Call for Papers

Translation and Interpreting Research (TIR)
Official Journal of the Research Institute for Translation Studies, Allameh Tabataba’i University, Tehran, Iran

This is an Emergency (Archive): Recording, Remembering, Resisting, Refusing Under Catastrophe 

Editors: Kathryn Manis, Bibhushana Poudyal, Patty Wilde, and Ma-Ya

MRDS continues its annual tradition of inviting all scholars new to the field of early drama studies—especially graduate students, recent PhDs, and early career researchers (within four years of receiving the degree)—to submit their work to the panel. The panel will consist of four papers and commentary from a respondent.

MRDS welcomes all approaches to early drama studies for this open-topic session. Proposed papers do not have to speak to the Congress’s proposed topic of “temporalities,” however, papers related to this general topic will be especially welcome.

This interdisciplinary (hybrid) conference considers the role of universities in war past and present. Historically, the university experience in war is of loss, displacement, depleting student numbers, reallocation of staff to expert roles to support the war effort, students and staff engaged in active duty, and campus buildings re-purposed. Universities also become key for a country’s postwar reconstruction. However, not all universities have direct experience of conflict. This conference considers how universities operate in war zones and the role universities play in non-conflict zones to support the academy and the communities they serve in war and displacement.

The 5th Annual Humanities Podcasting
Network Symposium: “Podcasting & Power”
Oct. 24th & 25, 2025 (Virtual)
Call For Panels and Presentations

SEND ALL SUBMISSIONS TO THIS LINK: https://forms.gle/8rfmnbBmYDoNKVxeA

Punk rock isn’t something you grow out of. Punk rock is an attitude, and the essence of that attitude is ‘give us some truth.’”
— Joe Strummer

Cultural Constellations: A Journal of Literature and Art

deadline for submissions: 

September 30, 2025

full name / name of organization: 

Cultural Constellations / University of Maryland Global Campus Europe

contact email: 

CulturalConstellations-Europe@UMGC.edu

For Reference:

https://europe.umgc.edu/content/dam/umgc-europe/documents/upload/cultura...

Cultural Constellations:  A Journal of Literature and Art

Call for Papers:

Global Committee Panel on

"Borders, Bridges and Belonging:

Neighborhoods in Global Children’s and Young Adult Literature and Culture"

Deadline: September 30, 2025

11:59 p.m. (Eastern US Standard Time)

Children's Literature Association Conference

May 28-30, 2026

Omni William Penn Hotel

Pittsburgh, Pennsylvania, USA

The so-called “post-secular turn” in Victorian studies has helped produce a more accurate view of the Victorian period by acknowledging the religiosity of the time rather than privileging doubt and skepticism. However, so far the post-secular turn, understandably, has focused on religious movements and the role of the Bible in the literature of the time. This panel seeks to broaden that focus by examining ways in which a consideration of Victorian religiosity sheds new light on a range of scholarly debates – including but not limited to such topics as disability studies, eugenics, “scientific” racism, or animal rights, among many other possibilities. Interdisciplinary papers are welcome.

A trace evokes the marks, remnants, and residues of the past. Rather than static records, trace embodies the temporal and spatial dimensions of the actions that produced them, representing intersections of movement, perception, and interaction. A trace can be the smallest and subtlest thing–a memory knot, a mark left by animals, travelers, or strangers, or can be the space between the lines of historical texts. A trajectory, on the other hand, is the path of movement that implies direction, growth, narrative, discourse, coming into an account, taking shapes, and becoming present. What is the dynamic tension between trace and trajectory? How do trace and trajectory translate and communicate with each other?

While ancient Europe regarded India as a land of material wealth and proverbial wisdom, it also saw it as a land of man-like monkeys, banyan trees, and enormous elephants. Ancient Europeans perceived Indians as wearing bright colors, eating rice and meat, and lacking wine-drinking finesse. Today, portrayals of India in prose fiction, cinema, social media, and historiography have shifted from polarized images of Europe and India to narratives depicting a “Dark” and a “Shining” India. Characters in these texts strive to be part of an economically thriving “shining” India, even as they face social, cultural, and political challenges daily.

