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“Imagining Deleuze’s Romanticism”
NASSR (North American Society for the Study of Romanticism) 2025 Virtual CFP
CFP: 59th Annual Comparative World Literature Conference
Ecocriticism and Popular Culture: Cool Trends in a Warming ClimateVenue: California State University, Long Beach. Hybrid Dates: 23-25 April 2025; two days of in-person and one day of Zoom panelsKeynote Speaker: Kaniehtiio Horn.
EXposuRE.
The Dynamics of Influence in Post-millennial North American Literature and Culture
March 2026
Call for papers
Robert Lowell session, American Literature Association, 21-24 May 2025 in Boston
The Robert Lowell Society welcomes proposals for one session at the American Literature Association's annual conference (Boston, MA, 21–24 May 2025).
We are especially interested in proposals that consider Lowell's work in light of today's "death studies." For example: Lowell’s own elegies, his memories of and reconstructions of predecessors and peers, his cemetery poems, his care poems, his commemorative publishing projects, his imitations of elegies by others, his prose about others. Panelists might also consider poems about Lowell, including but not limited to elegies.
Call for Proposals
August Wilson Society’s Biennial Colloquium
Celebrating 20 Years: August Wilson’s Legacy and The Confluence of Voices in Literary and Cultural Expression
April 2-5, 2025
The Hillman Library at the University of Pittsburgh
Pittsburgh, PA
OGOM Conference 2025: CFPSea changes: The fairytale Gothic of mermaids, selkies, and enchanted hybrids of ocean and river
Conference page: https://www.opengravesopenminds.com/sea-changes-2025/
Venue: The British Library, London, UK (and online) Date: 5–6 September 2025
“To be neurodivergent is to reclaim the pathologizing aspects of a long-term cognitive diagnosis and to reclaim one’s neuro-status as a possible position from which to claim resources, representation and recognition” (Stenning and Bertisldottir Rosqvist 1535).
American Literature Association
May 21-24, 2025
The Westin Copley Place, Boston, MA
The Richard Wright Society announces two sessions on Wright to take place at
the 36th Annual American Literature Association Conference.
Roundtable: Richard Wright’s Contributions to Postcolonial Studies
In his introduction to AfroAsian Encounters: Culture, History, Politics, Vijay Prashad tells
the story of how Richard Wright came to attend the historic Bandung Conference in
Call for Papers: International Conference "Sounds of a Lifetime: Exploring Life Writing in Audio Media" (29–30 January 2026, Vrije Universiteit Brussel)
This conference aims to expand the boundaries of life writing studies by focusing on the often overlooked domain of audio life narratives. As Sidonie Smith and Julia Watson highlight in the preface of Reading Autobiography, “[l]ife narrative studies has become an expansive, transnational, multimedia field” (xi), going far beyond the written word. In the latest edition of this seminal work, they touch upon the concept of mediated voice and the aural qualities of social media messages, indicating the varied manifestations of auto/biographical acts (129).
Recent developments in the study of theatre festivals (Knowles 2020) highlight the importance of investigating festivals as key events, both for the field of theatre and, more broadly, for cultural life. These contributions demonstrate the value of examining festivals from transnational perspectives and exploring their impact on the artistic and social communities that have designed, produced, and hosted them. As recurring events that create a distinct time and space, festivals can be seen as a lens through which processes of negotiation between socio-political positions and artistic perspectives can be investigated, often within a context that is simultaneously local and global.
Unquiet Shores: coastal acoustics and the terpsichorean ocean
18-20 June 2025, Edinburgh Napier University, Craiglockhart Campus, and Online
Call for Proposals: Conference on Creativity, Creative Arts, and Neurodivergence, June 2025
Hybrid in-person/Online: June 18 - 20, 2025 (dates tentative at this stage, will be confirmed)
Online pre-sessional: Thursday, June 18 (2 - 6pm GMT)
In person: Friday & Saturday, June 19-20 (2 - 5pm and 9am - 5pm)
Call for Papers: Dramatherapy
Deadline: 15 February 2025
View the full call here>>
https://www.intellectbooks.com/dramatherapy#call-for-papers
Call for Papers: ‘Nordic Film Culture in the 21st Century’
Special Issue of Journal of Scandinavian Cinema
Guest editors: Eva Novrup Redvall (University of Copenhagen), Anders Grønlund (Lund University) and Pietari Kääpä (University of Warwick)
View the full call here>>
https://www.intellectbooks.com/journal-of-scandinavian-cinema#call-for-papers
In a world marked by fluctuating borders, diverse identities, and global interconnectedness, the concepts of hospitality and hostility present complex meanings and challenges. This conference invites scholars and researchers to explore the diverse manifestations of hospitality and hostility across linguistics, literature, culture, social sciences, and political discourse. From acts of welcoming to experiences of exclusion, from cultural exchange to conflict, this theme highlights the delicate balance between openness and resistance, friendship and enmity, inclusion and exclusion.
