In the realm of literature, grief and loss have always occupied a profound space, weaving their intricate threads through the narratives of countless tales. From the ancient Greek tragedies to contemporary works, the exploration of human suffering and its aftermath has captivated the imaginations of readers and critics alike. However, delving deeper into the recesses of these literary landscapes, we encounter a concept that extends beyond the boundaries of ordinary grief—a surplus of grief that emerges, often unyielding and overwhelming, in the face of profound loss and trauma.
This panel seeks papers that explore the relationship between gender and nature in medieval and early modern literature. Papers might explore, for example, how forests, ruins, or waterways are used to mediate queer expression, how bestiaries transgressed or engaged in gender formation, and the role of maternity and the transformation of the natural world. Also welcome are global approaches that discuss gender transformation in ecological contact zones. What role does nature play in the formation of individual gender identity and/or communal gender hierarchies? How has the relationship between gender and nature changed or maintained across medieval and early modern time?
Call for Papers: “Mixed Race Shakespeares,” a Special Issue of The Shakespearean International Yearbook (Routledge)
Special Section Editor: Adele Lee (Emerson College, USA)
General Editor: Alexa Alice Joubin (George Washington University, USA)
Shakespeare in Asian Currents
Special issue guest-edited by Bi-qi Beatrice Lei and Judy Celine Ick
This roundtable examines the re-location of Shakespeare in America from the angle of regional production, performance, pedagogy, culture, and impact with a focus on race, class, gender, history, and culture.
Title: Faith, Morality, and the Man without Fear: Theology and Religion in Daredevil
Editors: Taylor Thomas and Regan Hardeman
Abstract, CV, and Proposal due: September 30, 2023
Initial Final Paper due: February 28, 2024
At its core, cyberpunk contrasts fantastic technological developments with dystopian society, emphasizing the persistence of extreme social, economic, and political inequalities despite evident surpluses in capital and resources that should enable higher standards of living within these imagined futures. Caroline Alphin's Neoliberalism and Cyberpunk Science Fiction contends that cyberpunk simultaneously impugns and maintains neoliberal cultural mentalities, anxiously illustrating dystopian futures while also indulging in individualistic fantasies of empowerment.
Shirley Jackson Studies, Vol. 2, Issue #1: Queer(ing) Jackson
In his now canonical work Monsters in the Closet: Homosexuality and the Horror Film, Harry M. Benshoff describes queerness as that which “opposes the binary definitions and proscriptions of a patriarchal heterosexism." For Benshoff, “Queer can be a narrative moment, or a performance or stance which negates the oppressive binarisms of the dominant hegemony.” Queer, then, has the capacity to embody a multitude of challenging or oppositional stances, playing with or subverting gender binaries, heteropatriarchal orders, political hegemonies, and ingrained systems of meaning. Queer can be playful, daring, and defiant.
The Societas Ovidiana welcomes proposals for a virtual panel to be held at the International Congress on Medieval Studies (ICMS) on May 9-11, 2024.
This panel invites a variety of approaches to the study of race and ethnicities in the textual and/or visual traditions of the medieval Ovid. Proposals might consider, but are not limited to:
The intersection of the digital and environmental humanities speaks to our current moment: we live amid ecological changes that we seek to understand, mitigate, and publicize through new technologies. Medieval studies has long been at the forefront of the digital humanities, while ecocriticism and environmental history have advanced our understanding of how medieval people conceived of the nonhuman world. Recently, these threads have come together in adapting modern digital tools to study premodern experiences of local and evolving environments. Our panel centers this exciting area of study in anticipation of a forthcoming issue of Digital Philology on the same topic.
Poets and Writers: consider submitting for a panel at the Northeast Modern Language Association Convention, March 7-10, 2024, in Boston. Panelists will read original work focused on some aspect of adoption and participate in a discussion. To submit an abstract, go to https://cfplist.com/nemla/Home/S/20738 or the NeMLA website and look for panel 20738. Submission deadline is September 30.
Call for Papers
Indraprasth: An International Journal of Culture and Communication Studies
invites original and unpublished papers for its 2023 edition on the theme:
Migration In and Out of Africa: A Cultural Perspective
Conference dates: Feb 1-2, 2024
- Sun-Chieh Liang, National Taiwan Normal University
- Patrick Hersant, Université Paris 8
- Fritz Senn, Zurich James Joyce Foundation
Organisers: Franca Ruggieri, Fabio Luppi, Enrico Terrinoni, Serenella Zanotti
The James Joyce Italian Foundation invites proposals for the Sixteenth Annual Conference in Rome to celebrate Joyce’s 143th birthday.
Greater Aliveness: Women’s Bodies in Literature
“Writing, Thinking, and Learning with AI: Exploring Relationships of Rhetoric and Artificial Intelligence”
Join us October 13–14, 2023, for a virtual conference hosted by the SUNY Council on Writing and the Program in Writing and Rhetoric at Stony Brook University.
