CALL FOR PAPERS

HUMAN MOBILITY AND CULTURAL IDENTITIES THROUGH HISTORY
MIGRATION, INSPIRATION, TRASFORMATION

4th International Conference on Arts and Humanities
19th-20th May 2021, Rome, Italy

PSi#27: Hunger 2022

Sixth Annual Global Souths Conference

Formerly the Deep South in the Global South Conference

March 17-19, 2022

University of Louisiana-Lafayette

Lafayette, Louisiana

Southwest Popular / American Culture Association (SWPACA) 43rd Annual Conference, February 23-26, 2022, Albuquerque, New Mexico 

Proposals for papers and panels are now being accepted for the 40th annual SWPACA conference.  One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  

The Television Area Chair invites interested scholars to submit papers on any aspect of television, past or present. Topics include, but are not limited to:

• the possible future of television (including shows created for Netflix, Hulu, Amazon, Apple TV etc.)

                                                             Institut Supérieur des Langues de Tunis

                                                                          Department of English

                                                                  Call for Papers and Participations

INTERNATIONAL CONFERENCE ON

“Other Times, Other Spaces”

16-17 March 2022

Venue: ISLT

Popular Culture Review seeks to publish compelling, well-argued, and well-researched articles on a variety of topics related to popular culture.

Submissions undergo a rigorous peer review process.

General Issues are published in March. Submissions must be received by January 10th for that year's General Issue.

Please see our submission guidelines and instructions at https://www.unlv.edu/english/popular-culture-review and our latest issue at https://popularculturereview.wordpress.com/

The heterogenous character of protean form of travel writing—letters, journals, logbooks, diaries, memoir, journalistic pieces, guidebooks, confessional narratives, accounts of seafaring voyages, literary picaresque narratives, scientific explorations, artists’ escapades, ventures of urban flâneurs, self-exiled wanderers, and fiction—resists easy demarcation. Its heterogeneity lies in the revisionary stance brought about in each narrative through the distinguishing figure of the traveller, mode of narration, means of mapping, or redefining of the landscape.

From Langston Hughes’ "Goodbye, Christ" to Gertrude Stein’s "If I Told Him, A Completed Portrait of Picasso," Marie Howe’s Magdalene to Sarah Blake’s Mr. West, cultural icons feature prominently across American poetry from the past century to the present. Now that social media affords endless and immediate access to living icons’ homes, bodies, and vulnerabilities (especially during the COVID-19 pandemic), poetic treatments of icons might offer timely and incisive considerations of iconography in popular culture then and now. What makes us identify with, or feel alienated from, an iconic figure? What challenges exist in depicting realistic and relatable icons in a medium necessitating a degree of craft?

Abundance and Scarcity

International conference for young researchers (CLIMAS-Culture et Littérature des Mondes Anglophones)

Bordeaux Montaigne University, 17-18 February, 2022, Bordeaux, France

The popularity of the Netflix Series The Chair seems to be tied to its hyperbolic depictions of faintly legitimate power struggles that circulate on contemporary college campuses. But in focusing on the slapstick character Bill Dobson (male, white, hopelessly romantic), the narrative offers a political feint that distracts from actual abuses of power in academic life, abuses that are often misogynistic. While the #MeToo movement as a cultural, feminist, and antiracist force has been slowly and steadily uncovering and altering landscapes of gendered harassment and abuse across our society, academia itself as an abusive culture has remained fairly immune to these critiques.

CALL FOR CONTRIBUTIONS: ENCYCLOPEDIA OF INDIAN WRITING IN ENGLISH

This goes out to scholars working in the field of Indian Writing in English.

You are invited to contribute articles for a forthcoming ENCYCLOPEDIA OF INDIAN WRITING IN ENGLISH to be published by Routledge, Taylor and Francis Group.  This volume will focus on writers of fiction, poetry, drama, select literary works and non-fiction, from India (specifically, by writers of Indian origin writing in English). Translations will not be included. 

If you would like to contribute an entry for this reference work, please respond at the earliest, in any case, not later than 30 November 2021. 

Shortly after the end of WWII, the literary cultures of East-Central Europe were compelled to import the doctrine of socialist realism, which had already been active in the USSR for more than a decade. A malfunctional grafting of a would-be idealizing aesthetics and a formal pattern typical of traditional realism, the socialist realism brought along a new political novel with a limited collection of characters, narrative situations, and denouements, all projected against a overly simplified social background, painted in black and white.

Call for Papers

Conjugal Relationships: An Assessment of Sino / West Discourse and Aesthetics

This is the CFP for the XXIII ICLA Congress scheduled to be held at Tblisi, Georgia (Europe) on 24-29 July 2022.