CALL FOR ABSTRACTS Journal of Comparative Literature and AestheticsSpecial Issue: New Perspectives in African Philosophy Guest Editor: Adoulou N. Bitang (Tel Aviv University, Israel) For over three decades, from the middle of the 20th century onward, reflection about African philosophy revolved around the question of its existence or non-existence (following that of the capacity of Africans and Blacks to philosophize), or the other question of its nature (i.e., its characteristics, especially in relation to European philosophy). To a certain extent, African philosophy is still concerned with these questions today. For the most part, this treatment of African philosophy has a colonial background and bears a colonial flavor.
Call for Contributions
Edited collection: Shelter in Text
Health, Illness, and Injury in Professional Wrestling
A Special Section of a forthcoming issue of Survive and Thrive
Recent commentary has focused on the declining health and lack of access to health care among professional wrestlers (e.g. John Oliver's commentary here: https://www.youtube.com/watch?v=m8UQ4O7UiDs). Hired as contractors, not employees, and so often denied benefits (from health insurance to retirement), professional wrestlers become, as they age, tragic: celebrities in their prime for their physical prowess, as they age, they launch gofundme pages to cover the costs of essential medical care.
The UNESCO Chair on Cyberspace and Culture and University of Tehran are organizing the 2022 Media and Information Literacy Seminar with the main theme of “Nurturing Trust for Media and Information Literacy” on Monday, 24 October 2022, which coincides with the World Development Information Day and United Nations Day.
The Fifth Media and Information Literacy (MIL) Seminar commemorates the Global Media and Information Literacy Week 2022 (24 – 31 Oct) that highlights the twelfth Media and Information Literacy and Intercultural Dialogue Conference and the seventh Youth Agenda Forum.
This session is open to all papers that explore some aspect of Young Adult literature and/or culture. The panel is particularly interested in papers attuned to some facet of the conference theme, " Geographies of the Fantastic and the Quotidian.” How does space impact YA literature and/or culture? How is the Anthropocene represented in YA fantasy? Further, presentations that examine diverse voices in literature and media are encouraged. This panel welcomes submissions about young adult literature, film, television, etc. Feel free to submit an abstract pertaining to the conference theme or otherwise.
44th Annual Conference, February 22-25, 2023
Albuquerque, New Mexico http://www.southwestpca.org
Submissions open on August 15, 2022
Proposal submission deadline: October 31, 2022
Call for Papers
Southwest Popular / American Culture Association (SWPACA)
44th Annual Conference, February 22-25, 2023
Albuquerque, New Mexico
Submissions open on August 15, 2022
Proposal submission deadline: October 31, 2022
Depictions of Gender and Sexuality in Popular/Public Culture
Call for Chapters
Publisher: international academic press to be confirmed
Deadline for submitting chapter proposals (400 words): October 7, 2022
Notification of acceptance: ongoing, no later than October 30, 2022
Provisional deadline for essay draft submission (approximately 10,000-15,000 words): May 5, 2023
Conference: 25 November to 26 November 2022 at Queen’s University Belfast and online
Deadline to submit extended to 08/15/22!
The Northeast Popular Culture Association welcomes proposals in the area of Health, Disease and Popular Culture for its virtual conference to be held from Thursday, October 20-Saturday, October 22, 2022.
Current Chair: Julia Brown, Stony Brook University, firstname.lastname@example.org
Location: Rome (Italy) the 12-14 of December 2022. At the Borrominian Hall of Vallicelliana Library
Website: https://generativeart.com (where it's possible to have all news and read all papers of last 24 events)
Topics: Art - Music - Architecture - Industrial Design - Web Art - Poetry - Visual Grammar - Design Approach - Teaching Theory - Mathematics - Virtual Environment - Literature - Artificial Life - Artificial Intelligence - Cellular Automata - Performances - Artificial Behaviors - Communication - metaverse and web3.0 - Generative Robots - Mechatronic - Nanotechnology - NanoArt
Regis College, Department of Interdisciplinary Studies in the Humanities is pleased to Announce a Symposium on the Third Anniversary of the Canonization of Saint John Henry Newman and 77th Anniversary of the first Newman Symposium at Regis College. Friday, October 21, 2022.
