But your kids are gonna love it: Nostalgic Extremism in Depictions of the 1950s
Popular cultural depictions of the 1950s often emphasise an imagined nostalgic aesthetic of excessive conformity and heterogeneity as the foil to a protagonist’s rebellion against the established order. Commonly, the setting is not explicitly stated as the 1950s, but the cultural touchstones provide a receptive allusion for the audience to place the experiences temporally and contextually. Edward Scissorhands (1990), Don’t Worry Darling (2022) and other iterations of the Stepford Wives storyline, and Pleasantville (1998) all invoke an invented 1950s atmosphere of heightened conformity with an understated element of extremism under threat of non-conformity.