbane (Australia)
https://ipc2025.iussp.org/

Thematic Session n°62

Theme: Data and methods

Analyzing fiction in demographic research. What can we learn? What are the specific challenges?

Organisers: Carole Brugeilles (Université Paris Nanterre), Mathieu Arbogast (Cresppa-GTM et CEMS), and Virginie Rozée (INED)

Call for Chapters

Popular Music and Politics in the UK

The Reframing Hollywood series features dynamic and original short monographs and edited collections, each of which explore a single film of significant cultural impact which has emerged from the American film industry since the turn of the new millennium. These vibrant critical explorations of contemporary American film will offer a stimulating, academic, yet accessible interrogation of a single work from a variety of critical perspectives.

Conference online: 29-30 July 2024

ABOUT CONFERENCE: 

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“To create a broad analogy, monster is to ‘normality’ as homosexual is to heterosexual” (Benshoff, 1997). This quote, well worn within the pages of academic criticism, speaks to how the connection between queer identity and the horror genre is now so established as to become indivisible. From Frankenstein’s Creature to Dracula, the Babadook to Jennifer Check, in fiction and in film these monstrous queers “live in a world that hates them. They’ve adapted, they’ve learned to conceal themselves. They’ve survived” (Machado, 2020). Kirsty Logan, in the Foreword to It Came From the Closet, suggests that “horror [never] gives us LGBTQIA+ people accurate representation.

 Special Issue CFP for TWC: Disability

Robert McRuer writes in Crip Theory that at some point in every person’s life, if they live long enough, they will be disabled. Yet, while disablement is an extremely common experience and ableism a hegemonic form of marginalization, disability is largely understudied across fields (Minich 2016, Ellcessor 2018). Fan studies has neglected to consistently explore disability or acknowledge the presence of ableism, resulting in a dearth of peer-reviewed publications on this intersection and a silencing of crip critique from disabled fans and scholars.

Counterfactuals in games have started to catch the attention of various disciplines, aiming to understand just what pasts are (and are not) reckoned with. The fields of historical game studies, media studies and archeaogaming have begun untangling the conceptual and theoretical underpinnings of counterfactual play to focus on player experience. In this two-day workshop held at Leiden University on August 28th and 29th, we aim to approach counterfactuals from the other side of the same coin: the processes at play in counterfactual game design and development.