Conference Theme: How to be a 21st-century saint. In October 2019, the Church canonized five new saints, including Cardinal Newman. An analysis of Newman’s work and persona offers important insights into the practices and patterns of behavior that define the contemporary Catholic Church, since, in the words of Peter Burke, saints “reflect the values of the culture which sees them in a heroic light.”
We invite you to submit your manuscript to Transcultural Journal for Humanities and Social Sciences (TJHSS): Volume (3), Issue (4), October 2022. The Journal is an open access published by Badr University in Cairo, BUC and indexed in EKB and in MLA and obtained the highest score (7 out of 7) in the recent evaluation of the Supreme Council of Egyptian Universities. The journal publishes written manuscripts in various languages: English, Italian, German, Spanish, French, Chinese, and Arabic.
In a rapid changing world that we live nowadays, interdisciplinary studies are at crossroads between tradition and innovation.Scholarly activities are at the intersection of computing or digital technologies and the disciplines of the humanities and social sciences. Studies on common practices of research and analysis in the discipline is now questioned in terms of the over whelming spread of technology.
Call for contributions
Edited book: Cinematic Starchitecture: the celebrity status of architectural structures in film
In Our Time: F. Scott Fitzgerald in the 21st Century
Linnaeus University, Växjö, Sweden June 26-July 2, 2023
Niklas Salmose, Site Director; Helen M. Turner, Program Director
As we move through the 2020s, anticipating and celebrating centennial milestones in the life and career of F. Scott Fitzgerald, it is easy for us to view him as a writer defined by his historical moment. This conference aims to position Fitzgerald as a figure relevant to contemporary theoretical, social, and political concerns. Just as the 1920s were a period of flux and transition, our current decade is proving equally as turbulent. What does this writer have to say to readers living through a period of change and uncertainty?
IN VIVO ARTS (www.invivoarts.fr) is a bilingual online platform (French and English) specialised in multidisciplinary research on contemporary artistic creation, with a focus on the Performing Arts (theatre, choreography and dance, circus, performance art, opera) and Cinema.
In addition, given the hybridity of contemporary artistic forms, the platform hosts reflections on the written arts and non-cinematic visual arts (painting, sculpture, architecture, photography, installations, etc.), especially in their imbrication with the performing scenes and screens.
Call for Papers: In Vivo Arts Issue #1
Digital Defoe: Studies in Defoe and His Contemporaries welcomes articles exploring any area relating to Defoe and/or his contemporaries (broadly conceived). In addition to traditional scholarly papers (roughly 4000-7000 words), we welcome essays on fresh pedagogical approaches to the works of Defoe and other writers of his era.
We also encourage the submission of innovative digital and multimedia projects, as well as experimental non-peer reviewed essays.
Scholarly essays may be eligible for essay prizes awarded by the Defoe Society.
We invite you to join us on a two-day workshop launching our new research project, Affective Intermediality. Cinema between Media, Sensation and Reality. In this project our goal is not to provide or refine a widely applicable set of abstract concepts regarding the connections between media, quite the contrary, we seek to map areas where intermediality appears as most elusive and mutable, where it is registered as a sensation altering our perception of a medium and where it connects to us in an affective way.
How can ordinary language philosophy’s (OLP) picture of language as a shared form of life foster resilience? For OLP, language is a peculiarly stable and resilient reservoir of meaning which we share. Speakers agree in language, in form(s) of life, and, “queer as it may sound,” Wittgenstein writes, in judgments. For Sandra Laugier, this is not intersubjective agreement but rather “as objective an agreement as possible.” When we are beset by pain, trauma, or skepticism, we can resiliently recover from this alienation of the self by recalling the shape of our lives in language.
Let’s Get Digital embraces the timely opportunity to critically reexamine the impacts of digital technology and the barrage of information on our perceptions of reality. Specifically, this panel is focusing on digital art, history, curatorial strategies, critical theory, emergent platforms and forms of creative expression. In bringing together a panel of artists, scholars, and curators we hope to collectively reflect on our present post-internet age, to borrow Byung-Chul Han’s term, ‘the age of like’, and what it means to engage with the digital realm, over half-a-century since its inception.
South Atlantic Modern Language Association Conference (SAMLA 94), November 11-13, Jacksonville, FL
DIGITAL PEDAGOGIES, COMPUTATIONAL PRACTICES: DIGITAL HUMANITIES TOOLS IN THE CHANGING ACADEMY
The JESAF (ISSN: 2957-515X), a free-fee journal, is soliciting manuscripts for the second issue, including theoretical explorations, empirical investigations, and book reviews. Authors whose research relates to the multiple subfields of linguistics, English literature and TESOL are invited to submit their papers. Regardless of the manuscript type, submissions should be based on robust evidence and/or theory. Details of scope and submission are available on https://journals.arafa.org/index.php/jesaf/aims-scope
The organizers of the 2023 BWWC invite papers and panel proposals interpreting the theme of ‘Liberties’ in global and transatlantic British women’s writing from the long eighteenth century to the present. We ask participants to consider ‘liberties’ not only as a political abstraction but also as part of material and experiential subjectivity. Interpreted broadly, liberties include (but are not limited to) legal rights and freedoms, liberty of the person and bodily autonomy, liberties of creative and artistic expression, liberty of profession and vocation, freedom of movement both physical and social, and self-determination in the private and public spheres.
The Journal of Avant-Garde Studies (JAGS) and its guest editors invite submissions for the special issue “Las Vanguardistas: Women and the Avant-Garde in Ibero-America and the Caribbean”. By proposing this special issue, we aim to foster a global understanding of avant-garde movements and highlight the key role of Ibero-American and Caribbean women in the avant-garde scene from the 1910s to the present day. The geographical scope of this special issue includes Spain and Portugal as well as all Hispanic American countries in North, Central, and South America plus the Hispanophone Caribbean.
We welcome academic articles that focus on, but are not limited to, the following topics:
NeMLA's 54th Annual Convention
Niagara Falls, NY March 23-26, 2023
Creative Writing Panel - "Voices in Diaspora"
The term diaspora refers to the dispersion of a people from their native land; and often, there is a subjective emotional attachment whereas such feelings are determined by cultural identity. We see this illustrated in works by writers such as Elizabeth Nunez, V.S. Naipaul, Yaa Gyasi, Chimamanda Ngozi Adichie, and Jhumpa Lahiri as they examine themes such as nostalgia, alienation, displacement, and resilience in the face of adversity. This creative panel will consist of emerging writers who use their works of fiction, non-fiction, and poetry to illustrate the various experiences connected to living in diaspora.
Language has always been a debatable issue in the postcolonial world. Starting from the debate between Achebe and Ngugi to today's multilingual scenario, language has been the heart of the conversation in postcolonial literary studies. Writers and theoreticians from the African continent and South-Asia have addressed the issue and role of language in constructing postcolonial identity in their works. Given the multilingual context of today's postcolonial world, discussion on language and identity is extremely important. This panel, thus, invites paper proposals on the questions of language and identity in contemporary postcolonial literature.
1. Language and Identity
Conference: 12-13 September 2022 (online - via Zoom)
All details: https://www.inmindsupport.com/loneliness-conference
What makes us happy and content in our life? Some people may point to fabulous fame, fortune, or money. Some may say that the key to happiness are interpersonal relationships. But what if someone is alone? Is loneliness really disastrous? Are there any benefits of loneliness? Can loneliness become an epidemic? In order to answer such questions, during our conference we will have to concentrate on many particular issues. Thus, we are interested in all aspects of loneliness in the past and in the present-day world.
Conference Online (via Zoom platform)
22-23 September 2022 (via Zoom)
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora - Universidad Pontificia Bolivariana (Colombia)
In 1966, then-seventeen-year-old Gil Scott-Heron asked Langston Hughes for an interview after Hughes delivered a speech in New York. Hughes graciously agreed. “We talked about his work,” said Scott-Heron, “and how he had come to master so many art forms. That, also, was very influential because I like to write many different things myself: poetry as well as longer pieces and music. He’d done the same.”