Organizer: Esther Sánchez-Pardo

Co-Organizer: Becca Klaver

This June, the BARS Early Career and Postgraduate Conference gathered researchers from around the globe to celebrate and to appreciate Romanticism and its legacies at the University of Edinburgh by exploring the theme of ‘boundaries’ within the context of Romantic-period literature and thought. The Oxford English Dictionary defines the term ‘boundary’ as: ‘That which serves to indicate the bounds or limits of anything whether material or immaterial; also the limit itself.’ Such a term seems at odds with the spirit of Romanticist thought, which has long been associated with mobility and boundlessness.

Este panel invita a explorar la cultura de internet del mundo hispanohablante y sus representaciones en producciones artísticas. El meme fue acuñado por el biólogo Richard Dawkins en 1976 para referirse a la difusión de “tunes, ideas, catch- phrases, clothes fashions, ways of making pots or builduing arches” (249) mediante procesos de imitación. Décadas más tarde, el estudio de Patrick Davison (2012) corroboraría que la idea de “meme” había evolucionado gracias a las redes sociales y había pasado a tener el poder de exclusivamente cumplir un objetivo humorístico. Autores como B. E. Wiggins y G. Bret Bowers (2014) argumentan que la circulación del meme es una herramienta conversacional que alienta la participación de la cultura digital.

55th Annual Convention, Northeast Modern Language Association (NeMLA)

March 7-10, 2024

Boston, MA

Surplus and Environmental Justice in Literature and the Arts (ASLE Session)

Sponsored by the Association for the Study of Literature and the Environment (ASLE)

Special dossier | to be published in vol 5 no 2 (May 2024)

A fundamental element of the American imaginary, superhero and heroic narratives have seen a new apogee since the turn of the century. New and old heroes and heroines have populated popular culture, giving rise to a variety of texts that tackle diversity, nostalgia, and the need for imaginaries and narratives that help us deal with the struggles inherent to our current times.

This special dossier, edited by Marica Orrù, will collect essays on (super)hero figures in twenty-first century US popular culture, with a specific focus on diversity, cross-genre texts, and transmedia representations. 

Topics of interest include, but are not limited to:

Extended deadline

CFP: Edited volume on Vikingism: Viking-Age Scandinavians in Modern British and North American Media  

Vikings — their history, traditions, mythology and material culture — have taken contemporary media by storm. Popular culture is awash with Viking tropes and themes which have generated explosive interest in cinema, television, video games, music, literature, genre fiction and comics. This volume aims to provide a ground-breaking and innovative understanding of twentieth- and twenty-first century Vikingism. We are inviting scholars with relevant expertise to contribute essays which address any of the following questions:

The Velvet Light Trap, Issue 94 (to be published Fall 2024)

 UPDATE NEW DEADLINE: 10/1/2023

Creative Labor and Precarity

Special Issue Theme

Shirley Geok-lin Lim claimed, “My Westernization took place in my body.” This panel seeks to theorize the female Korean American body as a racialized and excluded site--a biopolitical site for trauma and haunting. More specifically, we seek to investigate representations of Korean women’s bodies in Korean/Korean American women’s writing and how these representations come to embody fidelity, disloyalty, and/or negotiate multiple affiliations and the movement between allegiances.

As such, this panel asks:

How is the Korean female figure situated between Westernization/Americanization and Asian alliances?

CFP Animation and Transport Vehicles

Deadline: October 6th 2023

Cinema arrived with a train approaching the platform with such speed that the audience jumped off their seats. So it goes in film history, as Martin Loiperdinger points out in "Cinema's Founding Myth" (2004), with the account of the public screening of the Lumiere brothers' The Arrival of the Train at La Ciotat from 1896. And with the introduction of psychoanalysis and structural linguistics in film theory by for example Raymond Bellour in The Analysis of Film (1979: 182), so the train metaphor for sex in film lives on.

Psychology and Popular Culture

Call for Papers for 2024 Conference

The Psychology and Popular Culture area concerns itself with the ways in which popular culture both reflects and shapes the nature of our psychology.

The Psychology and Popular Culture area invites all interested persons to present papers on a broad array of topics inclusive of psychology and popular culture, such as:

The conference will take place between April 15th  and April 19th 2024 (precise date to be announced) at Université Jean Monnet, Saint-Étienne (France)

Texas Tech University’s 2023 Women’s and Gender Studies Fall Colloquium, to be held in person in Lubbock, Texas, on October 20, invites research proposals for individual papers or panels on topics relevant to gender and sexuality studies in contemporary society.    The colloquium is interdisciplinary. Perspectives from anthropology, art, business, communication, education, economics, film, history, journalism, languages, law, linguistics, literature, medicine, music, philosophy, political science, popular culture, psychology, religion, and sociology are welcome. Please submit a 250-word abstract or panel proposal to 

Call for Papers: Radical Print Cultures in the US South

University of Leeds, 15th February 2024

KEYNOTE SPEAKER: Professor Sharon Monteith (Nottingham Trent University), author of SNCC’s Stories: The African American Freedom Movement in the Civil Rights South (Athens, GA: University of Georgia Press, 2020).

6TH INTERNATIONAL SYMPOSIUM LANGUAGE FOR INTERNATIONAL COMMUNICATION (LINCS)

Organized by the University of Latvia (Latvia)

in association with

Le Mans University (France)

https://conferences.lu.lv/event/393/