Margaret Atwood’s works are replete with significant spaces: the forest in which Lucy disappears in “Death by Landscape,” Iris’s mansion in the fictional Port Ticonderoga of The Blind Assassin, Offred’s room, haunted by the Offreds who came before her, in The Handmaid’s Tale, Aunt Lydia’s hiding place in Ardua Hall in The Testaments, the rooftop gardens of the MaddAddam trilogy, Kinnear’s basement in Alias Grace, and more. We’re in a Renaissance of Atwood scholarship, prompted in part by contemporary parallels to the events in her dystopias and to the Hulu and Netflix adaptations of The Handmaid’s Tale and Alias Grace, respectively.
CALL FOR PAPERS ON JOHN CLARE
The John Clare Society of North America invites paper proposals for its guaranteed panel at the Modern Language Association Annual Convention in San Francisco, January 5-8th, 2023. Happy to receive scholarship on any aspect of Clare’s poetry, prose, life, and/or sphere of influence.
Please send abstract and short bio by 18 March 2022 to Erica McAlpine at firstname.lastname@example.org
We are seeking proposals for an edited collection tentatively titled Television Comedy & Cultural Crisis. Chapters should focus on a specific television series, and address how that series engages with the discourse of a particular cultural crisis through comedy. The function of comedy should be foregrounded, as the collection will be held together through the central question of how humor acts as space through which we can resist normative ways of thinking about these cultural crises.
Contributors might consider humorous depictions of, but are not limited to:
Call for Abstracts – Hybrid Conference
Motherhoods on Screen: Global Perspectives
Maynooth University, Ireland
23rd & 24th September 2022
Organized by Loic Bourdeau & Julie Rodgers
The Fury of Achilles: The Faces of War
29 and 30 September 2022
University of Aveiro
The International Conference “The Fury of Achilles: The Faces of War” will be held in the Department of Languages and Cultures of the University of Aveiro, Portugal, on 29 and 30 September 2022. It will be a presential event.
Panel cfp: More-than-human worlds in literature, cinema, the visual arts & performance
Book editor: Roshni Sengupta
Both “culture” and “people” are largely undefined and inherently diverse forms, susceptible to malleability and appropriation to suit different agendas. Considering popular culture as a field of struggle leads us to a distinction between popular forms of control as well as participation. Popular culture therefore remains tied to questions of representation, enactment, regulation and control. Reading the form requires the deployment of modes such as symbols and codes (semiotics), apparatus of production (political economy approach), audience and consumer response as well as through studies of the social life of cultural forms and their political frames.
A two-day conference: Thursday, May 5-Friday, May 6, 2022
Plenary speakers: Siân Echard (Professor of English, University of British Columbia); Aaron T. Pratt (Carl & Lily Pforzheimer Curator of Early Modern Books and Manuscripts, Harry Ransom Center, University of Texas, Austin); and Robert Spoo (Chapman Distinguished Professor of Law, University of Tulsa).
2022 Meeting of the Society for Comparative Literature and the Arts
October 6-8, 2022
Keynote Speaker: Jean-Pierre Bekolo, Afrofuturist Film Director
Call for Proposals
The Martineau Society will be hosting its annual conference in Sheffield, England. The Martineau Society conference is an interdisciplinary conference that focuses on the lives, work, and contributions of the Martineau family, including its two most famous and influential members, Harriet Martineau (1802-1876) and James Martineau (1805-1900).
Started by Norwich Unitarians in 1994, the Martineau Society encourages scholarship on the Martineau family and their nineteenth-century context as well as their continuing influence.
Topics may include, but are not limited to, the following:
Theology and Religion
Literature (all genres, including Children’s Literature and Travel Writing)
Language and Linguistics
In the inaugural issue of The Global South, Arif Dirlik notes the fundamental instability of the journal’s core concept: “like all geographical designations of ideological and political spaces and projects,” the geography of the Global South “is much more complicated than the term suggests, and subject to change over time.” “[T]he ‘South’ of the contemporary world,” Dirlik reminds us, “may be significantly different in its composition and territorial spread than the South” of past historical moments.
Literary Druid is a journal that destinies to foster research and creative writing in English. It welcomes all nationals to contribute for learning and research purposes. The perspective of Literary Druid is to create a niche platform for academicians and patrons to share their intellect to enrich English language and Literature. I welcome all to learn and share.
Playing the Field III: Video Game Ecologies and American Studies
November 17-19, 2022
Amerikahaus Munich, Germany
“Video Game Ecologies and American Studies” is the third conference organized by “Playing the Field,” a collaborative research initiative for the study of video games in American studies: https://playingthefieldeu.wordpress.com/.
Department of English
“Queer Political Assemblages 2.0”
7 March 2022
Dr. Kaustav Bakshi, Associate Professor, Department of English, Jadavpur University
“Queer Political Assemblages”, a national students’ seminar, is a platform for conferring on diverse issues related to the intersectionality of sexuality identity politics, as the name clearly suggests. After a year’s break, the seminar is being revived, though in an online mode. This year’s theme is “Queer homing desires”.
