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This call seeks proposals for 18-minute talks to be presented at the annual meeting of the Pacific Ancient and Modern Language Association (PAMLA) in Seattle, Nov. 12-15, 2026.
Call for Papers: Autumn 2026: Biophilia: The Shape of the Future
Coreopsis
A Multidisciplinary Journal of the Mythic Arts
This journal accepts papers from many disciplines and is welcoming of all faiths and philosophies. We publish about 5 papers per issue that have been peer-reviewed according to academic standards. Final submissions should be 3000 to 10,000 words.
If you have a finished paper ready for submission, send it directly to coreopsisjournalofmyththeatre@gmail.com
The Spanish and Portuguese (Latin American) session is open to all papers exploring some aspects of Latin American Spanish and Portuguese literature and cultures. It is a dynamic forum for scholarly exchange, collaboration, and engagement with these interconnected regions' rich cultural heritage and diverse perspectives.
We are particularly interested in papers that touch on:
• Contemporary Literature and Culture
• Cultural Studies
• History and Culture
• Literature, Arts, and other Media
• Visual and Performing Arts
• The conference theme, "Our Ruling Classes"
Call for Papers
Biography, Autobiography, Memoir, and Personal Narrative
Southwest Popular / American Culture Association (SWPACA)
2026 SWPACA Summer Salon
June 25-27, 2026
Virtual Conference
Submissions open on March 30, 2026
Proposal submission deadline: April 27, 2026
The 21st century has been defined by large-scale global change driven by migration, exile, border reconfigurations, political upheaval, and shifting power dynamics – all of which have profoundly shaped debates surrounding human rights, identity, culture, and belonging. Furthermore, as digital platforms collapse geographic distance and intensify new forms of surveillance, nationalism, and exclusion, diasporic subjects must navigate complex landscapes of memory, language, race, gender, and political belonging.
Time, Memory and Forgetting in the Western
Two-Day Symposium | 10–11 September 2026 | University of Essex, UK
Deadline for submissions: 30th April 2026
To submit: 250 word outlines for all submission types via email to richard.parker@uc.cl
“There will come a time when you believe everything is finished; that will be the beginning.”— Louis L’Amour, Lonely on the Mountain.
In A Midsummer Night’s Dream, the players come with their own requests (“Write me a prologue”, Botttom asks), in a hilarious example of group-working. In Hamlet, as the Prince of Denmark gets ready to take action, one of his first decisions is to appoint himself as co-writer of The Murder of Gonzago: “You could, for a need, study a speech of some dozen or sixteen lines which I would set down and insert in’t, could you not?” (2.2.5.528-30). Both examples show the nuts and bolts of early modern stage practice, in which co-writing was commonplace.
ROUNDTABLE: Writing Communities in and Beyond the Classroom (PAMLA, Seattle, Nov 12-15, 2026)
Deadline for Proposals: May 15
This roundtable revisits writing as a fundamentally social, collaborative, and democratic act at a time when many writers and students experience it as isolated, pressured, and increasingly mediated by technology. Beyond offering emotional and peer support, writing communities in classrooms, online and social spaces, and professional and informal networks shape how writers see themselves, understand their audience, engage in metacognitive practices, and take creative and intellectual risks.
Abstract
This session invites papers exploring the role of affect and emotion in contemporary world literature. Recent developments in affect theory—particularly the work of Sara Ahmed and Lauren Berlant—have emphasized how emotions circulate across individuals, communities, and cultural contexts. Literary texts offer a powerful site for examining how affect shapes narratives of identity, belonging, and social transformation within global and transnational frameworks.
The everlasting debates surrounding the relationship between literature and film as distinct mediums of artistic expression have long fascinated both philosophy and critical theory. While proponents of cinema argue that cinema is superior to other forms of artistic expression, especially literature, in the sense that it has a unique ability to engage emotions, convey abstract concepts in tangible settings, and challenge, what Gilles Deleuze might call, human “sensory-motor” perception through cinematic techniques, others might disagree by saying that cinema is inferior to literature due to its passive nature and over-reliance on immediate sensory experience rather than intellectual abstraction, which is one of the major characteristics of literature.
