CALL FOR PAPERS: Special Issue of Mississippi Quarterly

“Hurricane Katrina at 20: Rethinking the Literary and Cultural Legacies of the Storm” 

 Guest Editors, Courtney George and Judith Livingston (Columbus State University)

On August 29, 2005, Hurricane Katrina made landfall on the Gulf Coast with catastrophic results for the surrounding communities, which are still recovering today. Almost immediately, journalists, artists, and scholars began producing significant work about Katrina—work that has continued, especially as we begin to view the disaster and its circumstances in the context of our current social justice and climate-related struggles.

Ecologies of Exile: Exploring Literature Penned by Persecuted Writers during the Holocaust

Northeast Modern Language Association

Submission Deadline: September 30, 2023, at: https://cfplist.com/nemla/Home/S/20750

Abstract

Archives in Transit: From Personal Life Histories to Public Experiences as Academics

Northeast Modern Language Association

Submission Deadline: September 30, 2023, at: https://cfplist.com/nemla/Home/S/20713

Abstract

While life in the academy often precludes acknowledging one’s own personal and familial life histories and experiences, generative and embodied scholarship in the humanities requires a thorough reckoning with our positionality and intersectionality. In this creative session, participants traverse from the personal to the professional by paying homage to the roots that lead to routes.

North American History and Culture in Popular Media in the German-speaking Lands

Northeast Modern Language Association

Submission Deadline: September 30, 2023, at:  https://cfplist.com/nemla/Home/S/20712

Abstract

Research Colloquium for Graduate Students in German Studies

Northeast Modern Language Association

Submission Deadline: September 30, 2023, at: https://cfplist.com/nemla/Home/S/20710

Abstract

2023 marks the fortieth anniversary of the initial publication of Sweet Valley High. While Elizabeth and Jessica Wakefield may rank amongst the best-known teen romance heroines, the texts themselves exist within a much larger pantheon of series books intended for or read by teens, and featuring romance narratives. The Journal of Popular Romance Studies (JPRS) seeks articles for a special issue devoted to young adult series romance. These articles may focus on YA series romance from any historical period or language context, and may derive from any relevant discipline, including interdisciplinary approaches.

Possible topics may include, but are not limited to:

Call for Papers, Caribbean Literature at CEA 2024

March 21-23, 2024 | Atlanta, Georgia

The Westin Buckhead Atlanta

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Caribbean Literature for our 54th annual conference. Submit your proposal at www.cea-web.org.

The general conference theme is “transformations,” so we are especially interested in presentations that feature topics relating to our theme of confluence in texts, disciplines, people, cultural studies, media, and pedagogy.

The Will before Psychoanalysis

Co-organizers: Andrea Gadberry and Gerard Passannante

Long before the emergence of a conceptual vocabulary that named the unconscious and its wishes—that adumbrated a modern subject’s desires, repetitions, and obsessions—there was a robust conversation about the faculty of the will: its powers, its vulnerabilities, their sources, and their bearing on experience. This seminar investigates willed and unwilled experiences across habits of feeling, vicissitudes in thought, and activities of the soul in literary and philosophical works prior to the advent of psychoanalysis.

Call for Papers, Multicultural and World Literature at CEA 2024

March 21-23, 2023 | Atlanta, Georgia

Westin Buckhead, Atlanta | 3391 Peachtree Rd. NE, Atlanta, GA 30326

(404) 365-0065, https://www.marriott.com/en-us/hotels/atlwb-the-westin-buckhead-atlanta/overview/?scid=f2ae0541-1279-4f24-b197-a979c79310b0 

“We learn when we take risks. We learn when we do something we have not done before…otherwise we are not learning.” – Dr. David Docterman, “Developing Academic Mindsets for Literacy,” 2016.

We are seeking proposals for contributions to an edited collection of essays, titled Unruly Fictions: Geographies of Genre in the Contemporary Global Novel, focused on how the contemporary global novel expands the generic boundaries of fiction. This collection returns to a question that is at this point familiar terrain within literary studies: what is a novel? Our goal in this collection is to approach this question through scholarly essays that span a broad geographic scope and rethink the idea of “global” within and beyond established binaries: global norths and souths, easts and wests, colonial centers and peripheries, travelers and travelees. 

Between the New Negro and Black Arts Movements

Langston Hughes's long career spanned these two movements, with his first collection, The Weary Blues, appearing in 1926, and his final collection, The Panther and the Lash, appearing two months after his death in 1967. The Langston Hughes Society invites papers related to the decades between the New Negro and Black Arts Movements, or to artists who are not typically associated with those movements.

In a world saturated with images in which audiovisual storytelling has dominated for decades shaping the aesthetics and expectations of the audience, and in which binge-consuming TV series on digital platforms and homemade videos on social media have become the trend of the last few years, it is quite unexpected to witness the reemergence of a storytelling that resists visual representation.  Of course, audio storytelling is not new; Stories voiced for the ear to listen have been with us since early on, for as long as there have been stories to share. What has changed in recent years, whetting our story-listening appetite anew, are the computing technologies ever rapidly developed for audio production, distribution and reception.

https://www.acla.org/poetic-language-now

Organizer: Rebecca Kosick

Co-Organizer: Nathan Taylor

Poetry has exploded off the page in recent decades, making a prominent home for itself in new semiotic and material environments. Poems circulate on subway systems, through platforms and apps, on placards at protests, in art museums, and the built environment. These poems, in turn, are composed in a variety of human and nonhuman languages, from Spanglish to mathematics, code to GPT-language models.