As the section editor for The Queer Experience, I invite you to submit a chapter proposal for consideration to be included in The American Research Handbook on Diversity, Equity & Inclusion, an edited scholarly volume that examines the evolving role of diversity, equity, and inclusion within American democracy and educational institutions.

The Queer Experience section seeks rigorous, thoughtful, and evidence-based analyses that examine gender identity, sexuality, intersectionality, and the evolving role(s) of queer people in society at the present moment.

 “Virginia Woolf: Sound and Rhythm in Translation”, INTERNATIONAL CONFERENCE VIRGINIA WOOLFISTANBUL, TURKEY deadline for submissions: April 30, 2026 full name / name of organization: 35th International Conference Virginia Woolf
https://www.bilgi.edu.tr/en/academic/virginia-woolf-conference-2026/  contact email: woolftranssound26@gmail.com 

CALL FOR PARTICIPANTS 

35th International Conference Virginia Woolf 

Open Forum “Virginia Woolf: Sound and Rhythm in Translation”, Istambul, Jun 24-Jun 28, 2026 

This panel explores how women writers and female characters in French and francophone literature resist, reconfigure, and expose gendered hierarchies of power embedded within social, political, and cultural “ruling classes.” In keeping with this year’s conference theme, “Our Ruling Classes: Culture, Power, Conflict,” the session examines how literary texts interrogate the mechanisms through which authority, patriarchal, colonial, aristocratic, bourgeois, or religious, is contested.

Pacific Ancient and Modern Languages Association 123rd Annual Conference 2026

November 12-15, 2026--Seattle, WA USA

"The Intersection of France and Iran/Persia in Literature and Film"

The socio-political and cultural relationship between France and Iran has long been shaped in various ways, including literary, cinematic, and linguistic representation. This panel explores the intertextual and visual intersections between these two cultures in literature and film, spanning from the ancient period to the present.

The 123rd Annual PAMLA Conference will be held in person November 12–15, 2026, in Seattle, Washington.

The standing Gothic Studies panel welcomes papers on any aspect of Gothic studies across a wide range of periods, media, and cultural contexts. The Gothic has long served as a flexible and transgressive mode through which writers and creators explore fear, desire, memory, identity, and social conflict. From classic literary texts to contemporary film, television, gaming, and digital media, Gothic forms continue to evolve and adapt across cultures and historical moments.

Editors: María Eugenia Crusetand Aleksander Bednarski

Proposals (500 words): May 15, 2026

Completed chapters (7,000 words): September 15, 2026

Languages: English and/or Spanish

CALL FOR PAPERS

Send your abstracts to: congress@iasa-world.org by 31st May, 2026.

The "Gay, Lesbian, Bisexual, Transgender, and Queer Studies" session invites submissions that discuss memory, identity, representation, or intersectionality pertaining to Gay, Lesbian, Bisexual, Transgender, and Queer literature, media, or culture. You may, should you wish, engage in the conference theme of “Our Ruling Classes: Culture, Power, Conflict,” but any topic on gay, lesbian, bisexual, transgender, or queer literature or culture is welcome.

Some topics of particular interest this year include:

• The homoerotic gaze in media

• Power and culture relating to gay, lesbian, transgender, or queer stories/histories

• Queer-coded representation in art or literature

1956 was a year of theatrical milestones. Eugene O’Neill’s Long Day’s Journey Into Night was published posthumously while The Diary of Anne Frank won the Pulitzer Prize for Drama. And, of course, the American Society for Theatre Research was founded. O’Neill’s meditation on troubled family dynamics and addiction would go on to win the Pulitzer in 1957. The previous year, the Pulitzer went to Cat on a Hot Tin Roof, a Tennessee Williams play about alcoholism and (potentially) sublimated queer desire. In 1959, Lorraine Hansberry became the first Black woman to have a play produced on Broadway when A Raisin in the Sun premiered.

“Home-Making: Reinventing Home

in Anglophone Literatures and Cultures”

November 20-21, 2026

Venue: Sousse, Tunisia

Call for Papers

Call for Additional Chapters

Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation (Routledge)

Editor: Dr. Tanima Kumari

The proposed edited volume Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation has received a preliminary expression of interest from Routledge. 

A number of submissions have already been received, and several chapters have been reviewed and confirmed for inclusion.

Table of Contents

Part I: Cultural Appropriation and Hybridity

https://jnr2.hcommons.org/  | ISSN: 1759-3085

Call for Submissions

We are currently inviting submissions for our next open issue on any aspect of cultural practice in Northern Europe in the period 1430-1650, including but not limited to the following disciplines:

☞ Literature

☞ Art & Architectural History

☞ Musicology

☞ Philosophy

☞ Theology

☞ Political Studies

☞ History

☞ Rhetorics

☞ Dance & Performance

☞ Manuscript and Archival Studies

Ekphrasis, the verbal representation of visual representation, is one of art’s oldest preoccupations. Over the past decade, we have seen a rise in British and Irish innovative ekphrastic poetry and visual art that responds to poetry. Concurrently, there has been a new wave of interest in the efficacy and function of ekphrasis, that focuses on its role as a type of creative practice and a way of thinking through aesthetic judgement. Despite all this activity, no formal consideration of the field of ekphrasis itself has emerged. Ekphrasis underwent a paradigmatic shift in which it was no longer defined by its ‘paragonal’ energy.

