CFP: Film Adaptation (11/1/05; PCA/ACA, 4/12/06-4/15/06)
FILM ADAPTATION CALL FOR PAPERS
for the 2006 Popular Culture Association (PCA)/ American Culture Association (ACA) conference in Atlanta, Georgia from April 12th to April 15th:
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FILM ADAPTATION CALL FOR PAPERS
for the 2006 Popular Culture Association (PCA)/ American Culture Association (ACA) conference in Atlanta, Georgia from April 12th to April 15th:
We are seeking submission for a workshop on Asian American literature to be=
=20
held during the next EAAS Conference (European Association for American=20
Studies), 7-10 April 2006, Nicosia, Cyprus.
Please, send a 150-200 abstract by August 31st to emarino_at_hurricane.it and=
=20
patrycja.renard_at_wanadoo.fr
What follows is the abstract of the workshop
The Problem of Double Allegiance in the Literary Production of Asian=20
Americans (1985 =96 2005)
We are seeking submission for a workshop on Asian American literature to be=
=20
held during the next EAAS Conference (European Association for American=20
Studies), 7-10 April 2006, Nicosia, Cyprus.
Please, send a 150-200 abstract by August 31st to emarino_at_hurricane.it and=
=20
patrycja.renard_at_wanadoo.fr
What follows is the abstract of the workshop
The Problem of Double Allegiance in the Literary Production of Asian=20
Americans (1985 =96 2005)
We are seeking submission for a workshop on Asian American literature to be=
=20
held during the next EAAS Conference (European Association for American=20
Studies), 7-10 April 2006, Nicosia, Cyprus.
Please, send a 150-200 abstract by August 31st to emarino_at_hurricane.it and=
=20
patrycja.renard_at_wanadoo.fr
What follows is the abstract of the workshop
The Problem of Double Allegiance in the Literary Production of Asian=20
Americans (1985 =96 2005)
AC:COLLABORATIVE
www.artcircles.org
AC:Collaborative is looking for journal contributions.
AC:Collaborative is an online journal that was started a little more=20
than a year ago. Several months ago, AC changed its mission to=20
investigate, analyze, present, and discuss collaborative art. Even to=20
ask the question of what is collaborative art? What is the process?
AC wants to connect and work together with artists, critics, curators,=20=
and everyone else who is interested in any aspect of collaborative art=20=
projects, from any field.
Visit our website www.artcircles.org
AC:COLLABORATIVE
www.artcircles.org
AC:Collaborative is looking for journal contributions.
AC:Collaborative is an online journal that was started a little more=20
than a year ago. Several months ago, AC changed its mission to=20
investigate, analyze, present, and discuss collaborative art. Even to=20
ask the question of what is collaborative art? What is the process?
AC wants to connect and work together with artists, critics, curators,=20=
and everyone else who is interested in any aspect of collaborative art=20=
projects, from any field.
Visit our website www.artcircles.org
IRCALC editors invite papers for the 2006 edition of Africa Literary Journal, ALJ. Tagged 'Re-Imagining African Literature (2), this 2006 edition, which pursues the 2003 theme edited by Charles Smith, is expected to complement the scholarly essays that appeared in that volume.
IRCALC editors invite papers for the 2006 edition of Africa Literary Journal, ALJ. Tagged 'Re-Imagining African Literature (2), this 2006 edition, which pursues the 2003 theme edited by Charles Smith, is expected to complement the scholarly essays that appeared in that volume.
Seeking abstracts for panel(s) to be proposed for the Society for Cinema
and Media Studies Conference (Vancouver, BC, March 2-5 2006) on the
topic "Media Studies and Recent Developments in Critical Theory."
Deadline for receipt of proposals: August 15th 2005.
Please send paper proposal and brief bio by email to Rich Cante,
Assistant Professor of Media and Cultural Studies, The Univeristy of
North Carolina at Chapel Hill. "rcante_at_email.unc.edu."
All interesting proposals are welcome--whatever media, concepts, or
"methods" they deal with.
Seeking abstracts for panel(s) to be proposed for the Society for Cinema
and Media Studies Conference (Vancouver, BC, March 2-5 2006) on the
topic "Media Studies and Recent Developments in Critical Theory."
Deadline for receipt of proposals: August 15th 2005.
Please send paper proposal and brief bio by email to Rich Cante,
Assistant Professor of Media and Cultural Studies, The Univeristy of
North Carolina at Chapel Hill. "rcante_at_email.unc.edu."
All interesting proposals are welcome--whatever media, concepts, or
"methods" they deal with.