Magics, Marvels, Metamorphoses, and Monsters: Horrors of the Medieval Past, Present, and Future (Virtual)

Co-sponsored by Monsters & the Monstrous Area of the Northeast Popular Culture Association, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, International Society for the Study of Medievalism

Organized by Michael A. Torregrossa, Bristol Community College, and June-Ann Greeley, Sacred Heart University

Call for Articles

Special Issue: (Re)articulating an Old Ideal: Self-Care and Self-Help in Contemporary Culture

Guest Editors: Alexandra Bacalu (University of Bucharest) & Dragoș Manea (University of Bucharest)

The Charles Olson Society will sponsor panels at the Louisville Conference on Literature and Culture, to take place in Louisville, Kentucky, February 16-21. 2026 marks the Centenary of poet Robert Creeley’s birth, and the Charles Olson Society will welcome abstracts pertaining to any aspect of Creeley’s life and work. Creeley was a central poet in the development of Black Mountain Poetry, and along with his life-long friend and companion in verse, Charles Olson, Creeley greatly influenced the development of American poetics after World War II. As he said, “I write to realize the world as one has come to live in it, thus to give testament. I write to move in words, a human delight. I write when no other act is possible.”

Pasados Special Issue: Against the Past/Contra Pasados

Co-edited by Jesse Alemán (University of New Mexico) and Evelyn Soto (Rutgers University—New Brunswick)

Deadline: January 15, 2026

Call for papers

Undisciplined Anthropologies: Practices, Trajectories, and Imaginations Beyond “Method”

Cultures and Societies Department, University of Palermo, Italy

Institut Français, Palermo, Italy

International Conference

30th, 31rst October 2025

Institut Français Palermo

Via Paolo Gili 4, 90138, Palermo

Deadline for abstracts: September 25th, 2025

Literary criticism is often treated as a secondary act, the intellectual afterimage of the work it addresses. This seminar proceeds from the opposite premise: criticism can be understood as a compositional art, a practice that gathers elements from different media, genres, and historical moments in order to propose a world in which the work might live. The critic does not merely interpret but constructs, weaving together forms, narratives and temporalities to re-situate a work within a newly configured cultural space, animated by the critical desire to imagine and construct more just and inhabitable worlds. 

NeMLA 2026 will be held in Pittsburgh, PA from March 5-8.

Book Series Title: Contemporary Literary Studies on Language and Literature
Publisher: HJ Verlag Maurer – Maurer Press, Frankfurt, Germany
Website: www.maurer.press

We invite contributions for the next volume of our series, Contemporary Literary Studies on Language and Literature. This volume is dedicated to exploring feminist perspectives in literature and culture, providing a platform for work that highlights the diverse ways feminism continues to shape literary scholarship.

Book Series Title: Contemporary Literary Studies on Language and Literature
Publisher: HJ Verlag Maurer – Maurer Press, Frankfurt, Germany
Website: www.maurer.press

Book Series Title: Contemporary Literary Studies on Language and Literature
Publisher: HJ Verlag Maurer – Maurer Press, Frankfurt, Germany
Website: www.maurer.press

We are delighted to invite contributions for the upcoming third volume of our book series, Contemporary Literary Studies on Language and Literature. This volume turns its focus to postcolonial approaches in literary studies, bringing together scholarship that explores the cultural, political, and historical dimensions of literature shaped by colonial encounters and their legacies.

At a time when any strides that may have been made towards reproductive rights have been thrown into serious question, motherhood—its lived reality, its spectre, and its implications for theory—remains a fraught and undertheorized field. As Adrienne Rich put it in 1976, “we know more about the air we breathe, the seas we travel, than we do about the nature and meaning of motherhood”—and this statement continues to be true nearly fifty years later despite the proliferation of media, both fictional and nonfictional, that takes motherhood as its object. The very definition of “motherhood” continues to be contested even as its boundaries expand and encompass an increasing number of subject positions and relational modes.

Panel Title: Queer Gothic as Resistance: Subverted Classed and Gendered Binaries in 21st-Century Fiction

Conference: Queer–Class Relations Conference

Dates: April 17–18, 2026

Venue: CUNY Graduate Center, 365 Fifth Avenue, New York City

Presentation Mode: Online

Panel Chair: Faham Zeeshan (fahamzeeshan82@gmail.com)

Co-Chair & Convener: Dr. Muhammad Numan (UMT, Lahore) (muhammad.nauman@umt.edu.pk / nauman.sa18@gmail.com)

Abstracts are sought for an edited collection on the Women’s National Basketball Association (WNBA).

Bureaucratic Modernism

Edited by Alexandra Irimia and Jonathan Foster

Both modernist literature and modern bureaucracy reshaped how societies imagined authority, individuality, and the written word. Modernist authors not only depicted bureaucracy—they absorbed and transformed its textual forms, procedural rhythms, and rationalized aesthetics. This volume takes that convergence as its starting point, asking how the rise of administrative culture in the early twentieth century influenced modernist style, and how modernist experimentation in turn reframed the experience of bureaucracy.