The Richard D Gooder Essay Prize

The Cambridge Quarterly is a journal of literary criticism which also publishes articles on cinema, the visual arts, and music. This prize, named in memory of Richard Gooder (1934-2017), one of the journal’s founding editors, is aimed at doctoral students.

In recent decades, poetry performance has been one of the fastest growing arts practices internationally. Since movements such as Beat poetry, jazz poetry, and poetry slam have inspired performance scenes across the English-speaking world and beyond, innovative performance styles have emerged alongside new genres and styles of composition geared towards oral performance. The global reach of spoken word poetry has become highly noticeable in the arena of slam, evidenced by the diverse programmes of initiatives such as the 2005 ‘Poetry International World Slampionship’ in Rotterdam, the ‘Coupe du Monde de Poésie’ in France (since 2007), and the recently established ‘World Poetry Slam Organization’.

CLASS CON 2025 Call for Papers/Voices/Participation

March 14-15, 2025

Bowling Green State University, Jerome Library

Deadline to Submit December 1st, 2024

The Cultures of Philosophy project at the University of Exeter in the UK invites proposals for our first conference, ‘Women Writing Natural Philosophy in Early Modern Europe: Spaces and Exchanges’ to be held at Reed Hall, the University of Exeter, 2-4 June 2025.

Confirmed speakers:

WOMEN, GENDER AND FAMILIES OF COLOR -- CALL FOR PAPERSCare Work for Communities of Color in Higher Education: Reimagining Professional Pathways and Well- Being New and Old Challenges for Communities of Color in Higher Education

CSA 2024 Call for Papers (20%~40% of Papers will be recommended to SCIE or SCOPUS Journal)

The 16th KCIA International Conference on Computer Science and its Applications (CSA 2024)

Pattaya, Thailand, Dec. 18 - 20, 2024

Springer-LNEE (indexed by SCOPUS and EI)

http://csa-conference.org/2024

Expanding on the NeMLA’s theme of (R)evolution, this panel seeks proposals that examine the role that women of color authors and artists have played (throughout the centuries) in helping to change and revolutionize literature by and about, literary representations of, and literary studies focused on women of color in the United States.  It seeks work that examines how women of color have addressed and used their intersectional identities to change the American literary landscape, challenge the American literary canon, and changed how they and their communities have been viewed in the United States.  Proposals can also include how women of color have challenged issues within their own communities and used a multiethnic approach to help literature and liter

STaPs, as a conference by Ph.D. students for Ph.D. students, is unique among PhD conferences in that it welcomes both work in progress and work in the planning phase, as well as work that focuses on methodological issues/challenges rather than on completed research projects/ attained results. Projects of any area of linguistics can be presented (theoretical and descriptive linguistics as well as language acquisition, phonetics, psycho-, neuro-, sociolinguistics, pragmatics and computational linguistics; synchronic or diachronic).

The following categories are welcome:

Oral Presentations (15 min. + 10 min. Q&A) and Posters (30 min.)

Please consider submitting a proposal for our third edition of “American Afterlives” @ the 52nd annual Louisville Conference on Literature and Culture, February 17-18, 2025 (virtual) and February 20-22, 2025 (in person).

The LCLC seeks submissions for “American Afterlives,” a dedicated panel stream that crosses the pre-1900/post-1900 divide. Presentations will focus on ways of rethinking the chronologies by which we structure stories and studies about American literature and culture. Previous panels and papers have considered aesthetic experiments and traditions, remediations of early American texts, speculative and historical fiction, cultural histories of technology, and more.

How should we understand the relationship between land and trauma? In what senses can we think of a landscape as traumatic or traumatized? There are the traumas that may happen upon a landscape through the dispossession of peoples from a piece of land or through war and destruction. There is the direct harm done to a landscape that might not even have human occupants on it through the effects of pollution or clearcutting. And there are the transformations that landscapes go through when storms, wildfires, and floods happen upon them. Are these also types of trauma? How shall we distinguish between different kinds of events? How shall we identify the traumatized parties? Can a landscape itself be traumatized or only its inhabitants?

Focusing on the intersection of theory and practice, this panel calls for contemporary discussions of “theory in the flesh,” i.e., theory considering the material conditions of existence. While the panel is particularly interested in women of color writing, other engagements with the place of material reality in academia will be considered.

Against the backdrop of a 21st-century addicted to ‘origins’ and ‘ends,’ this ACLA seminar uses the work of Gillian Rose (1947-1995) to explore the possibilities of the ‘broken middle’. Contemporary politics and literature too often eschew the middle in favour of posited utopias: perceiving in the crisis of the present an imminent transcendence towards redemption (the nation-state made great again) or catastrophe (climate apocalypse); attempting to circumvent social institutions and the media in favour of direct relationships with the other; believing fervently in materiality, affect or corporeality ‘beyond’ the mediation of language (even as its residue).

Conference dates: March 6-9, 2025

Conference location: Philadelphia, Pennsylvania (IN PERSON ONLY!)

Deadline for abstracts: October 15, 2024 (EXTENDED)

Submit through: https://cfplist.com/nemla/Home/S/21015

Contact panel chair for inquiries: Noah Gallego (California State Polytechnic University, Pomona) @ noahrgallego@gmail.com 

“Rooted as it is by feminism, cyberfeminism is an imperfect umbrella term,” Mindy Seu frames her archival project Cyberfeminism Index. Though it traces the same exclusions and western biases of feminist history, she writes, the Web 1.0 term “cyberfeminism” also provides a quick shorthand for the much broader expanse of art, activism, community, and scholarship of its many branches, including “Cyberfeminism 2.0, black cyberfeminism, xenofeminism, post-cyber feminism, glitch feminism, Afrofuturism, and hackfeministas, transhackfeminism, 넷페미 (netfemi), 女权之声 (feminist voices), among others" (https://cyberfeminismindex.com/about).