The Oxford Medieval Graduate Conference committee is delighted to announce this year's Call for Papers! We look forward to receiving submissions for 20 minute papers from graduate students on ‘Rituals and Ceremonies’. 

The conference will be held in person on the 24th and 25th of April, 2025. Submissions are welcome from all disciplinary and interdisciplinary perspectives. There are no limitations on geographical focus or time period, so long as the topic pertains to the medieval period.

Topics could include, but are certainly not limited to:

Queer Studies in Media and Popular Culture is seeking reviews for upcoming issues. The journal welcomes reviews of a wide range of queer media and cultural artefacts. Like other academic journals, Queer Studies in Media & Popular Culture certainly publishes reviews of recently released books on queer subject matter. Consistent with the journal's overall focus, however, we also strongly encourage the submission and publication of reviews pertaining to significant films, musical recordings, plays, television series, video games, exhibitions, and related cultural artefacts that are of relevance to queerness in its various forms.

IFTR 2025: Cologne, Germany. 9 – 13 June 2025.

Deadline for submission of abstracts: 15 January 2025

Deadline for bursary applications: 22 November 2024 (https://iftr.org/conference/bursaries)

In line with this working group’s established practice, we have identified three loose strands that reflect the recent work of scholars in the wider field of political performances, and that also align with the 2025 conference theme: Performing Carnival!

Editors: Rebecca Fasselt and Joya Uraizee

DEADLINE EXTENDED to NOVEMBER 14

Calling the Devil:

Preternatural Projections, Diabolical Conceptions, and the Arcane Adversary                                             

Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics

The impact of the pandemic and the threat that it poses to future human experiences has been well-documented. However, now that non-human animals are possible carriers and becoming infected, their experiences, while often overlooked, are nevertheless integrated into the worldwide pandemic.

Thus, this collection seeks to balance essays about non-human animals during real-world pandemics, such as the COVID-19 one, with those of their experiences during literary or cinematic ones. The scope of this call for papers is broad and can include topics such as:

--Animals as victims of contagions

The MELUS Women of Color Caucus (WOCC) seeks scholars whose literary analysis (i.e., the examination of fiction, poetry, non-fiction, plays, film, music, and/or TV) of works by women of color centers approaches to literary research, especially work that makes visible or accounts for women of color’s invisibility and/or seeks to fill gaps in the canon and archives around experiences. Our models for this work include scholars and theorists such as Saidiya Hartman, Christina Sharpe, and Audre Lorde, and essayists such as Cathy Park Hong, Claudia Rankine, Elissa Washuta, and Carmen Maria Machado. These approaches can include: 

International conference "‘ Change life ", 100 years later: Surrealism from the origins till now" (December 9 and 10, 2024)

This year marks the centenary of the publication of the surrealist manifesto. The surrealist movement, itself derived from Dada, has since experienced internationalization and rebirths. In recent years, the movement has benefited from new insights while literary and artistic criticisms have sought to highlight figures and aspects hitherto neglected: the essential place of women in movement, its international dimension, its Relations with negritude and the criticism of colonialism, its intermediality, the multiplicity of its artistic practices.

Call for Papers

The Disasters and Apocalypses area of the Pop Culture Association offers a forum for analysis and critical approaches surrounding the culture of disasters, catastrophes, accidents, and apocalypses in global art, literature, media, film, and popular culture. Disasters, Apocalypses, and Catastrophes will address broader disciplinary topics and innovative intersections of humanities, musicology, social science, literature, film, visual art, psychology, game studies, material culture, media studies, ecology, and information technology.

Concept Note

Conference Date: April 4-5, 2025

https://drive.google.com/file/d/1AVXufNHQQFN00hrpVBOOsl2jMpv5-_ss/view

We warmly invite established and emerging scholars to participate in the Eaton Conference on Speculative Fiction, which will be held in-person at the University of California, Riverside from April 4-5, 2025. All scholars, especially graduate and undergraduate students are encouraged to submit abstracts for a two-day conference on speculative fiction and the archive to share and engage in conversation about their work, foster community and collegiality, and gain conference experience. This event will be free and open to the public.

The Memory and Representation area of the Popular Culture Association/American Culture Association invites submissions on any pertinent topic (see description below) for the 2025 National Conference in New Orleans, Louisiana, on April 16-19, 2025.

Memory and Representation: Area Description

“Auto—”

Duke University Department of English Graduate Conference

February 13 & 14, 2025

Keynote Speaker: Tyrone S. Palmer (Wesleyan University)

How does the novel give voice to art in other media? What does it take to render as text what has never existed textually? In this panel, we will be responding to this year’s SNS conference theme of “novel languages” by thinking through the ekphrastic act in its broadest sense, asking and answering questions about what it means to “translate” art or experience from one medium to another, what it might mean for representations of other media in the novel to constitute a language of its own.