While Percival Everett’s novel James (2024) functions as a radical reworking of Mark Twain’s The Adventures of Huckleberry Finn (1885)–freeing Twain’s literary creation from the constraints of the nineteenth century novel as well as the expectations of its original audience–”tellings and retellings” have long served as a mode for revising and reimagining canonical narratives. From Tom Stoppard’s Rosencrantz and Guildenstern are Dead (1966) and Ursula K Le Guin’s Lavinia (2008) to Sandra Newman’s Julia (2023), literary retellings often expose the ideological foundations of the canon while amplifying voices historically marginalized or silenced within it.
this is for an in-personal panel for the Pacific Ancient and Modern Language Association (PAMLA) conference (in-person only), which is taking place in Seattle, WA November 12-15, 2025.
The advancement of artificial intelligence has transformed humanities research and education, deepening computation’s influence on scholarly practice and everyday life. From the early era of “humanities computing” in the 1970s to the rise of “computational humanities” over the past decade, this trajectory highlights the enduring—and expanding—role of computation in shaping inquiry across the humanities. These intersections are especially visible in interdisciplinary work. As T. S. Eliot observes, “Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.” The same spirit can illuminate how methods and tools migrate across fields.
Abstract
To be published in the world of contemporary creative writing likely means passing through one exclusive gate or another—even writers once able to make it through are losing access. What are these publishing gates, and who are their keepers? What are they trying to keep in—and out? Perhaps more productively, how might those of us who are passionate about creating a progressive, inclusive, and radical body of literature break down—or go around—or ignore those gates of exclusivity and begin to build new, ungated communities?
Description
Panel Stream: Early American Forms and Formalisms This panel stream interrogates formalism in early American literature following a postcritical turn in the field. One result of literary studies’ recent postcritical turn has been renewed attention to aesthetics, feeling, and form as essential aspects of literary analysis. In early American studies, this reassessment has taken a distinctive shape, particularly in work that foregrounds the formal and aesthetic dimensions of literary culture across the long eighteenth century — from special issues and essay collections (Looby and Weinstein; Cahill and Larkin; Pethers and Koenigs; Pethers and Couch) to monographs (Armstrong and Tennenhouse; Koenigs, Couch, Tawil, Gardner, Garrett).
Prosperity Fashion
INTERNATIONAL CONFERENCE
9-12 February 2027
Università degli Studi di Firenze
Florence, Italy
Dowload the call for papers here https://riviste.fupress.net/index.php/fh/prosperity-fashion-2027
FellowshipsHoratio Alger Fellowship for the Study of American Popular Culture
The theme of beyond archives is an interesting one for a discipline that relies heavily on existing sometimes still only physical collections. This panel invites papers that explore any aspect of the archive in Old and Middle English literature.
Call for Papers
MeCCSA Postgraduate Network Conference 2026
Media and Sustainability
University of Reading,
Minghella Studios, Whiteknights Campus
Reading RG6 6BT
9th September 2026
Organising committee: Babsie Keulemans, Emir Anday and Elizabeth Heaney
Any questions about the conference or the submission process can be directed to:
Babsie Keulemans – e.l.keulemans@pgr.reading.ac.uk
International conference co-organized
with the French School of Athens
From imagination to remains, from remains to imagination: literary representations of ancient Greece in its materiality (14th-19th centuries)
February 25-26, 2027 at the French School of Athens
The session “Women in Literature” includes papers dealing with any aspect of women in literature or literature by women. The session may contain essays on a wide variety of topics related to literature by and about women, including essays engaging with a wide variety of critical or theoretical approaches. Presentations might include consideration of women/women writers in terms of gender, race, ethnicity, class, sexuality, and geographical region. Papers may engage with the conference theme, “Our Ruling Classes: Culture, Power, Conflict," but doing so is not required. Additional topics might include:
This special session invites papers on zombies and the undead as figures through which literature, film, television, games, and popular culture imagine power, hierarchy, and social conflict. In keeping with PAMLA 2026’s theme, “Our Ruling Classes: Culture, Power, Conflict,” this panel explores how zombie narratives dramatize the fragility of social order, the failures of ruling elites, and the tensions between collective survival and unequal power.
Call for Papers
Stardom & Fandom
Southwest Popular / American Culture Association (SWPACA)
2026 SWPACA Summer Salon
June 25-27, 2026
Virtual Conference
Submissions open on March 30, 2026
Proposal submission deadline: April 27, 2026
The volume Women's Autobiographies and Memoirs 1920-2025: Precarity, Resistance and Selfhood attempts to look into the dialectics of identity and writing - the compulsion to respond to the other inhabiting the self, which provokes in her something peculiar and singular - a text of one's own. The self-authenticated narratives are often haunted by many an unsubduable voice that breaks open the self-centred finitude of living and dying.
