CFP: The Commercial Gaze in the Long Eighteenth Century (11/30/05; SCSECS, 2/23/06-2/26/06)
Please post the following to your Calls for Papers Website. Thank you:
CFP: The Commercial Gaze in the Long Eighteenth Century (SCSECS
2/23/06-2/26/06)
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Please post the following to your Calls for Papers Website. Thank you:
CFP: The Commercial Gaze in the Long Eighteenth Century (SCSECS
2/23/06-2/26/06)
CALL FOR PAPERS
"I'VE BEEN QUEER FOR AGES": GLBTQ AGING ISSUES
National Women's Studies Association (NWSA)
Oakland, California (Bay Area)
June 15-18, 2006
For more conference details, see
nwsaconference.org
Abstract deadline: October 28, 2005
The theme of the NWSA conference is "Locating
Women's Studies: Formations of Power and
Resistance." The NWSA's Aging and Ageism Caucus
is sponsoring panels devoted to locating age and
ageing within feminist inquiry.
CALL FOR PAPERS
"I'VE BEEN QUEER FOR AGES": GLBTQ AGING ISSUES
National Women's Studies Association (NWSA)
Oakland, California (Bay Area)
June 15-18, 2006
For more conference details, see
nwsaconference.org
Abstract deadline: October 28, 2005
The theme of the NWSA conference is "Locating
Women's Studies: Formations of Power and
Resistance." The NWSA's Aging and Ageism Caucus
is sponsoring panels devoted to locating age and
ageing within feminist inquiry.
12th Annual Southwest Graduate English Symposium
Arizona State University - February 24-26, 2006
(Re)Markable Identities: Confronting, Corrupting, and Conflating Cultural
Discourses
CFP Panel: Visual Discourse –
Identity Captured and Constructed on Film
"One of the tasks of photography is to disclose, and shape our sense of, the
variety of the world. It does not present ideals. There is no agenda except
diversity and interestingness. There are no judgments, which of course is
itself a judgement."
Susan Sontag, "A Photograph Is Not an Opinion. Or is it?"
12th Annual Southwest Graduate English Symposium
Arizona State University - February 24-26, 2006
(Re)Markable Identities: Confronting, Corrupting, and Conflating Cultural
Discourses
CFP Panel: Visual Discourse –
Identity Captured and Constructed on Film
"One of the tasks of photography is to disclose, and shape our sense of, the
variety of the world. It does not present ideals. There is no agenda except
diversity and interestingness. There are no judgments, which of course is
itself a judgement."
Susan Sontag, "A Photograph Is Not an Opinion. Or is it?"
Call For Papers: "Ever-Ending Battle" - Special Symposium on Heroism &
Mortality in Comics for Spring 2006 International Journal of Comic Art
issue.
The International Journal of Comic Art (IJOCA) is pleased to welcome
submissions for the upcoming symposium in its Spring 2006 edition 8.1. The
wide focus of the symposium, entitled "The Ever-Ending Battle," will be
on issues of mortality in comics, particularly, but not exclusively, the
relationship between death and heroism.
Call For Papers: "Ever-Ending Battle" - Special Symposium on Heroism &
Mortality in Comics for Spring 2006 International Journal of Comic Art
issue.
The International Journal of Comic Art (IJOCA) is pleased to welcome
submissions for the upcoming symposium in its Spring 2006 edition 8.1. The
wide focus of the symposium, entitled "The Ever-Ending Battle," will be
on issues of mortality in comics, particularly, but not exclusively, the
relationship between death and heroism.
Call For Papers: "Ever-Ending Battle" - Special Symposium on Heroism &
Mortality in Comics for Spring 2006 International Journal of Comic Art
issue.
The International Journal of Comic Art (IJOCA) is pleased to welcome
submissions for the upcoming symposium in its Spring 2006 edition 8.1. The
wide focus of the symposium, entitled "The Ever-Ending Battle," will be
on issues of mortality in comics, particularly, but not exclusively, the
relationship between death and heroism.
Call for Papers
Eudora Welty Society at the American Literature Association
May 25-28, 2006
San Francisco, CA
Hyatt Regency, Embarcadero Center
=93Stealing the Language: Eudora Welty and Women=92s Humor=94
Alicia Ostriker writes that women have always tried to steal the=20
language -- to =93seize speech=94 and so rework narratives inadequate to=20=
describing women=92s experience. (Ostriker, Stealing The Language: The=20=
Emergence of Women=92s Poetry in America, p 211) =93Stealing the =
language=94=20
can reiterate and/ or transform old speech in ways that provoke women=20
to liberated laughter.
