all recent posts

CFP: Slash Fan Fiction (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Slash Fan Fiction
Slash fan fiction is one of the most popular forms of fan fiction on the
Internet. Beginning with stories featuring the pairing of Kirk and Spock from
Star Trek in the 1970s and exploding into numerous stories based in, but not
limited to, Lord of the Rings, Harry Potter, and Star Wars, slash fan fiction
takes reader-response theory into creative praxis as fans rewrite fiction.

CFP: Slash Fan Fiction (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Slash Fan Fiction
Slash fan fiction is one of the most popular forms of fan fiction on the
Internet. Beginning with stories featuring the pairing of Kirk and Spock from
Star Trek in the 1970s and exploding into numerous stories based in, but not
limited to, Lord of the Rings, Harry Potter, and Star Wars, slash fan fiction
takes reader-response theory into creative praxis as fans rewrite fiction.

CFP: Slash Fan Fiction (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Slash Fan Fiction
Slash fan fiction is one of the most popular forms of fan fiction on the
Internet. Beginning with stories featuring the pairing of Kirk and Spock from
Star Trek in the 1970s and exploding into numerous stories based in, but not
limited to, Lord of the Rings, Harry Potter, and Star Wars, slash fan fiction
takes reader-response theory into creative praxis as fans rewrite fiction.

CFP: Dialogue: Musical Voices (1/10/06; e-zine issue)

updated: 
Tuesday, November 29, 2005 - 9:27pm
SageofConsciousness E-Zine

Sage of Consciousness E-zine
ISSN 1555-192X
An international online thematic ezine and journal created by a volunteer
group of writers and artists.

Theme for Volume 2 Issue 1:
Dialogue: Musical Voices

This theme features dialogue in all its colorful and musical forms. This is
not a stringent theme that blasts you with phonetic demands or clarion
stipulations that stagnate the creative flow of words, shots, or paint.

Free and open like the vastness of the blue above. Write, design, snap,
brush onto canvass what your creative mind decides in whispers into the left
or right ear saying what dialogue means to you in your deepest
thoughts-tapping ever so gently onto your soul.

CFP: Creative Writing/Media in Context (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Creative Writing/Media in Context
Can a moment in time be captured? Please submit your writing/mixed media
expressing the attempt/desire/accomplishment/impossibility of
recreating/describing/capturing a moment in time.
Do we know ourselves? Can we know anyone else? Do we instead create
ideas/impressions/representations of ourselves and others? If so, what do/can these
accomplish? What are they meant to accomplish? Please submit your

CFP: Binary Busting in Nonfiction (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking paper=
s=20
for our 2006 conference to be held February 17 and 18, 2006. We are =20
interested in papers/presentations for the following suggested panel:
=20
=20
Binary Busting in Non-fictionConsidering Derrida=E2=80=99s idea of =E2=80=
=9Cplay=E2=80=9D as a=20
suggestion that multiple meanings of writing be considered together to brin=
g out=20
the relationships between them, in tandem with Foucault=E2=80=99s idea that=
 all=20
writing is discourse, how does non-fiction writing function? For example, w=
hat=20

CFP: Creative Writing/Media in Context (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Creative Writing/Media in Context
Can a moment in time be captured? Please submit your writing/mixed media
expressing the attempt/desire/accomplishment/impossibility of
recreating/describing/capturing a moment in time.
Do we know ourselves? Can we know anyone else? Do we instead create
ideas/impressions/representations of ourselves and others? If so, what do/can these
accomplish? What are they meant to accomplish? Please submit your

CFP: Setting in Art (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

 
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
 
Setting in Art
How does setting function in art? Is a city, region, building, room, meadow,
mountain, garden, ocean, or other space a character, a part of plot, a
marker of genre, an economic/cultural boundary, or other function/sign? How does
the space shape the work? What effect/affect does such use create?
 
We are accepting completed paper submissions only, no abstracts, please.

CFP: Setting in Art (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

 
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
 
Setting in Art
How does setting function in art? Is a city, region, building, room, meadow,
mountain, garden, ocean, or other space a character, a part of plot, a
marker of genre, an economic/cultural boundary, or other function/sign? How does
the space shape the work? What effect/affect does such use create?
 
We are accepting completed paper submissions only, no abstracts, please.

