Expanding on the NeMLA’s theme of (R)evolution, this panel seeks proposals that examine the role that women of color authors and artists have played (throughout the centuries) in helping to change and revolutionize literature by and about, literary representations of, and literary studies focused on women of color in the United States.  It seeks work that examines how women of color have addressed and used their intersectional identities to change the American literary landscape, challenge the American literary canon, and changed how they and their communities have been viewed in the United States.  Proposals can also include how women of color have challenged issues within their own communities and used a multiethnic approach to help literature and liter

STaPs, as a conference by Ph.D. students for Ph.D. students, is unique among PhD conferences in that it welcomes both work in progress and work in the planning phase, as well as work that focuses on methodological issues/challenges rather than on completed research projects/ attained results. Projects of any area of linguistics can be presented (theoretical and descriptive linguistics as well as language acquisition, phonetics, psycho-, neuro-, sociolinguistics, pragmatics and computational linguistics; synchronic or diachronic).

The following categories are welcome:

Oral Presentations (15 min. + 10 min. Q&A) and Posters (30 min.)

Please consider submitting a proposal for our third edition of “American Afterlives” @ the 52nd annual Louisville Conference on Literature and Culture, February 17-18, 2025 (virtual) and February 20-22, 2025 (in person).

The LCLC seeks submissions for “American Afterlives,” a dedicated panel stream that crosses the pre-1900/post-1900 divide. Presentations will focus on ways of rethinking the chronologies by which we structure stories and studies about American literature and culture. Previous panels and papers have considered aesthetic experiments and traditions, remediations of early American texts, speculative and historical fiction, cultural histories of technology, and more.

How should we understand the relationship between land and trauma? In what senses can we think of a landscape as traumatic or traumatized? There are the traumas that may happen upon a landscape through the dispossession of peoples from a piece of land or through war and destruction. There is the direct harm done to a landscape that might not even have human occupants on it through the effects of pollution or clearcutting. And there are the transformations that landscapes go through when storms, wildfires, and floods happen upon them. Are these also types of trauma? How shall we distinguish between different kinds of events? How shall we identify the traumatized parties? Can a landscape itself be traumatized or only its inhabitants?

Focusing on the intersection of theory and practice, this panel calls for contemporary discussions of “theory in the flesh,” i.e., theory considering the material conditions of existence. While the panel is particularly interested in women of color writing, other engagements with the place of material reality in academia will be considered.

Against the backdrop of a 21st-century addicted to ‘origins’ and ‘ends,’ this ACLA seminar uses the work of Gillian Rose (1947-1995) to explore the possibilities of the ‘broken middle’. Contemporary politics and literature too often eschew the middle in favour of posited utopias: perceiving in the crisis of the present an imminent transcendence towards redemption (the nation-state made great again) or catastrophe (climate apocalypse); attempting to circumvent social institutions and the media in favour of direct relationships with the other; believing fervently in materiality, affect or corporeality ‘beyond’ the mediation of language (even as its residue).

Conference dates: March 6-9, 2025

Conference location: Philadelphia, Pennsylvania (IN PERSON ONLY!)

Deadline for abstracts: October 15, 2024 (EXTENDED)

Submit through: https://cfplist.com/nemla/Home/S/21015

Contact panel chair for inquiries: Noah Gallego (California State Polytechnic University, Pomona) @ noahrgallego@gmail.com 

“Rooted as it is by feminism, cyberfeminism is an imperfect umbrella term,” Mindy Seu frames her archival project Cyberfeminism Index. Though it traces the same exclusions and western biases of feminist history, she writes, the Web 1.0 term “cyberfeminism” also provides a quick shorthand for the much broader expanse of art, activism, community, and scholarship of its many branches, including “Cyberfeminism 2.0, black cyberfeminism, xenofeminism, post-cyber feminism, glitch feminism, Afrofuturism, and hackfeministas, transhackfeminism, 넷페미 (netfemi), 女权之声 (feminist voices), among others" (https://cyberfeminismindex.com/about).

Northeast Modern Language Association 

March 6-9, 2025

Philadelphia, PA

Panel: The Afterlives of Absurdism 

Literary absurdism is a haunting and forgotten specter. This panel interrogates the absurd, an encounter with a meaningless world. 

NeMLA meets next during the centennial of Virginia Woolf’s Mrs Dalloway and the sesquicentennial of Leo Tolstoy’s Anna Karenina’s initial serialization. Central to both storylines is their eponymous characters’ differing relationships to suicide. From a less literary perspective, the moment comes relatively quick on the heels of the US Supreme Court’s decision in Dobbs v. Jackson Women’s Health Organization, on June 24, 2022, undermining reproductive rights by undermining substantive due process rights generally, and so also euthanasic rights. The convergence is an auspicious occasion to explore women’s historical, literary, and philosophical perspectives on suicide.

All disciplines, methods, and perspectives welcome.

Famed and enigmatic filmmaker Terrence Malick’s remarkable filmography turned fifty recently. It begins with Badlands, that is, which appeared on October 15, 1973, followed five years later by Days of Heaven (1978). He returns after a twenty-five year hiatus with a triptych of literary and historical adaptations, including The Thin Red Line (1998), The New World (2005), and The Tree of Life (2011).

The Environmental Humanities is currently experiencing an unprecedented influx of creative and critical works from writers of Indigenous literature. This literary revolution, closely linked to climate change and environmental discourse, is a contributing factor, and writers are at the forefront of this contemporary debate. This session offers a unique opportunity for presenters to contribute to a significant academic debate by exploring paradigm shifts in Indigenous environmental discourse. The works will delve into the intersection of gender, class, race, and the Anthropocene, offering a comprehensive understanding.

Climate and the Limits of Narratability

A panel to be pitched for inclusion in the 2025 conference of the International Society for the Study of Narrative in Miami, April 2–6, 2025.

Organizer: Daniel Aureliano Newman, University of Toronto

New Writing: the International Journal for the Practice and Theory of Creative Writing (Routledge) seeks high quality articles, as well as creative work 

Articles submitted might focus on any aspect of Creative Writing Studies, including, for example:

• Creative Writing in universities and colleges
• pedagogy, practice or research topics
• the processes of creative writers, their drafts and completed works
• the history of particular writing forms
• analysis of particular creative works

Submission length is open.