The mixed race, multi-racial, bi-racial, mulatto, or hapa figure is already one of crossing boundaries and as such transgressive, provocative, resilient in the face of anti-miscegenation and homogeneity. It speaks to embodiment and yet, as Claudine Chiawei O’Hearn notes in Half + Half: Writers on Growing Up Biracial + Bicultural, “skin color and place of birth are not accurate signifiers of identity” (xiv). This panel seeks papers that investigate this figure in fiction as a multifaceted site of social interrogation, intersectionality, and personal identity. Topics could include, but are not limited to:

Mixed racial identities, multiculturalism

Colorism

Passing or dominant culture adjacency

The Routledge Companion to Ecopoetics offers comprehensive coverage of the vital and growing movement of ecopoetics. We understand the term ecopoetics as including innovative approaches to the entanglement of individuals, cultures, and languages with the natural systems that permeate and envelop them. We begin with the assumption that ecopoetics is not a genre such as ecopoetry or nature poetry, but rather a dynamic field of inquiry and a laboratory for new ways of knowing. The collection will be global in scope, with contributors drawn from a wide range of nations, ethnicities, and gender identities.

Following generative discussions unveiling the potentiality of reading the horror genre through the lens of class analysis, this seminar invites contributions that highlight the role of racial and heteropatriarchal capitalism in cinematic horror narratives. Together with seminar participants, we are interested in adding a novel line of inquiry, which perhaps has not been thoroughly explored, to the rich theoretical scholarship that has grown around the horror genre. Echoing Mark Steven (2017), we will ask: How are contemporary horror movies responding, absorbing, or resisting the dynamics of capitalism beyond a liberal understanding of identity politics?

Call for AbstractsAnthony Bourdain and Philosophy Edited by Scott Calef The Carus Books Popular Culture and Philosophy Series(Please Circulate Widely!)  Abstracts are being sought for a collection of philosophical essays related to any aspect of the life, work and legacy of Anthony Bourdain to be published by Carus Books (the editorial team behind the similar series by Open Court). Anthony Bourdain was a pop culture icon, celebrity chef, multi-times bestselling author, armchair philosopher, activist and travel documentarian. He has been everywhere, seemingly met everyone worth meeting (e.g.

“Germany is one of the most committed operators of international artist residencies,” asserts the self-description of the “Working Group of German International Residency Programs.” Among German residencies are Villa Massimo in Rome, Villa Aurora in Los Angeles, Villa Kamogawa in Kyoto, and many others. Together, these institutions form a global network coordinated by actors such as the Federal Foreign Office and the Goethe-Institut. This network plays a key role both in Germany’s foreign cultural policy and in supporting literature and the arts.

The planetary event characterised as Anthropocene in our times shares a particular relationship with the Modernist milieu which sought to represent the conflicts that extend to the non-human and the more-than-human world. Scattered through Eliot’s poetic oeuvre is the speculation of how to think seriously about the planet. Every street lamp that Eliot’s lyric persona passes from beats like a “fatalistic drum” with Bergsonian élan vital (the creative force) which informs both the human and the non-human world. This roundtable invites contributions which will explore the non-human aspects in Eliot’s poems.

Resilience is a word used to describe the ability to sustain adversity. Graphic narratives situate the debates about resilience in the realm of popular culture. Many graphic narratives depict the themes of resilience which have emerged as a result of socio-political upheaval, existential urges and institutional threats. Works such as Persepolis, Bhimayana, Fun Home and Nat Turner graphically depict the story of the immigrant experience, caste, gender and race issues based on the varied forms of worded and pictorial texts.

Everchanging world order and its position in the continuum rely on ongoing events and the functioning of different states—country, government, nation, authority, community, land, etc.— embedded within the global makeup. The 2nd International Conference of the Department of English, Shahjalal University of Science and Technology, Sylhet 3114, Bangladesh, to be held on January 27-28, 2023, conceptualizes the narratives related to the terms—Refugee, Resistance, and Recognition— and their articulations in global literary spaces both as distinct and interrelated concepts in the premises of art, literature, language, (social) media, law, and politics in [Post]postcolonial perspectives.

INSIDE VOICES

Fan Studies Network – North America Virtual Conference
October 13–16, 2022

SUBMISSIONS DUE AUGUST 1

This roundtable will examine Vishal’s Bhardwaj’s Trilogy of films based on Shakespearean tragedies released between 2003 and 2014: Maqbool, Omkara, and Haider.

We want to keep the focus of this session as wide and as open as possible but will suggest three possible perspectives: examining the relationship between the Shakespearean plays and the Bhardwaj version; probing the singularity of the South Asian’s approach to the plays; contextualizing the South Asian version of the play with other South Asian sources—literary, political, and musical.

--Heidegger and the Question of Literary Influence

This panel on Heidegger and literary influence has both a very broad and quite specific focus.

Broadly, we will examine Heidegger’s writing to examine how philosophers in general and Heidegger in particular read, assimilate, and evaluate all kinds of literature: poetry and fiction both canonical and (post)-modern. We welcome all submissions on the broad and important relationship between philosophy and literature.

Submit 200-300 word abstracts (with short bio) via the NeMLA Portal by Sept. 30, 2022. Contact Hannah LeClair (hleclair@sas.upenn.edu) and Molly Young (mryoung@sas.upenn.edu) with any questions.

The Everyday Beyond Description (Panel):

Nineteenth-century British realism is often understood as the generic manifestation of the everyday, with a discrete kind of content—scenes of domestic and rural life, for instance—and, in the novel, a discrete form, namely the “mimetic” description of these social worlds.

Volume 13 of the Journal of Early Modern Studies seeks to interrogate how common men and women used different modes of writing to keep, shape, and contest social memory in the early modern world. Studies on popular senses of the past, such as Andy Wood’s, have brought to light the complex interrelation between custom, collective memory, and social struggle. A usable past was key in conflicts over economic and political resources in the present. As the systematic regulation of access to reading and writing (Guillory), literacy was the basis for persistent forms of exclusion — particularly when gender and racial regimes of inequality intersected with class. But literacy was also a site of contestation.

II International Postgraduate Seminar in English Literature and Linguistics (IPSELL)

September 30th, 2022

Facultad de Filosofía y Letras, University of Granada, Spain

CALL FOR PAPERS (https://docs.google.com/document/d/1aNyQPVbrrBfpGL1qXFOSBpvy3eZLmT4c/edi...)