Call for Papers Irish Association of American Studies 2006
Queen's University Belfast
31 March & 1 April 2006
AMERICAN PROHIBITIONS
Call for Papers
Eudora Welty Society at the American Literature Association
May 25-28, 2006
San Francisco, CA
Hyatt Regency, Embarcadero Center
=93Stealing the Language: Eudora Welty and Women=92s Humor=94
Alicia Ostriker writes that women have always tried to steal the=20
language -- to =93seize speech=94 and so rework narratives inadequate to=20=
describing women=92s experience. (Ostriker, Stealing The Language: The=20=
Emergence of Women=92s Poetry in America, p 211) =93Stealing the =
language=94=20
can reiterate and/ or transform old speech in ways that provoke women=20
to liberated laughter.
Call for Papers
Eudora Welty Society at the American Literature Association
May 25-28, 2006
San Francisco, CA
Hyatt Regency, Embarcadero Center
=93Stealing the Language: Eudora Welty and Women=92s Humor=94
Alicia Ostriker writes that women have always tried to steal the=20
language -- to =93seize speech=94 and so rework narratives inadequate to=20=
describing women=92s experience. (Ostriker, Stealing The Language: The=20=
Emergence of Women=92s Poetry in America, p 211) =93Stealing the =
language=94=20
can reiterate and/ or transform old speech in ways that provoke women=20
to liberated laughter.
Call for Papers Irish Association of American Studies 2006
Queen's University Belfast
31 March & 1 April 2006
AMERICAN PROHIBITIONS
Call for Papers Irish Association of American Studies 2006
Queen's University Belfast
31 March & 1 April 2006
AMERICAN PROHIBITIONS
Call for Papers
Eudora Welty Society at the American Literature Association
May 25-28, 2006
San Francisco, CA
Hyatt Regency, Embarcadero Center
=93Stealing the Language: Eudora Welty and Women=92s Humor=94
Alicia Ostriker writes that women have always tried to steal the=20
language -- to =93seize speech=94 and so rework narratives inadequate to=20=
describing women=92s experience. (Ostriker, Stealing The Language: The=20=
Emergence of Women=92s Poetry in America, p 211) =93Stealing the =
language=94=20
can reiterate and/ or transform old speech in ways that provoke women=20
to liberated laughter.
Call for Papers=20
For the Student's Companion to American Literary Characters to be published by Manly Inc. and Facts on File, we are seeking entries on major characters in works by these playwrights: Maxwell Anderson, Philip Barry, Moss Hart, Beth Henley, George S. Kaufman, Sidney Kingsley, Tony Kushner, Arthur Miller, Marsha Norman, Clifford Odets, Eugene O'Neill, David Rabe, William Saroyan, Neil Simon, Wendy Wasserstein, Tennessee Williams, August Wilson, and Lanford Wilson. For further information, please contact Dr. Park Bucker at psbucke_at_uscsumter.edu .
For the Student's Companion to American Literary Characters to be published by Manly Inc. and Facts on File, we are seeking entries on major characters in works by these playwrights: Maxwell Anderson, Philip Barry, Moss Hart, Beth Henley, George S. Kaufman, Sidney Kingsley, Tony Kushner, Arthur Miller, Marsha Norman, Clifford Odets, Eugene O'Neill, David Rabe, William Saroyan, Neil Simon, Wendy Wasserstein, Tennessee Williams, August Wilson, and Lanford Wilson. For further information, please contact Dr. Park Bucker at psbucke_at_uscsumter.edu .
For the Student's Companion to American Literary Characters to be published by Manly Inc. and Facts on File, we are seeking entries on major characters in works by these playwrights: Maxwell Anderson, Philip Barry, Moss Hart, Beth Henley, George S. Kaufman, Sidney Kingsley, Tony Kushner, Arthur Miller, Marsha Norman, Clifford Odets, Eugene O'Neill, David Rabe, William Saroyan, Neil Simon, Wendy Wasserstein, Tennessee Williams, August Wilson, and Lanford Wilson. For further information, please contact Dr. Park Bucker at psbucke_at_uscsumter.edu .
T h e J o u r n a l o f F l o r i d a L i t e r a t u r e
=20
Since 1988, The Marjorie Kinnan Rawlings Journal of Florida Literature
has published material relevant to the life, works, and friends of
Marjorie Kinnan Rawlings, Pulitzer Prize-winning author of The Yearling
and many other widely respected and beloved works, including Cross
Creek, South Moon Under, and Cracker Chidlings.