CFP: Binary Busting in Nonfiction (grad) (12/17/05; Acacia, 2/17/06-2/18/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
DannaV27_at_aol.com

Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking paper=
s=20
for our 2006 conference to be held February 17 and 18, 2006. We are =20
interested in papers/presentations for the following suggested panel:
=20
=20
Binary Busting in Non-fictionConsidering Derrida=E2=80=99s idea of =E2=80=
=9Cplay=E2=80=9D as a=20
suggestion that multiple meanings of writing be considered together to brin=
g out=20
the relationships between them, in tandem with Foucault=E2=80=99s idea that=
 all=20
writing is discourse, how does non-fiction writing function? For example, w=
hat=20

UPDATE: Multi-Ethnic Literatures of the US: Crosscurrents (12/2/05; MELUS, 4/27/06-4/30/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
Elena Machado

MELUS CONFERENCE UPDATE:

The deadline for the submission of abstracts and panels for the 2006
MELUS conference has been extended.

The new deadline is now Friday, December 2, 2005.

----------------------------------------------------------------------
MELUS, The Society for the Study of Multi-Ethnic Literatures of the
United States, announces its 20th Annual Conference,
from April 27-30, 2006.

Call for Papers and Panels

Conference Theme
Crosscurrents: Navigating the Mainland and the Margins in U.S. Ethnic
Literatures

Host: Dorothy F. Schmidt College of Arts and Letter, Florida Atlantic
University, Boca Raton, FL

UPDATE: Multi-Ethnic Literatures of the US: Crosscurrents (12/2/05; MELUS, 4/27/06-4/30/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
Elena Machado

MELUS CONFERENCE UPDATE:

The deadline for the submission of abstracts and panels for the 2006
MELUS conference has been extended.

The new deadline is now Friday, December 2, 2005.

----------------------------------------------------------------------
MELUS, The Society for the Study of Multi-Ethnic Literatures of the
United States, announces its 20th Annual Conference,
from April 27-30, 2006.

Call for Papers and Panels

Conference Theme
Crosscurrents: Navigating the Mainland and the Margins in U.S. Ethnic
Literatures

Host: Dorothy F. Schmidt College of Arts and Letter, Florida Atlantic
University, Boca Raton, FL

CFP: Narrating Gender (grad) (1/5/06; McGill, 3/11/06-3/12/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
Melissa Fink

12th Annual Graduate Conference on Language and Literature McGill
University,
Montreal
Theme: Permeability and Selfhood
March 11-12, 2006

This call for papers is for a panel to be held at Permeability and Selfhood,
the McGill Graduate Conference on Language and Literature, which will take
place March 11-12 at McGill University, Montreal, Quebec, Canada.

Please email paper abstracts of approximately 300 words.

You can direct submissions to melissa.fink_at_mail.mcgill.ca by January 5,
2006.

Thanks for your interest, please let me know if you have any questions.

Melissa Fink
(Panel Chair)

CFP: Faith, Knowledge and the Interface of Epistemologies (2/10/06; 5/4/06-5/5/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
William C Mitchell

CALL FOR PAPERS

University of Washington Graduate Conference for Interdisciplinary Studies
May 4-5, 2006
Submission Deadline: February 10, 2006

*****************************************************
Faith, Knowledge and the Interface of Epistemologies
Speaker: Robert Michel Pyle
*****************************************************

CFP: Faith, Knowledge and the Interface of Epistemologies (2/10/06; 5/4/06-5/5/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
William C Mitchell

CALL FOR PAPERS

University of Washington Graduate Conference for Interdisciplinary Studies
May 4-5, 2006
Submission Deadline: February 10, 2006

*****************************************************
Faith, Knowledge and the Interface of Epistemologies
Speaker: Robert Michel Pyle
*****************************************************

CFP: Narrating Gender (grad) (1/5/06; McGill, 3/11/06-3/12/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
Melissa Fink

12th Annual Graduate Conference on Language and Literature McGill
University,
Montreal
Theme: Permeability and Selfhood
March 11-12, 2006

This call for papers is for a panel to be held at Permeability and Selfhood,
the McGill Graduate Conference on Language and Literature, which will take
place March 11-12 at McGill University, Montreal, Quebec, Canada.

Please email paper abstracts of approximately 300 words.

You can direct submissions to melissa.fink_at_mail.mcgill.ca by January 5,
2006.

Thanks for your interest, please let me know if you have any questions.

Melissa Fink
(Panel Chair)

CFP: Comedy and Identity: Multidisciplinary Conference (1/15/06; 7/15/06-7/16/06)

updated: 
Tuesday, November 29, 2005 - 9:27pm
CHARLIE BLAKE

This conference on Comedy and Identity has been organized by Liverpool
Hope University and the Liverpool Comedy Trust to coincide with the
Liverpool Comedy festival in July 2006. The intention is to stimulate
multi- and interdisciplinary debate, controversy and publication on the
themes of humour, laughter and the comic in its various aspects as they
pertain to all permutations of human identity. Examples of identity
might include those associated with social, political, religious,
cultural or national identity, as well as those aspects more
specifically centred on gender, class, ethnicity, queerness and
(dis)ability, and post-identity areas such as difference, becoming,

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