Call for papers
Forked Tongues: The Role of (Foreign) Languages in Literature, Film, and the Arts
2022 GCLR Graduate Student Conference
Venue: Hybrid - Online and In-Person (The Interdisciplinary Humanities Center at UC Santa Barbara)
Time and Date: Sunday, June 5, 2021
Contact: Email Rachel Feldman at email@example.com with the subject line "Forked Tongues"
The Pennsylvania College English Association (PCEA) invites proposals from faculty members, graduate students, and independent scholars for its 2022 Annual Conference on the theme of recovering lost writers and lost texts. We are especially interested in recovering marginalized voices, finding reasons for their disappearance, and charting a path to bring their writing and lives back into the light of current scholarship. Lost or forgotten work by canonical authors would also be welcome subjects of literary inquiry as part of this call, as would be papers that trace the evolution of a literary text from manuscript to magazine publication to book form if the changes are radical.
While the #MeToo movement as a cultural, feminist, and antiracist force has been slowly and steadily uncovering and altering landscapes of gendered harassment and abuse across our society, academia itself as an abusive culture has remained fairly immune to these critiques. Recent events at Harvard, where senior scholars immediately lined up in support of a colleague accused of habitually harassing students, only to withdraw that support later, are sadly typical of the kneejerk defense of institutions and disregard for victims that characterize such cases. Scholars such as Sarah Ahmed have forcefully critiqued academic culture, helping us begin to theorize its endemic harassment and abuse.
Reconfiguring Digital Spaces: GLO Conference 2022
If the pandemic has taught us anything, it is that we have become painfully aware of how highly dependent we are on networked computers in most facets of our everyday lives. Shuffling from Zoomiverse to Metaverse and everything in between, computers remain the focal point of interactivity in life, entertainment, scholarship, and labor as in-person activities become increasingly constricted. Alternatives must be found; and even though dreams of totally transferring consciousnesses to digital avatars remain deeply rooted in the literary cyberpunk imaginaries of the 1980s and 90s, the pandemic brings us closer to realizing them in surprising ways.
This traditional session format welcomes submissions on any aspect of Octavia E. Butler’s writing. Abstracts addressing the conference theme ("Change") are especially welcome. By July 1, please submit a 250-word abstract, a brief bio or CV, and any A/V or scheduling requests to Chris Gabbard, University of North Florida, at firstname.lastname@example.org
This traditional session format welcomes submissions on representations of caregiving in literature, film, and/or popular media with an Ethics of Care focus. Abstracts addressing the conference theme ("Change") are especially welcome. By July 1, please submit a 250-word abstract, a brief bio or CV, and any A/V or scheduling requests to Chris Gabbard, University of North Florida, at email@example.com
30 years ago, Polygram Filmed Entertainment released Candyman, a film loosely adapted from Clive Barker’s short story “The Forbidden”. Unlike Barker’s original text, this Candyman was set in Chicago, specifically the urban ghetto Cabrini Green, and seemed to focus on the tragedy of a Black artist who vengefully returns as a violent ghost after his brutal lynching. The film and its ideologies were complicated. Innovative in its starting point – a story of profound Black suffering which called attention to the racial injustice underpinning US society – audiences were also given a tale which reiterated ideas of Black monstrosity and illogical interracial violence.
Extended for Abstracts until April, 9, 2022: Voicing the Less Dead: Unheard, Unseen, Unknown, an edited collection (in-process)
FASCINATING NOISE. SOUND IN ART AND SCIENCE deadline for submissions: April 30, 2022 full name / name of organization: PULSE: THE JOURNAL OF SCIENCE AND CULTURE/ https://www.pulse-journal.org/open-call contact email: firstname.lastname@example.org
PULSE: THE JOURNAL OF SCIENCE AND CULTURE
CALL FOR PAPERS
FASCINATING NOISE. SOUND IN ART AND SCIENCE
“Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating.” John Cage, “The Future of Music – Credo”
LCCT 2022: Call for Presentations
The Call for Presentations is now open for the 9th annual London Conference in Critical Thought (LCCT), hosted and supported by the School of Law at Birkbeck College, University of London.
Call for papers
InterArtes, n° 2, 2022
Edited by: Laura Brignoli, Silvia Zangrandi
Department of "Humanistic Studies”
Università IULM - Milan
Description & Requirements:
We invite 200-word abstracts for papers that explore the construction/theorization/rethinking/deconstruction/rise/success of South Asian Diaspora who leave the 'origin' of their forefathers and settle or are born elsewhere.
Preference will be given to a scholar working on Nepali/Bhutanese/Bangladeshi/Maldives Diaspora Literature.
Signs was founded in 1975 as part of an emergent tradition of feminist scholarship and has been publishing continuously ever since, establishing itself as a preeminent journal in women’s, gender, and sexuality studies. At the time of the journal’s conception, Signs’s founding editorial staff sought not only to raise consciousness and develop theories of women’s oppression but also to challenge the taken-for-granted and to strive for theoretical nuance and interdisciplinarity. To honor half a century of publication, our fiftieth anniversary issue aims to generate new questions and critical discussion about “Big Feminism” – about the role and power of feminist theory – today and into the future.
The 2023 Catharine Stimpson Prize for Outstanding Feminist Scholarship
The University of Chicago Press and Signs: Journal of Women in Culture and Society are pleased to announce the competition for the 2023 Catharine Stimpson Prize for Outstanding Feminist Scholarship. Named in honor of the founding editor of Signs, the Catharine Stimpson Prize is designed to recognize excellence and innovation in the work of emerging feminist scholars.