2025 WAR AND MEDIA STUDIES GRADUATE STUDENT WRITING AWARD
The War and Media Studies SIG is holding its annual graduate student writing award competition to showcase innovative work in the field by our graduate student members. We will again be partnering with the Sage journal Media, War & Conflictand the winning author will have the opportunity to be published in the journal in addition to receiving a $100 cash prize.
Appel à propositions / Call for Submissions : Numéro spécial pour une édition pérenne
Sous la direction de Rachel Webb Jekanowski (The Goose : revue pour les arts, l’environnement, et la culture au Canada); Abigail Fields (The Goose : revue pour les arts, l’environnement, et la culture au Canada); Brent Ryan Bellamy (Imaginations: revue d’études interculturelles de l’image); Markus Reisenleitner (Imaginations: revue d’études interculturelles de l’image); Margot Mellet (Imaginations: revue d’études interculturelles de l’image), et Lori Bradford (Engaged Scholar Journal : Community-Engaged Research, Teaching, and Learning)
Échéance : 10 janvier 2025
This panel aims to provoke discussion of “trauma” and the critical paradigm that has grown up around it in our time. Especially since the publication of Cathy Caruth’s Unclaimed Experience in 1996, “the traumatic” has grown from a specialist analytic discourse to a catch-all framework that informs how we talk about everything from politics, to art, to personal relationships. In short, the concept of trauma today enjoys a culturally dominant status. In recent years, however, the narrative trope of trauma has served as a target for critics increasingly frustrated with its seeming omnipresence.
STS 2025: Textual Remediations University of Pennsylvania
May 28-30, 2025
It has been a quarter of a century since Jay David Bolter and Richard Grusin released Remediation: Understanding New Media. In it, they introduced the term “remediation” as a way of naming the friction generated by material forms as they shape content. Although remediation was originally conceived as “a defining characteristic of new digital media,” the term’s influence has been felt not only in digital studies but across a network of related fields, from book history and textual scholarship to media history and digital humanities.
INSAP 2025 – Celestial Connections Across Time and Space
Dates: 8-13 June 2025
Location: Queen’s University Belfast, Northern Ireland, UK
Subject Fields: Art, Art History & Visual Studies, Environmental History / Studies, History of Science, Medicine, and Technology, Humanities, Literature, Anthropology, Cartography, Geography
Abstract Deadline: 22 December 2024
Call For Papers: RAW 2025
BAIT, PROMPTS, andAID: The Power and Poetics of Engagement
in Art, Technology, History, and Human Nature/Nurture
Representing Bridgerton:
Intersectional Perspectives on the Popular Phenomenon
Edited by Lorna Piatti-Farnell, Lisa J Hackett, Jo Coghlan and Huw Nolan
STaPs, as a conference by Ph.D. students for Ph.D. students, is unique among PhD conferences in that it welcomes both work in progress and work in the planning phase, as well as work that focuses on methodological issues/challenges rather than on completed research projects/ attained results. Projects of any area of linguistics can be presented (theoretical and descriptive linguistics as well as language acquisition, phonetics, psycho-, neuro-, sociolinguistics, pragmatics and computational linguistics; synchronic or diachronic).
The following categories are welcome:
Oral Presentations (15 min. + 10 min. Q&A) and Posters (30 min.)
Editors:
contact email:
Presentation
Call for Papers
Title of the proposed edited collection:
Green Memories: The Temporal and Sensory Landscapes of Plant Life in Cultural Narratives
Deadline now extended to December 14, 2024.
[W]e need to contest this understanding of emotion as ‘the unthought’, just as we need to contest the assumption that ‘rational thought’ is unemotional…
Sara Ahmed, The Cultural Politics of Emotion
[DEADLINE EXTENDED - Taking Submissions until Nov. 29th] CSCL Graduate Conference - Universality Renewed - March 21st to 22nd, 2025. Minneapolis, MN.
Keynote Speaker: Todd McGowan, University of Vermont
CALL FOR PROPOSALS
CAPS (formerly CACLALS) 2025 from June 1 to 3, 2025
Proposals due: January 15, 2025
Keynote Speakers: TBA
Conference Theme: Postcolonial Studies, Sustainability, and Shared Futures
The Canadian Association for Postcolonial Studies (formerly CACLALS) will host its annual conference from June 1 to 3, 2025, at (TBA) in Toronto, Ontario, Canada.
ABOUT THE CONFERENCE
The editors of Translation Review are inviting submissions. We are particularly interested translations of contemporary international writers into English and submissions that discuss the process and practical challenges of translating.
We would also be happy to consider and interviews with translators, manuscripts that address the concept of translation in the visual and musical arts (intersemiotic or multimodal translations), as well as submissions that address issues of machine translation, AI translations, and translation in the digital age in general. Proposals for special issues are also welcome.