Seeking abstracts for panel(s) to be proposed for the Society for Cinema
and Media Studies Conference (Vancouver, BC, March 2-5 2006) on the
topic "Media Studies and Recent Developments in Critical Theory."
Deadline for receipt of proposals: August 15th 2005.
Please send paper proposal and brief bio by email to Rich Cante,
Assistant Professor of Media and Cultural Studies, The Univeristy of
North Carolina at Chapel Hill. "rcante_at_email.unc.edu."
All interesting proposals are welcome--whatever media, concepts, or
"methods" they deal with.
Call For Papers: Entertainment TV After 9/11
Society for Cinema And Media Studies Conference (SCMS)
Sheraton Vancouver Wall Centre, Vancouver, British Columbia
March 2-5, 2006
Call For Papers:
A New Book of Morses: Encoding Joyce in the 21st Century.
The celebration of the one-hundredth anniversary of Bloomsday marked a high
point for Joyce Studies and for the scholars who have published and lectured on
James Joyce over the past half a century. Their work has also provided a solid
foundation for new research and fresh approaches to the study of Joyce's
writing. It is in the spirit of such research that we are compiling a book
called A New Book of Morses: Encoding Joyce in the 21st Century, which will be
published by Rodopi as part of their European Joyce Studies series.
RETHINKING THE PAST: EXPERIMENTAL HISTORIES IN THE ARTS
University of Technology Sydney: July 28-29, 2006.
Confirmed Keynote Speakers:
Laura U. Marks
Dena Wosk University Professor in Art and Culture Studies, Simon Fraser
University, Canada
Andrew Benjamin
Professor of Critical Theory in Architecture and Design, University of
Technology Sydney
Ross Gibson
Professor of New Media and Digital Culture, University of Technology Sydney
Conference Theme:
RETHINKING THE PAST: EXPERIMENTAL HISTORIES IN THE ARTS
University of Technology Sydney: July 28-29, 2006.
Confirmed Keynote Speakers:
Laura U. Marks
Dena Wosk University Professor in Art and Culture Studies, Simon Fraser
University, Canada
Andrew Benjamin
Professor of Critical Theory in Architecture and Design, University of
Technology Sydney
Ross Gibson
Professor of New Media and Digital Culture, University of Technology Sydney
Conference Theme:
We are seeking previously unpublished critical original poetry for Mantis 5,
under the broad theme of "Poetry and Discipline."
Mantis is a journal of contemporary poetry, poetry translation and poetry
criticism. A forum for writers coming from a broad spectrum of intellectual
and aesthetic positions, Mantis is dedicated to publishing new work that
interrogates the relationships among critical writing, creative writing, and
translation.
Call for Papers: 2005 Louisiana English Journal; Focus: Grammar
Deadline: September 15, 2005
The Louisiana English Journal (LEJ) aids Louisiana's kindergarten through college English language arts teachers by providing a forum for the exchange of practical classroom ideas and methodology, and by showcasing creative writing. An annual, published forum for members of the Louisiana Council of Teachers of English, the Louisiana English Journal supports the research contributions and stimulates an on-going dialogue
between elementary, middle, and secondary teachers; supervisors of English programs; college and university faculty; teacher educators;local and state agency English specialists; and professionals in related fields.
This panel will explore the ways in which the logic of contract and the
rhetoric of promise permeate and organize British culture in the eighteenth
century. Victoria Kahn's Wayward Contracts is one of the more noteworthy
recent studies that interpret the ways in which this logic and rhetoric
contribute to cultural formation. Her formulation of contract as a "new
poetics of the subject" is one of many possible engagements with this
theme.
In the past decade the cultural, marriage, mimetic, sociable, social and
racial contracts have received comment and analysis.
This panel welcomes one to two page proposals that address the history and
CALL FOR PROPOSALS: SESSIONS, PANELS, PAPERS
MIDWEST CULTURE
NATIONAL POPULAR CULTURE & AMERICAN CULTURE ASSOCIATIONS
2006 JOINT CONFERENCE
April 12-15, 2006
Atlanta Marriott Marquis
We are considering proposals for sessions organized around a theme, special panels, and/or individual papers. Sessions are scheduled in 1½ hour slots, typically with four papers or speakers per standard session.
TOPICS MAY INCLUDE, BUT ARE NOT LIMITED TO:
-Ethnic and folk cultures
-Culinary traditions
-Depictions of the Midwest in popular culture
-History of the Midwest
-Midwestern art and artists
The First World War and Popular Culture conference website is now up at
http://www.ncl.ac.uk/niassh/fwwconf/. Discounts on trainfare are also
available through the website (click on Getting Here).
