Ischia & Naples Festival of Philosophy

12th Edition: Freedom

Conference: 24-26 September 2026

Keynote in English by Simona Forti (Scuola Normale Superiore)

Extended Submission Deadline: 1 May 2026

The Festival

AbstractThis session welcomes contributions on the topic of literary, philosophical, or intellectual influences between any of the members of the Inklings, especially between J.R.R. Tolkien and Owen Barfield, and the robustness of those claims. Verlyn Flieger’s assertion in Splintered Light: Logos and Language in Tolkien's World, that the languages of Middle-earth developed just as Barfield says human languages do in real life, is perhaps the model of influence, and is well known, respected, and analyzed. But Flieger's argument remains almost entirely circumstantial.

This edited volume emerges from a seminar panel that I proposed for the 2026 annual meeting of the American Comparative Literature Association (ACLA) earlier this year. 

Volume Rationale: 

The edited volume seeks to understand the interdisciplinary field of Death Studies through the lens of decolonisation. 

Death Studies is a field of study that not only draws from a host of disciplines like anthropology, sociology, philosophy, and psychology but also cuts across fields such as bereavement studies, trauma studies, and health humanities. 

As the section editor for The Queer Experience, I invite you to submit a chapter proposal for consideration to be included in The American Research Handbook on Diversity, Equity & Inclusion, an edited scholarly volume that examines the evolving role of diversity, equity, and inclusion within American democracy and educational institutions.

The Queer Experience section seeks rigorous, thoughtful, and evidence-based analyses that examine gender identity, sexuality, intersectionality, and the evolving role(s) of queer people in society at the present moment.

 “Virginia Woolf: Sound and Rhythm in Translation”, INTERNATIONAL CONFERENCE VIRGINIA WOOLFISTANBUL, TURKEY deadline for submissions: April 30, 2026 full name / name of organization: 35th International Conference Virginia Woolf
https://www.bilgi.edu.tr/en/academic/virginia-woolf-conference-2026/  contact email: woolftranssound26@gmail.com 

CALL FOR PARTICIPANTS 

35th International Conference Virginia Woolf 

Open Forum “Virginia Woolf: Sound and Rhythm in Translation”, Istambul, Jun 24-Jun 28, 2026 

This panel explores how women writers and female characters in French and francophone literature resist, reconfigure, and expose gendered hierarchies of power embedded within social, political, and cultural “ruling classes.” In keeping with this year’s conference theme, “Our Ruling Classes: Culture, Power, Conflict,” the session examines how literary texts interrogate the mechanisms through which authority, patriarchal, colonial, aristocratic, bourgeois, or religious, is contested.

CFP: Media, Press Freedom, and Cultural Production in an Authoritarian Age

 Co-sponsored by the Union for Democratic Communications, Project Censored and the Park Center for Independent Media

Oct. 23-24, 2026

Ithaca College, Ithaca, NY

This panel explores how Francophone and Hispanophone fantastic literatures engage structures of power, hierarchy, and authority across diverse historical and cultural contexts. 

From the nineteenth century to the present, Francophone and Hispanophone fantastic literatures have unsettled the boundaries between the real and the impossible. Emerging from interconnected histories shaped by imperial expansion, colonial violence, dictatorship, revolution, and migration, the fantastic operates not only as narrative hesitation, but as a subtle language of power. As theorists such as Tzvetan Todorov and David Roas have shown, ontological uncertainty is never merely aesthetic. It signals deeper crises of authority, perception, and legitimacy. 

JLIC: CALL FOR ARTICLES FOR OPEN ISSUE 2028

Concentric: Literary and Cultural Studies

Vol. 53 No. 1 | March 2027

Call for Papers

From Neurodiversity to Neurocosmopolitanism:

Literature, Science, Politics

Guest Editor

Manuel Herrero-Puertas (National Taiwan University)

Deadline for Submissions: July 15, 2026

44th Annual West Indian Literature Conference

Freedom, Creative Spirit, & the Poetic Imagination

Where: University of Puerto Rico, Río Piedras Campus

When: October 7-11, 2026

Abstracts: Proposals are to be submitted by June 1, 2026

How can you free people? . . . When every move you make is to get them to accept conditions of unfreedom, when you use power to twist and corrupt what it is to be human, when you ask people to accept shame as triumph and indignity as progress? —Earl Lovelace, Salt (1996)

Call for SubmissionsComparative Media Panel (In-Person)
PAMLA Conference 2026Primary Area - Secondary Area:
Film and Media Studies - Our Ruling Classes: Culture, Power, ConflictSession Chair:
Violet Luxton (Claremont Graduate University)
violet.luxton2@cgu.edu PAPER PROPOSAL DEADLINE: MAY 25, 2026

The Northeast Popular Culture Association (NEPCA) Politics, Civic Life, and Pop Culture Area invites submissions for NEPCA’s annual conference to be held online from Thursday, October 15th, to Saturday, October 17th, 2026.