War Literature Today: Ecology, Violence, and the Novel

A special issue of Humanities (ISSN 2076-0787). This special issue belongs to the section "Literature in the Humanities".

Deadline for manuscript submissions: 28 February 2027 | Viewed by 69

Since 2014, the eTEXTS: Literary and Cultural Studies Conference has served as a platform for the examination and exploration of diverse "texts" from English-speaking countries of Ango-Saxon heritage. By bringing together scholars, doctoral students, and early-career professionals, the conference fosters scientific debates and critical discussions that drive forward our understanding of literature and culture.

Literature, Technology, and the Body 

PAMLA 2026, Seattle, November 12-15

https://www.pamla.org/pamla2026/

This panel invites papers that examine any aspect of literary treatments of the human body in relationship to technology—especially medical and industrial technologies—past and present. In particular, the panel is interested in literary interrogations of the ways that technology mediates the subject of the body into the public-political and manages populations of subjects/bodies.

August 3-5, 2026

Southern Utah University - Utah Shakespeare Festival

The Wooden O Symposium is a cross-disciplinary conference exploring the impact of Shakespeare's plays on culture and history, from his time to the present. This face-to-face conference aims to foster research in the field of Shakespeare Studies and to provide connections between academia and professional theatre productions through our partnership with the Utah Shakespeare Festival. The Wooden O Symposium limits participation to 25 presenters to ensure robust conversation and feedback as we strive to create a community of scholars engaged with the work of Shakespeare.

Call for Book Chapters

Title: Folk and Culture: Tradition, Resistance and Nurture

Publisher: VLC Media Publication

VLC Media Publication offers ISBN-certified, peer-reviewed publications with national and international circulation.

Editors:

Dr. Naresh K Vats, Associate Professor, Guru Gobind Singh Indrapratha University, New Delhi, India

Dr. Chetna Tiwari, Associate Professor, Guru Gobind Singh Indrapratha University, New Delhi, India

Scope of the Volume:

We invite chapter proposals for an edited collection titled Metafictional Horror Cinema: The Screen as Mirror, to be submitted to the UWP Horror Studies series. The volume explores how horror cinema reflects on its own formal strategies, lays bare its narrative and technological mechanisms, and confronts viewers with unsettling modes of self-awareness.

The volume will explore the role of metafiction within horror cinema, from postmodern genre revisions and reflexive found-footage films to avant-garde and hybrid works that fracture narrative logic, collapse diegetic boundaries, break the fourth wall, or explicitly implicate the viewer in acts of spectatorship and violence.

Seeking on papers about opacity in contemporary literature and art for a panel at ASAP (Association for the Study of Arts of the Present) 2026 Convention. Please send an abstract and a short bio to Sané Bhattarai (bhattsan@gvsu.edu) or Moya (Moyang) Li (moyang.li@csulb.edu) by April 24.

Session Abstract: The genre of African American poetry has a long legacy of both preserving tradition and evolving to suit current times and places. This session invites discussion of the defining features that have been maintained over time as well as patterns of bold experimentation. Rather than seeing tradition and innovation as opposing aesthetic directions, this session hopes to examine ways they have co-existed in this genre and been mutually fruitful. 

Call for Papers: International Journal of Fashion Studies

Special Issue: 'Clothing and Dress in Times of Mass Violence'

View the full call here>>

https://www.intellectbooks.com/international-journal-of-fashion-studies#call-for-papers

The figure of the witch (both real and imagined) is inherently political and potentially contentious. Each wave of feminism has reflected on shifting considerations of the witch as evocative of issues around gender, power and, more recently, intersectional aspects of identity. More recent critical engagement with witches and witchcraft reflects a transition, transcending disciplinary boundaries and positioning the witch in line with shifting contemporary debates. This shift moves the witch beyond the symbolic or the individual to consider both the interconnected and disparate nature of the witch. We can, instead, see the witch as a key component in movements of political change, as activist alongside the spiritual expl

Though getting it together may signal a practice of spontaneous collectivity, “get it together” is also a gendered command—one which affiliates a performance of femininity with certain aesthetic expectations and demands the unbounded work of love, care, and social reproduction. How do we understand the aesthetics of femininity in a moment where feminism has been defanged of its oppositionality, when it functions as an alibi for the tide of fascism in the form of TERFs and girlbosses? Everyday injunctions toward norms of femininity appear in the form of “Get Ready With Me” videos, Planned Parenthood’s decision to offer Botox, ceaseless trend cycles, and the normalization of weight loss medication, with Serena Williams as its icon.