March 31st-April 2nd 2006, University of Newcastle, UK
Organisers: Stacy Gillis and Jessica Meyer
The First World War and Popular Culture conference website is now up at
http://www.ncl.ac.uk/niassh/fwwconf/. Discounts on trainfare are also
available through the website (click on Getting Here).
March 31st-April 2nd 2006, University of Newcastle, UK
Organisers: Stacy Gillis and Jessica Meyer
In recent weeks, a heated debate over the dangers academic bloggers may face when applying for jobs has emerged as a result of a recent essay in The Chronicle of Higher Education (http://chronicle.com/jobs/2005/07/2005070801c.htm). The author, writing under the pseudonym Ivan Tribble, claims, among other things, that often the simple practice of maintaining a "blog was a negative" for applicants seeking employment in his department. "The content of the blog," Tribble continues, "may be less worrisome than the fact of the blog itself.
In recent weeks, a heated debate over the dangers academic bloggers may face when applying for jobs has emerged as a result of a recent essay in The Chronicle of Higher Education (http://chronicle.com/jobs/2005/07/2005070801c.htm). The author, writing under the pseudonym Ivan Tribble, claims, among other things, that often the simple practice of maintaining a "blog was a negative" for applicants seeking employment in his department. "The content of the blog," Tribble continues, "may be less worrisome than the fact of the blog itself.
In recent weeks, a heated debate over the dangers academic bloggers may face when applying for jobs has emerged as a result of a recent essay in The Chronicle of Higher Education (http://chronicle.com/jobs/2005/07/2005070801c.htm). The author, writing under the pseudonym Ivan Tribble, claims, among other things, that often the simple practice of maintaining a "blog was a negative" for applicants seeking employment in his department. "The content of the blog," Tribble continues, "may be less worrisome than the fact of the blog itself.
The Edith Wharton Society Essay Prize
Beginning in the fall of 2005, the Edith Wharton Society Essay Prize will be
awarded annually for the best unpublished essay on Edith Wharton by a
beginning scholar. Graduate students, independent scholars, and faculty
members who have not held a tenure-track or full-time appointment for more
than four years are eligible to submit their work.
The winning essay will be published in The Edith Wharton Review, a
peer-reviewed journal, and the writer will receive an award of $250.
The Edith Wharton Society Essay Prize
Beginning in the fall of 2005, the Edith Wharton Society Essay Prize will be
awarded annually for the best unpublished essay on Edith Wharton by a
beginning scholar. Graduate students, independent scholars, and faculty
members who have not held a tenure-track or full-time appointment for more
than four years are eligible to submit their work.
The winning essay will be published in The Edith Wharton Review, a
peer-reviewed journal, and the writer will receive an award of $250.
Essays by emerging and established scholars wanted for a volume that
promises to be the first edited collection devoted to the poetry, life,
times, and literary reception of An Collins, author of _Divine Songs and
Meditacions_ (1653).
The working title for this project is: _The Image of Her Mind: An Collins
and the Historical Imagination_.
Essays on any aspect of Collins' work will be considered, but the
following topics/perspectives may be of particular importance for the
volume's design:
Essays by emerging and established scholars wanted for a volume that
promises to be the first edited collection devoted to the poetry, life,
times, and literary reception of An Collins, author of _Divine Songs and
Meditacions_ (1653).
The working title for this project is: _The Image of Her Mind: An Collins
and the Historical Imagination_.
Essays on any aspect of Collins' work will be considered, but the
following topics/perspectives may be of particular importance for the
volume's design:
Essays by emerging and established scholars wanted for a volume that
promises to be the first edited collection devoted to the poetry, life,
times, and literary reception of An Collins, author of _Divine Songs and
Meditacions_ (1653).
The working title for this project is: _The Image of Her Mind: An Collins
and the Historical Imagination_.
Essays on any aspect of Collins' work will be considered, but the
following topics/perspectives may be of particular importance for the
volume's design:
Call For Papers
The SCIENCE FICTION/FANTASY Area of the Popular Culture Association =20
invites submissions for the:
PCA/ACA 2006 NATIONAL CONFERENCE
ATLANTA MARRIOTT MARQUIS,
ATLANTA, GEORGIA, APRIL 12-15, 2006
Deadline for submissions: 15 November 2005
The Science Fiction and Fantasy (SF/F) Area of PCA solicits papers, =20
paper proposals, and panel proposals from scholars interested in any =20
aspect of SF/F. Any disciplinary method or approach is welcome! =20
Studies on works from outside the United States are always welcome! =20
Proposals on film, television, multimedia and written works are =20
solicited.