=20
CALL FOR PAPERS
The Fourth International Charlotte Perkins Gilman Conference:
"Charlotte Perkins Gilman: Then and Now"
Hosted by the Maine Women Writers Collection at the University of New England in Portland, Maine
June 15-18, 2006
T h e J o u r n a l o f F l o r i d a L i t e r a t u r e
=20
Since 1988, The Marjorie Kinnan Rawlings Journal of Florida Literature
has published material relevant to the life, works, and friends of
Marjorie Kinnan Rawlings, Pulitzer Prize-winning author of The Yearling
and many other widely respected and beloved works, including Cross
Creek, South Moon Under, and Cracker Chidlings.
=20
T h e J o u r n a l o f F l o r i d a L i t e r a t u r e
=20
Since 1988, The Marjorie Kinnan Rawlings Journal of Florida Literature
has published material relevant to the life, works, and friends of
Marjorie Kinnan Rawlings, Pulitzer Prize-winning author of The Yearling
and many other widely respected and beloved works, including Cross
Creek, South Moon Under, and Cracker Chidlings.
=20
FACS Literary Journal
Florida Atlantic University Comparative Studies=20
=20
Call for Papers
=20
Catastrophe and Representation
=20
Images of catastrophe increasingly assault us through the media. The =
world is reeling from the effects of war, natural disasters, famine, and =
disease. Violence - natural and unnatural - has become a standard motif =
in contemporary storytelling, cultural documentation and sociopolitical =
reportage. How, then, is such representation captured and =
characterized? What is being said and unsaid, and why? Is catastrophe a =
comparative experience?
=20
Call for Papers
Flannery O'Connor Society at the American Literature Association May 25-28,
2006 San Francisco, CA Hyatt Regency, Embarcadero Center
"Adopting/Adapting O'Connor's Faith: Reading the Fate of Her Beliefs"
CALL FOR PAPERS-- Shakespeare and Popular Culture Panels
SOUTHWEST/TEXAS POPULAR CULTURE ASSOCIATIONS MEETING
WHERE:
Hyatt Regency Albuquerque
330 Tijeras
Albuquerque, NM 87102
Phone: 1.505.842.1234
Fax: 1.505.766.6710
WHEN: February 8-11, 2005
PROPOSAL DEADLINE: November 15, 2005
REGISTRATION DEADLINE: December 31, 2005
The Shakespeare in Popular Culture area of the 2005 Albuquerque
Conference of the SWPCA/ACA invites proposals for
papers on Shakespeare in Popular Culture.
The panel will explore the boundaries between the canonical Shakespearean texts
and their more recent popular culture adaptations.
Topics may include, but are not limited to:
CALL FOR PAPERS-- Shakespeare and Popular Culture Panels
SOUTHWEST/TEXAS POPULAR CULTURE ASSOCIATIONS MEETING
WHERE:
Hyatt Regency Albuquerque
330 Tijeras
Albuquerque, NM 87102
Phone: 1.505.842.1234
Fax: 1.505.766.6710
WHEN: February 8-11, 2005
PROPOSAL DEADLINE: November 15, 2005
REGISTRATION DEADLINE: December 31, 2005
The Shakespeare in Popular Culture area of the 2005 Albuquerque
Conference of the SWPCA/ACA invites proposals for
papers on Shakespeare in Popular Culture.
The panel will explore the boundaries between the canonical Shakespearean texts
and their more recent popular culture adaptations.
Topics may include, but are not limited to:
Submissions are invited for the annual SF Foundation Essay Prize.
Deadline for Submission: May 31 2006
Judges for 2006:
Gwyneth Jones (World Fantasy Award winner)
Uppinder Mehan (Emerson College, Boston)
Lisa Yaszek (Georgia Institute of Technology)
Submissions are invited for the annual SF Foundation Essay Prize.
Deadline for Submission: May 31 2006
Judges for 2006:
Gwyneth Jones (World Fantasy Award winner)
Uppinder Mehan (Emerson College, Boston)
Lisa Yaszek (Georgia Institute of Technology)
Submissions are invited for the annual SF Foundation Essay Prize.
Deadline for Submission: May 31 2006
Judges for 2006:
Gwyneth Jones (World Fantasy Award winner)
Uppinder Mehan (Emerson College, Boston)
Lisa Yaszek (Georgia Institute of Technology)