“Victorian Energies: Sucrocultures, Carbocultures, and Petrocultures in the Long Nineteenth Century": Victorian Review Special Issue 

Proposal Deadline: September 1, 2024
Paper Submission Deadline: April 1, 2025

Call for Papers

Twenty-third Claflin University Conference on English and Language Arts Pedagogy in Secondary and Postsecondary Institutions (In-person on the campus of Claflin University) *

October 22-23, 2024

THEME: BORDERS AND MIGRATIONS

Tuesday, October 22, 2024, Concurrent sessions

11 AM EST Keynote address: “Passport Power: Time, borders, and migrations”

                   Noora A. Lori, Ph.D., Associate Professor of International Relations,

                   Frederick S. Pardee School of Global Studies, Boston University, Boston, MA

"Suble Modernist Revolutions: 1925 as Annus Mirablis" invites abstract submissions for our panel at NeMLA 2025 (March 6-9, Philadelphia). A centennial has passed since 1925, a watershed year of subtle Modernist revolution. If we look to 1925 as a year of subtle Modernist revolution, where Modernist literature found its footing as a revolutionary art movement, what symbols, patterns, or commentaries emerge through the exercise of Modernist techniques? Moreover, where has this revolutionary movement engendered revolutions–the cycling and recycling of certain formal interventions? What writing practices still echo through contemporary literature today and what are their implications?

Scholars of postmodern philosophy have developed a notion that “narration constitutes an act of forming identity further and suggests that a human being needs a life story in order to develop fully as a person” (Meyers 2018). Postmodern literature challenges traditional narrative conventions by embracing a more fragmented, non-linear, and self-referential narrative style (Zaidi & Khurram (2020). This shift can be viewed as a revolutionary dissent against modernism's emphasis on coherence and narrative closure or evolving narrative forms to reflect changing temporal experiences.

Apocalyptic Arthuriana (A Roundtable) (virtual)

Sponsored by Alliance for the Promotion of Research on the Matter of Britain and International Arthurian Society, North American Branch (IAS/NAB)

Organized by Michael A. Torregrossa and Joseph M. Sullivan

60th International Congress on Medieval Studies

Western Michigan University (Kalamazoo, Michigan)

Hybrid event: Thursday, 8 May, through Saturday, 10 May, 2025

Please Submit Proposals by 15 September 2024

Session Information

The Arthurian story is one of rise, fall, and promised return. 

Deadline: Feb. 28, 2025 (Pacific Time)

Submission length: 5,000-8,000 words (including works cited and notes)

Guest Editors: Z. N. Dylan Jackson, amanda wan, Emma Gilroy (University of British Columbia)

PopCRN (the Popular Culture Network) will be holding a free virtual conference exploring all things Bridgerton to be held online on Thursday 30th January 2025.

From a popular book series to the Netflix phenomenon, Bridgerton has captured the public imagination, courted scandal and dazzled readers and audiences with a glittering reimagining of regency London.

We welcome papers from researchers across the academic spectrum and encourage papers from postgraduate researchers and early career researchers. We welcome individual papers, panels and round table submissions. Papers from this conference will have the opportunity to be in our sister journal The International Journal of Popular Culture Studies.

Special Forum on “Locating Nikki Haley in Sikh and South Asian Discourse”

Sikh Formations: Religion, Culture and Theory

Edited by Anneeth Kaur Hundle, Associate Professor of Anthropology at UC Irvine and 

Rishi Ramesh Gune, Doctoral Student in Culture and Theory, UC Irvine 

Submissions Due: October 1st, 2024

Publication: Rolling Basis 

Dark Entries: Rethinking the Horror in Folk Horror

Deadline: Friday, September 13, 2024

Symposium Date: Friday, October 11, 2024

Format: Online (via Zoom, EST)

Abstract: 150 words + short biographical statement + time zone

Submit to: brooke.cameron@queensu.ca and noahrgallego@gmail.com

Organizers: Brooke Cameron, Ph.D. (Queens’ University at Kingston, Ontario, CA) and Noah Gallego, M.A. (California Polytechnic State University, Pomona, USA)

The E. E. Cummings Society and the Society's journal, Spring, invites abstracts for 20-minute papers for the 46th annual Louisville Conference on Literature and Culture since 1900, February 22-24, 2018, at the University of Louisville (http://www.thelouisvilleconference.com).  Taking up what Cummings means by “my specialty is living said,” this session explores Cummings’ various modernist/avant-gardist experiments with rhythm and sound that came to shape his new art and new poetry.

To celebrate Cummings’ 125th birthday, the E. E.

The E. E. Cummings Society and the Society’s journal, Spring, invite abstracts for 20-minute papers for the 50th annual Louisville Conference on Literature and Culture since 1900, February 23-25, 2023, at the University of Louisville (http://www.thelouisvilleconference.com). 

This special issue, “The Transnational Erotic,” aims to challenge and refuse Western-centric understandings of sexuality, gender, and desire in the context of theatre, dance, and performance studies. Theatre Journal has cultivated a distinguished tradition of making theoretical and historiographical interventions vis-à-vis gender, sexuality, and performance; this issue aims to expand upon and complicate that tradition through an emphasis on diaspora, decolonization, and the Global South.

Shakespeare first travelled to the Korean peninsula at the turn of the twentieth century and has since enjoyed enduring popularity in classrooms, on the stage, and far beyond. The playwright's work has provided and continues to provide fertile ground for performance, from direct Korean-language stagings to hybrid productions which marry the Shakespearean text to Korean cultural forms such as operatic changgeuk and the traditional musical storytelling medium of pansori. Our proposed collection of essays, Hanguk Shakespeare: Korean Receptions and Transformations, aims to explore the rich tradition of Shakespeare in Korea from the turn of the twentieth century to the present day in all its various forms and manifestations.