... but the cloud... An Interdisciplinary Online Seminar Examining Grey Pluralities in Samuel Beckett
"Grey is flexible, malleable; it can be pushed and pulled in different directions, worked and reworked into new, unanticipated materiality and meaning. Grey is not fixed: it both reflects and absorbs light, and it extends the spectrum between black and white, between the extremes of all other colors. Grey has the capacity to move its viewer beyond the materiality of paint. [...] Grey is the color that best describes this perspective on the twentieth century, the metals in which it is built, the factories in which it is produced, the cities in which it is lived" (Guerin, 2018, 7-8).