The Emily Dickinson International Society panel at the South Atlantic Modern Language Association conference (November 9–11, 2023, in Atlanta, Georgia) seeks submissions on any aspect of Dickinson studies. Abstracts related to the conference theme of (In)Security are particularly welcome. Creative as well as critical work will be considered, and submissions from graduate students are encouraged. By September 1, please submit an abstract, CV, and any A/V requirements to Trisha Kannan at email@example.com.
2024 Conference on John Milton
The 2024 Conference on John Milton will take place June 10-12, 2024, in conjunction with the Symposium on Medieval and Renaissance Studies (SMRS) at Saint Louis University. The official call for papers and the conference poster will appear in late October, and the portal for submitting abstracts of proposed papers, panel sessions, and roundtables will open shortly afterwards in early November. The deadline for abstract submissions will be December 31, 2023. Acceptance notifications will be sent out by February 15, 2024.
The conference is sponsored by Saint Louis University and Washington University in St. Louis.
This panel examines the continuum of intersectional crime fiction writing in a U.S. context, illuminating the methods, exemplary texts, and narrative strategies that embrace inclusive tenets and movements, from Black Lives Matter to LGBTQ+ rights to #ownvoices and neurodivergence. The panel aims to investigate the possibilities and challenges presented by the incorporation of diverse social identities and critique of power structures within narrative cartography. This inquiry entails an exploration of how marginalized identities, including racial, gender, health status, veteran status, and class, are represented and interrogated within the broad range of crime fiction writing.
In the introduction to the collection Technologies of Speculative Fiction (2022), Sherryl Vint writes, “The same technologies that now give women more options regarding reproductive choices are simultaneously utilized by the Christian Right to agitate for regressive legislation that would limit reproductive options even more.” As we experience the continued narrowing of legal access to abortion as enabled by reproductive technologies, such as the attempt to overturn the FDA’s approval of mifepristone, how do feminist envisionings of the future help us re-frame our current political reality? This session seeks paper proposals that explore the experience of (re)reading feminist speculative fiction in the current post-Roe v. Wade climate.
Call for Papers
2024 EALA Annual Conference
Conference Organizers: ROC English and American Literature Association (EALA, Taiwan) and National Tsing Hua University
Date: October 19, 2024
Venue: National Tsing Hua University, Hsinchu, Taiwan
Many Indigenous communities have suffered, and continue to suffer, dire consequences from the dominant trend of ascribing primary value to the written word, considering what is not recorded as surplus data. These consequences can result either from what is selected for inclusion in the Written Record, or from what is omitted; in either case, the problem stems from a dominant culture that values the written word over knowledge transmitted through the oral tradition or held by living, unpublished knowledge keepers.
Bob Dylan – Questions on Masculinity
Bob Dylan turned 80 in 2021, still active and still the subject of controversy. People love both to hate and to love the old songwriter, musician, artist, and Nobel Prize winner. Dylan is one of the world's biggest celebrities, a riddle who prefers to surprise rather than to live up to the expectations of the audience or the media. His songs have since long become classics in the songbooks of world literature, and questions on masculinity have been raised in relation to Dylan as a star and as an artist.
This seminar is inspired by the germinating discussions on gender and masculinity in Dylan’s songs, performance, artwork, and stardom.
Call for Abstracts for Issue 17 (Autumn 2024)
Trash: Cycles of the Im_Material
Guest Editors: Marco Presago, Juliane Saupe, Tobias Schädel
Two conceptual territories bracket Europe’s imaginary geography: Greco-Roman Antiquity and the modern Balkans. According to Artemis Leontis, an “abstract principle of territorial identification” ties the political and cultural life of both modern Hellas and Western Europe to ancient Greek civilization. Rome has similarly been at the center of “a long and ongoing tradition of appropriating classical history and literature” to foster imperialist “narrative[s] of the exceptional progress” (Barnard). In comparison, the space of the Balkans seems peripheral to the project of European identity.
The editors of this important volume are putting together a collection of essays on Dark (2017-2020) for publication which is currently entitled Dark Reflections. Created by Baran bo Odar and Jantje Friese, Netflix's groundbreaking German original series, Dark, premiered in 2017, and spanned three thought-provoking seasons. Set in the small town of Winden, the series revolves around the mysterious disappearance of a child and the subsequent unraveling of family secrets spanning several generations. As the story unfolds, intricate time loops and paradoxes emerge, propelling the characters into a tangled web of interconnected destinies.
An international conference organized by the Laboratorio per lo Studio letterario del fumetto at Ca’ Foscari University and the International Comparative Literature Association Standing Research Committee on Comics Studies & Graphic NarrativeCa' Foscari University, Venice, ITALY - 13-15 November 2024 Andrew Milner, in Locating Science Fiction, argued that “the category SF applies [...] across a whole range of forms, from the novel and short story to pulp fiction and the comic book, from radio serial and television series to drama and film, from examinable set text to rock album”.
Call for Papers: