General Call for Papers
Journal of Ecohumanism invites contributors to submit their articles.
Submission Deadline: throughout a year

Media Mutations International Conference – 13th Edition

"Audiovisual Data: Data-Driven Perspectives for Media Studies"

Deparment of the Arts, University of Bologna (Italy) – DamsLab, 6th-7th October 2022

Organized by Giorgio Avezzù (University of Bergamo) and Marta Rocchi (University of Bologna)

In collaboration with Mirko Degli Esposti and Guglielmo Pescatore (University of Bologna)

Confirmed keynote speakers:

Monika Bednarek, Professor in Linguistics at the University of Sydney, Australia

CALL FOR SUBMISSIONS

SOCIAL CHANGE AND GENDER-BASED VIOLENCE: 
REPRESENTATIONS IN CARIBBEAN LITERATURE AND PERFORMANCE CULTURES

Online Symposium, 22nd – 23rd September 2022

Early Modern Women: An Interdisciplinary Journal 

Volume 18.1 (Fall 2023) will feature the forum 

“Early Modern Women and Climate” 

The International Piers Plowman Society will meet in London on July 6-8, 2023.

NeMLA 2023: Niagara Falls, NY. March 23-26, 2023.

Following generative discussions unveiling the potentiality of reading the horror genre through the lens of class analysis, this seminar invites contributions that highlight the role of racial and heteropatriarchal capitalism in cinematic horror narratives. Together with seminar participants, we are interested in adding a novel line of inquiry, which perhaps has not been thoroughly explored, to the rich theoretical scholarship that has grown around the horror genre. Echoing Mark Steven (2017), we will ask: How are contemporary horror movies responding, absorbing, or resisting the dynamics of capitalism beyond a liberal understanding of identity politics?

Call for AbstractsAnthony Bourdain and Philosophy Edited by Scott Calef The Carus Books Popular Culture and Philosophy Series(Please Circulate Widely!)  Abstracts are being sought for a collection of philosophical essays related to any aspect of the life, work and legacy of Anthony Bourdain to be published by Carus Books (the editorial team behind the similar series by Open Court). Anthony Bourdain was a pop culture icon, celebrity chef, multi-times bestselling author, armchair philosopher, activist and travel documentarian. He has been everywhere, seemingly met everyone worth meeting (e.g.

“Germany is one of the most committed operators of international artist residencies,” asserts the self-description of the “Working Group of German International Residency Programs.” Among German residencies are Villa Massimo in Rome, Villa Aurora in Los Angeles, Villa Kamogawa in Kyoto, and many others. Together, these institutions form a global network coordinated by actors such as the Federal Foreign Office and the Goethe-Institut. This network plays a key role both in Germany’s foreign cultural policy and in supporting literature and the arts.

Resilience is a word used to describe the ability to sustain adversity. Graphic narratives situate the debates about resilience in the realm of popular culture. Many graphic narratives depict the themes of resilience which have emerged as a result of socio-political upheaval, existential urges and institutional threats. Works such as Persepolis, Bhimayana, Fun Home and Nat Turner graphically depict the story of the immigrant experience, caste, gender and race issues based on the varied forms of worded and pictorial texts.

Everchanging world order and its position in the continuum rely on ongoing events and the functioning of different states—country, government, nation, authority, community, land, etc.— embedded within the global makeup. The 2nd International Conference of the Department of English, Shahjalal University of Science and Technology, Sylhet 3114, Bangladesh, to be held on January 27-28, 2023, conceptualizes the narratives related to the terms—Refugee, Resistance, and Recognition— and their articulations in global literary spaces both as distinct and interrelated concepts in the premises of art, literature, language, (social) media, law, and politics in [Post]postcolonial perspectives.

CALL FOR PAPERS

Casas Tomadas: Monsters and Metaphors
on the Periphery of Latin American Literature

Co-Chaired by Carlos Gonzalez and Caio Cesar Esteves de Souza (Harvard University)

54th NeMLA ANNUAL CONVENTION

Keynote Speaker: Anne Enright
SUBMIT YOUR ABSTRACT PROPOSAL HERE: bit.ly/CasasTomadas by September 30, 2022!
NIAGARA FALLS, NEW YORK

March 23-26, 2023
Location: Niagara Falls Convention Center
Hotel: Sheraton Niagara Falls
Sponsored by the University at Buffalo

Typically, scholarly reflection on the Great War focuses on military activity and masculine performance; in contrast, this NeMLA 2023 seminar examines the importance of women as fictional characters, authors, and purveyors of legacies associated with the Great War of 1914-1918. By privileging the role of women, it is hoped that we can bring a fresh critical light to this pivotal moment in world history. Please note the very wide range of perspectives in this seminar: authors, characters, and context.

Does peacemaking have a place in our humanities curriculum today and if so, what are some innovative ways to integrate this theme into our literature classes? This panel invites papers that explore representations of peacemaking and conflict resolution in literary texts across genres, languages, and time periods. Papers that discuss methodologies for teaching literature with a focus on peacemaking are especially welcome. Please send inquiries and 300-500 word abstracts to Ici Vanwesenbeeck: vanwesen@fredonia.edu