“Italian Ecocriticism” Panel at the 2026 PAMLA Conference in Seattle, OR.12-15 November, 2026 in Seattle, OR.
Call for Papers
ATHE Theory & Criticism Graduate Student Essay Contest
The ATHE Theory & Criticism Focus Group seeks papers for its annual Graduate Student Essay Contest. The contest presents an exciting opportunity for an emergent theatre and performance studies scholar. It introduces the winning writer to the ATHE conference and provides them with a venue in which to showcase their work.
The contest prizes are intended to support the development of the student’s academic work, ease financial challenges related to conference attendance, and connect the student with appropriate scholarly resources for the paper’s development and impact.
ERC Advanced Grant AGRELITA
The Reception of Ancient Greece in pre-modern French Literature and Illustrations of Manuscripts and Printed Books (1320-1550): How invented memories shaped the identity of European communities
Direction : Catherine Gaullier-Bougassas
https://agrelita.hypotheses.org/
Translational Research and Teaching: Bridging Knowledge, Practice, and Community October 29-November 1, 2026 Panama City, Florida
Hosted in partnership by Florida State University, Florida A&M University, and the University of Mississippi
The Association for Interdisciplinary Studies (AIS) is pleased to invite proposals for our 48th annual conference. AIS 2026 focuses on the theme of Translational Research and Teaching, exploring interdisciplinary work that bridges the gap between researchers, educators, practitioners, and community partners.
Call for Chapters: Decolonial Sámi Feminism: Memory, Resilience, and Reconciliation
Call for Chapter Proposals: Tana French and Ireland Deadline for abstract submissions:May 1, 2026 Deadline for paper submissions:November 1, 2026 contact email:escheible@bridgew.edu Popular genre fiction offers an influential platform for the critique of Irish cultural containment and the victimization of women. Despite commercial dominance, genre fiction holds a complicated position in the literary marketplace, which carries over to scholarly appraisals.
Late Bowie: Legacy, Mortality and the Archival Impulse
Call for Papers
Kingston University, Tony Visconti Studio, 11-12 September 2026
The Call for Papers of the academic journal The Grove. Working Papers on English Studies for its following volume is open until May 31, 2026. Volume 33 will be published in December 2026.
The Grove is a peer-reviewed, indexed periodical. Published annually and distributed both nationally and internationally, The Grove is sponsored by the research group HUM-271 of the Regional Andalusian Government, published by the University of Jaén (Spain).
The primary scope of The Grove is literatures in English, critical theory, English language and linguistics, translation, English as a foreign language and cultural studies.
The Indian National Emergency (1975 – 1977) and its afterlife: creative engagements and the cultural politics of memory
Special Issue Proposal - CFP
This Special Issue is a follow up to a panel organised at the 2025 ECSAS (European Conference for South Asian Studies) in Heidelberg on Emergency and Its Afterlife. Panel convenors (Dr Deimantas Valanciunas, Vilnius University, and Dr Clelia Clini, London Metropolitan University) would like to invite proposals for articles for a special issue on creative engagements with the Emergency.
Queer Heroes and Queer Villains
Call for Abstracts for Issue 21 (Spring 2027)Embodiment
Guest Editors: Alexandra Stuhlmann and Siyu Li
54th Annual Conference on South Asia, October 28-31, 2026
Call for Papers
Southwest Popular / American Culture Association (SWPACA)
2026 SWPACA Summer Salon
June 25-27, 2026
Virtual Conference
Submissions open on March 30, 2026
Proposal submission deadline: April 27, 2026
“Literary texts are not, of course, merely passive conduits. They actively shape what the technologies mean and what the scientific theories signify in cultural contexts […] culture circulates through science no less than science circulates through culture.” (Hayles How We Became Posthuman 21) We can expand this view beyond science and technology. All aspects of human cultures circulate in artistic productions, most notably in prose fiction, and in return, fiction has the potential to influence cultures and to inspire innovations.