We encourage panel proposals as well as individual submissions.

Papers are generally 15-20 minutes in length. We also encourage works in progress, and informal presentations. 

This area considers the intersection of politics, civic life, and popular culture. Suggested topics include, but are not limited to:

• Political actions that involve pop culture, including banning or attacking elements of pop culture

Otherness: Essays & Studies

Otherness and Folklore – Special issue Call for Papers

Folklore is all about Otherness. It imagines the other as that which is beyond the scope of the ordinary and the real. It evokes the monstrous, the divine, and the outsider. It invokes magic through ritual, and it empowers the repressed. The other, in folklore, is welcomed into the everyday and woven into the fabric of our communities. It becomes an altered version of alterity, a homely version of the uncanny: an other that we can be intimate with.

Dear colleagues,

Submit a Manuscript to the Journal

Sport in Society

For a Special Issue on

Artificial Intelligence and Sport from Social and Scholarly PerspectivesAbstract deadline01 May 2026Manuscript deadline01 December 2026 Special Issue Editor(s)

Shu Wan, University at Buffalo
shuwan@buffalo.edu

Huijie Zhang, South China Normal University
huijiezhang199@163.com

This special issue aims to cultivate greater convergence and contribute to the broader discourse on cross-cultural exchange, particularly in contexts beyond the Euro-American center. We encourage investigations into how cultural values, ideological frameworks, and aesthetic sensibilities shape the translation and reception of children’s literature across diverse cultural contexts. We also encourage the integration of new theoretical lenses and trends, such as transcreation, affect theory, audiovisual translation, cognitive translation studies, and interdisciplinary approaches to gender and ecology, and the impact of AI, in the discussion of translational convergences and divergences in global children’s literature.

1st DL2 International Workshop

• Date: 3-4 December 2026

• Venue: Hybrid - University of Alicante (campus) and online 

• Paper submission deadline: 30th September 2026

Dear colleagues,

We are pleased to invite you to participate in the 1st DL2 International Workshop, which will be held in hybrid format on 3rd and 4th December 2026 at the University of Alicante and online. We kindly ask you to distribute this invitation among your colleagues and staff.

The East Asian Translation Studies conference aims to provide a platform for translators and researchers working in the East Asian context to exchange ideas on issues related to translation. 

Previous EATS conferences have been held at the University of East Anglia, UK (2014); Meiji University, Japan (2016); Ca’ Foscari University of Venice, Italy (2019); Université Paris Cité, France (2022); and the University of Queensland, Australia (2024). They have centered on questions of the circulation of translation within East Asia, constructing/deconstructing East Asia, changing identities of East Asia observed in translation, universals in East Asian translation, and negotiating the borders of translation and East Asia.

Call for Papers

Philip K. Dick at 100: Fiction, Philosophy, and Cultural Afterlives

Edited Volume (Centenary Collection)

Editors:
Assoc.Prof.Dr. Ercan Gürova
Ankara University, Turkey

Prof. dr Mladen Jakovljević
University of Priština in Kosovska Mitrovica, Serbia

“Under consideration for publication by a reputable international academic publisher.”

Disability and Horror: A Companion

Call for Chapters

August 3-5, 2026

Southern Utah University - Utah Shakespeare Festival

The Wooden O Symposium is a cross-disciplinary conference exploring the impact of Shakespeare's plays on culture and history, from his time to the present. This face-to-face conference aims to foster research in the field of Shakespeare Studies and to provide connections between academia and professional theatre productions through our partnership with the Utah Shakespeare Festival. The Wooden O Symposium limits participation to 25 presenters to ensure robust conversation and feedback as we strive to create a community of scholars engaged with the work of Shakespeare.

Call for Book Chapters

Title: Folk and Culture: Tradition, Resistance and Nurture

Publisher: VLC Media Publication

VLC Media Publication offers ISBN-certified, peer-reviewed publications with national and international circulation.

Editors:

Dr. Naresh K Vats, Associate Professor, Guru Gobind Singh Indrapratha University, New Delhi, India

Dr. Chetna Tiwari, Associate Professor, Guru Gobind Singh Indrapratha University, New Delhi, India

Scope of the Volume:

We invite chapter proposals for an edited collection titled Metafictional Horror Cinema: The Screen as Mirror, to be submitted to the UWP Horror Studies series. The volume explores how horror cinema reflects on its own formal strategies, lays bare its narrative and technological mechanisms, and confronts viewers with unsettling modes of self-awareness.

The volume will explore the role of metafiction within horror cinema, from postmodern genre revisions and reflexive found-footage films to avant-garde and hybrid works that fracture narrative logic, collapse diegetic boundaries, break the fourth wall, or explicitly implicate the viewer in acts of spectatorship and violence.