CFP--(update) International Conference on Realism and Naturalism in Film
Studies

The AIZEN (International Association devoted to Zola and Naturalism) and the
City University of New York (CUNY) Graduate Program in Film Studies solicit
submissions for a jointly-sponsored conference on "Realism and Naturalism in
Film Studies" to be held at the:

CUNY Graduate Center,
New York City, USA
MAY 5th--6th, 2006

> CFP: Henry James reference book (no deadline; book)
>
> Facts On File, a New York publisher of reference books for schools and
> libraries, is seeking a scholar to write a one-volume reference book on
> Henry James, focusing on critical analysis of his works. The ideal author
> will have a Ph.D., broad knowledge of James's life and works, and an
> ability to write clearly and succinctly for students in both high school

CALL FOR PAPERS: Many Floridas: Women Envisioning Change
A Conference Hosted by the Florida Consortium for Women's Studies
April 6-8, 2006
Tampa, Florida

Literature/Film Quarterly, the longest-standing publication devoted to
adaptation studies, is soliciting essays on any topic related to film
adaptaions. Topics include, but are not limited to, Explorations of
the wide-ranging intertextuality of literature and film;Locating
specific texts and adaptations of them within their own cultural
moment;Analysis of why, how, and to what effect particular texts are
adapted, made new, or remade;Analysis of the intersection,
inter-illumination, and collision of different media.Articles on
individual movies, on different cinematic adaptations of a single
literary work, on a director's style of adaptation, on the "cinematic"

Call for papers:
Looking Both Ways:
Bisexuality and the Media
A Special Double Issue of the Journal of Bisexuality

Guest Editors:
Dr. Keith Dorwick, The University of Louisiana at Lafayette
Dr. Jonathan Alexander, The University of Cincinnati

CALL FOR PAPERS

Marguerite Duras and Cinema (anthology)
Co-editors: Julie Beaulieu and Rosanna Maule

Il y a des films qui restent, il y a des films qui se dissipent dans les
heures qui suivent leur vision. (Marguerite Duras, Les yeux verts,
1980).

Abstract

Cambridge Scholars Press has contacted me and would like me to submit a book proposal on my proposed Society for the Study of American Women Writers panel titled "Popular Nineteenth-Century Women Writers and the Literary Marketplace." Though I can only accept four papers for the conference, I need about twelve to fifteen papers for the book. I would like to get the book proposal out before the end of this year; therefore, please note the deadline listed below. The focus of the book will be on the American marketplace and how women writers dealt with their editors ("gentlemen publishers"). In other words, how did the woman writer's relationship with the publisher influence or change her work?

Cambridge Scholars Press has contacted me and would like me to submit a book proposal on my proposed Society for the Study of American Women Writers panel titled "Popular Nineteenth-Century Women Writers and the Literary Marketplace." Though I can only accept four papers for the conference, I need about twelve to fifteen papers for the book. I would like to get the book proposal out before the end of this year; therefore, please note the deadline listed below. The focus of the book will be on the American marketplace and how women writers dealt with their editors ("gentlemen publishers"). In other words, how did the woman writer's relationship with the publisher influence or change her work?

Cambridge Scholars Press has contacted me and would like me to submit a book proposal on my proposed Society for the Study of American Women Writers panel titled "Popular Nineteenth-Century Women Writers and the Literary Marketplace." Though I can only accept four papers for the conference, I need about twelve to fifteen papers for the book. I would like to get the book proposal out before the end of this year; therefore, please note the deadline listed below. The focus of the book will be on the American marketplace and how women writers dealt with their editors ("gentlemen publishers"). In other words, how did the woman writer's relationship with the publisher influence or change her work?

CALL FOR PAPERS: Collection of critical articles on Walter Mosley

DEADLINE: 500-word abstracts or complete manuscripts by 11/1/05
EDITORS: Owen Brady (Clarkson University) and Derek Maus (SUNY Potsdam)

CALL FOR PAPERS: ENDURANCE SPORTS CULTURE AREA
2006 Southwest/Texas Popular Culture/American Culture Association
(11-15-05; 02-08-06)

The 27th Annual Meeting of the SW/TX PCA/ACA
February 8-11, 2006
Hyatt Regency Albuquerque
Albuquerque, New Mexico

Area CFP: Arab Culture in the U.S. (11/1/05; PCA/ACA, 2/8/06-2/11/06)

Southwest/Texas Popular Culture Association & American Culture Association
The 27th Annual Conference
February 8-11, 2006
http://www.h-net.org/~swpca/

Albuquerque, New Mexico
Hyatt Regency Albuquerque
http://albuquerque.hyatt.com/property/index.jhtml

Proposals for both panels and individual papers are now being accepted for
the new Area, Arab Culture in the U.S. Here is a possible but not
exhaustive list of topics. Other themes/topics are encouraged and welcome.

From: Philament <philament_at_arts.usyd.edu.au>
Date: July 21, 2005
CFP: Philament: Cultural Studies and Literary Arts
Deadline: September 31, 2005 (critique, commentary, and creative for online
journal)
Publication: June 2006

Philament, the online journal of cultural studies and literary arts affiliated
with the University of Sydney
(http://www.arts.usyd.edu.au/publications/philament), invites graduate scholars
to contribute articles, reviews and creative work for its eighth issue, Model.

27th Annual International Conference on the Fantastic in the Arts
March 15-19, 2006
Wyndham Ft. Lauderdale Airport Hotel
Dania, Florida

Guest of Honor: Charles Vess
Guest Scholar: M. Thomas Inge
Special Guest Writer: Kathleen Ann Goonan

Deadline for Submissions: November 30, 2005