University of Siedlce
Institute of Linguistics and Literary Studies
and
University of the Balearic Islands
Faculty of Philosophy and Art
would like to kindly invite all scholars from across the Humanities to take part in the
11th Annual Siedlce Forum for Contemporary Issues
in Language and Literature
Call for Papers
Digital & Analog Cultures
Southwest Popular / American Culture Association (SWPACA)
2026 SWPACA Summer Salon
June 25-27, 2026
Virtual Conference
Submissions open on March 30, 2026
Proposal submission deadline: April 27, 2026
Call for Proposals for
Easy and Early Readers in Children’s Literature and Culture: New Approaches to Theorizing Books for Beginning Readers (tentative title)
deadline for submissions:
August 1, 2026
full name / name of organization:
Jennifer Miskec, Longwood University and Annette Wannamaker, Eastern Michigan University
contact email:
This roundtable, inspired by the 2026 PAMLA conference theme “Our Ruling Classes: Culture, Power, Conflict,” invites short (5-minute) presentations on possible approaches and challenges to teaching figures who have been rejected by cancel culture for their harmfully dated representations of marginalized figures and communities or their creators’ mistreatment of other people or toxic attitudes: writers like Mark Twain, Vladimir Nabokov, and J.K. Rowling; filmmakers from Alfred Hitchcock to Woody Allen; and performers like Kevin Spacey and Louis C.K. Possible approaches might include:
This special session, taking its inspiration from the conference rubric “Our Ruling Classes: Culture, Power, Conflict,” invites presentations that explore the dynamics of power differentials in adaptations of any kind. Following David Mamet’s notorious maxim, “Film is a collaborative business—bend over,” it seeks to investigate whether the production and reception of adaptations are marked by inevitable power imbalances, how collaborations in making and making sense of adaptations address these imbalances, and whether collaborations among equals are either possible or desirable.
Call for PapersLiterature-General Southwest Popular / American Culture Association (SWPACA) 2026 SWPACA Summer Salon June 25-27, 2026Virtual Conferencehttps://swpaca.org/Submissions open on March 30, 2026Proposal submission deadline: April 27, 2026 Proposals for papers are now being accepted for the SWPACA Summer Salon. SWPACA offersnearly 70 subject areas in a variety of categories encompassing the following: Film, Television,Music, & Visual Media; Historic & Contemporary Cultures; Identities & Cultures; Language &Literature; Science Fiction & Fantasy; and Pedagogy & Popular Culture.
The Comparative American Ethnic Literature session at the 2026 PAMLA Conference in Seattle, WA seeks proposals for papers (about 15-20 minutes in length) related to a wide variety of topics regarding multi-ethnic texts, relationships between multi-ethnic writers, and/or connections among ethnic and religious communities. While proposals may engage with this year's conference theme of “Our Ruling Classes: Culture, Power, Conflict," the session is open to broad interpretations and explorations of the field, including considerations of historical period, geographic area, genre (including film and music), gender and sexuality, bi- and multi-lingual texts, and so on.
Call For Proposals
The Upstart Crows: The Beatles and the British Literary Tradition
(Edited Volume)
Deadline for Submissions:
November 1, 2026
Contact email:
tpace@jcu.edu
The 123rd Annual PAMLA Conference's Digital Studies session examines how digital technologies shape human life, culture, the environment, and academia. The area remains interested in a broad range of work at the intersection of the humanities, the arts, and digital culture. However, in line with this year’s conference theme (“Our Ruling Classes: Class, Power, Conflict”), we are particularly interested in the power structures that shape how technologies are used, by whom, and to what ends. Who is included in the design and implementation of digital technologies, and who is left out? Who benefits, and who pays the greatest costs?
The permanent section "Women in Literature" is seeking papers for the MMLA convention held 12-14 November 2026 in Chicago.
Archives are based upon categories, the fundamental one being what is and what is not worth remembering. In literature, rebellious women are also categorized and tend to become exemplars (and are memorialized) or are erased. This panel seeks to complicate what is worth remembering by examining the silences and gaps in what tends to be categorized as “rebellious.” Of particular interest are women in literature who engage in quotidian acts of rebellion, figures who may be rebellious in some ways but traditional in others, and other examples that problematize what might qualify as a “rebellious woman.”
All information is accesible also on the conference website: https://events.ceu.edu/2026-10-08/cfp-collectingcreating-archive-based-m...
TARTALO. 10th International Conference on Myth in the Arts (2026).
17-20 November 2026, Vitoria-Gasteiz (Spain)
Venue: Faculty of Arts, EHU (University of the Basque Country) / online
CALL FOR PAPERS