44th Annual Conference, February 22-25, 2023 

Marriott Albuquerque 

Albuquerque, New Mexico http://www.southwestpca.org 

Submissions open on August 15, 2022 

Proposal submission deadline: October 31, 2022 

Call for Papers

Southwest Popular / American Culture Association (SWPACA)

Annual Conference

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on August 15, 2022

Proposal submission deadline: October 31, 2022

Depictions of Gender and Sexuality in Popular/Public Culture

Call for Chapters

Editors: Laura Getty, University of North Georgia (Laura.getty@ung.edu) and Josef Vice, Purdue University Global (jvice@purdueglobal.edu)

Publisher: international academic press to be confirmed

Deadline for submitting chapter proposals (400 words): October 7, 2022 

Notification of acceptance: ongoing, no later than October 30, 2022

Provisional deadline for essay draft submission (approximately 10,000-15,000 words): May 5, 2023

The Southern Humanities Conference, 2023

Call for Papers

Conference Theme: Myths and Mythmaking

San Antonio, Texas, January 26-29, 2023

The Southern Humanities Conference offers an opportunity for scholars, artists, writers, musicians,

performers, and humanists of all kinds to share their knowledge, research, work, and experiences in an

interdisciplinary, welcoming, and engaging intellectual space.

The modern world is redolent with myths, mythologies, and mythmakers in various guises. Myths are

Location: Rome (Italy) the 12-14 of December 2022. At the Borrominian Hall of Vallicelliana Library

Website: https://generativeart.com (where it's possible to have all news and read all papers of last 24 events)

Topics: Art - Music - Architecture - Industrial Design - Web Art - Poetry - Visual Grammar - Design Approach - Teaching Theory - Mathematics - Virtual Environment - Literature - Artificial Life - Artificial Intelligence - Cellular Automata - Performances - Artificial Behaviors - Communication - metaverse and web3.0 - Generative Robots - Mechatronic - Nanotechnology - NanoArt

We invite you to submit your manuscript to Transcultural Journal for Humanities and Social Sciences (TJHSS): Volume (3), Issue (4), October 2022. The Journal is an open access published by Badr University in Cairo, BUC and indexed in EKB and in MLA and obtained the highest score (7 out of 7) in the recent evaluation of the Supreme Council of  Egyptian Universities. The journal publishes written manuscripts in various languages: English, Italian, German, Spanish, French, Chinese, and Arabic.

Call for contributions

Edited book: Cinematic Starchitecture: the celebrity status of architectural structures in film

IN VIVO ARTS (www.invivoarts.fr) is a bilingual online platform (French and English) specialised in multidisciplinary research on contemporary artistic creation, with a focus on the Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.

In addition, given the hybridity of contemporary artistic forms, the platform hosts reflections on the written arts and non-cinematic visual arts (painting, sculpture, architecture, photography, installations, etc.), especially in their imbrication with the performing scenes and screens.

Call for Papers: In Vivo Arts Issue #1

Theme: ANIMALS

We invite you to join us on a two-day workshop launching our new research project, Affective Intermediality. Cinema between Media, Sensation and Reality. In this project our goal is not to provide or refine a widely applicable set of abstract concepts regarding the connections between media, quite the contrary, we seek to map areas where intermediality appears as most elusive and mutable, where it is registered as a sensation altering our perception of a medium and where it connects to us in an affective way.

Let’s Get Digital embraces the timely opportunity to critically reexamine the impacts of digital technology and the barrage of information on our perceptions of reality. Specifically, this panel is focusing on digital art, history, curatorial strategies, critical theory, emergent platforms and forms of creative expression. In bringing together a panel of artists, scholars, and curators we hope to collectively reflect on our present post-internet age, to borrow Byung-Chul Han’s term, ‘the age of like’, and what it means to engage with the digital realm, over half-a-century since its inception.

Editor: Dr Alice Equestri, University of Padua (alice.equestri@unipd.it)

Publisher: international academic press to be confirmed

Deadline for submitting chapter proposals (400 words): August 23, 2022 (extended deadline)
Notification of acceptance: September 1, 2022
Provisional deadline for essay submission (6000-8000 words): April 30, 2023

From ancient Greek τραύμα (meaning “wound, damage”), the term trauma refers to a physical or psychological injury provoked by a violent event, and the very event causing this great distress. Traumatic events abound in early modern France, whether be caused by natural catastrophes (floods, storms, fires, harsh winter, plagues) or by human activity (warfare, sexual violence, religious persecution).

The organizers of the 2023 BWWC invite papers and panel proposals interpreting the theme of ‘Liberties’ in global and transatlantic British women’s writing from the long eighteenth century to the present. We ask participants to consider ‘liberties’ not only as a political abstraction but also as part of material and experiential subjectivity. Interpreted broadly, liberties include (but are not limited to) legal rights and freedoms, liberty of the person and bodily autonomy, liberties of creative and artistic expression, liberty of profession and vocation, freedom of movement both physical and social, and self-determination in the private and public spheres.

The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Women and the Avant-Garde in Ibero-America and the Caribbean”. By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Ibero-American and Caribbean women in the avant-garde scene from the 1910s to the present day. The geographical scope of this special issue includes Spain and Portugal as well as all Hispanic American countries in North, Central, and South America plus the Hispanophone Caribbean.

We welcome academic articles that focus on, but are not limited to, the following topics: