Seeking papers exploring how media forms (methods of inscription, technologies of reproducing text, sound, and image, digital platforms, archives, social media, AI, and beyond) shape the production, circulation, and reception of lyric.

250-word abstract, brief bio and CV by March 20, 2026: nskillma@iu.edu 

Call for Papers: Drama Therapy Review

Special Issue: ‘Reclamation of Asian Voices in Times of Global Unrest’

View the full call here>>

https://www.intellectbooks.com/drama-therapy-review#call-for-papers

Special Issue Editors: RT, MG, DC

Roundtable considering pressing academic freedom challenges and potential strategies from and for those without tenure protections, especially staff, contingent faculty, lecturers, professional and clinical track faculty, and grad students. ~200-word abstracts, ~100-word bios.

Deadline for submissions: Sunday, March 15, 2026

Patrick Lawrence, University of South Carolina Lancaster (pslawren@mailbox.sc.edu)

Perpetrators of genocide destroy people as well as their cultural legacies, including formal archives, libraries, privately held records, and culturally significant texts and other print objects. Colonial occupation both historically and currently consolidates power through destroying records of occupied peoples to deny their past, present, and future. Resistance, in turn, may take the form of preserving such records through smuggling, hiding, converting, memorizing, digitizing, translating, and reconstituting. Inspired by the Phoenix Library in Gaza, the MLA Forum on Book History, Print Cultures, Lexicography seeks papers on preserving books, print materials, and other textual records (broadly understood) in contexts of genocide.

“The urban” has taken many forms in the history of film, video and moving image works—with both documentary depictions and speculative representations of poverty, marginal life and geographies, displacement and gentrification, social alienation, racial and ethnic identities, gender and sexual identities, politics and social activism. As both a trope and a subject, the urban—a conceptualization of lifeways existing within the construct of “the city”that are beyond economic capture—has emerged as a distinguishing conceptual frame for understanding the ways that cities have succumbed to their own commoditization and commercialization.

Deadline for proposals: 30 April 2026
Conference date: 19 and 20 November 2026
Location: University of Cologne, Germany

CFP: Heated Rivalry: The Phenomenon

An edited collection of essays on the television series that seduced the world

Heated Rivalry appeared simultaneously across screens in Canada, the United States (via HBO Max) and other countries in late November and quickly, if unexpectedly, became a worldwide phenomenon. Audiences were immediately hooked on the story of star hockey prospects Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie) and the sexual and romantic relationship that blossoms between them over a span of years.

Call for Proposals: Star Trek and the CourtroomAn Edited Collection on Justice, Law, and the Trial in Star Trek

We invite proposals for an edited volume examining trial and courtroom episodes across the Star Trek franchise. From “Court Martial” (TOS) to “Ad Astra per Aspera” (SNW), Star Trek has used the trial format to explore questions of personhood, justice, military law, civil rights, ethical responsibility, and the limits of legal systems. These episodes serve as philosophical laboratories, testing the boundaries of law when confronted with, for example, artificial intelligence, alien cultures, time travel, and evolving definitions of sentience and citizenship.

Global Cinema Symposium

Organized by the Harry W. Bass Jr. School of Arts, Humanities, and Technology

 
Nov. 13-14, 2026

In-person at the University of Texas at Dallas

Keynote Speakers:

Professor Bliss Cua Lim, University of Toronto

Professor Katarzyna Marciniak, Occidental College

Call for Papers

Papers, delivered in English, on adaptations of works by Joseph Conrad, in any form and language, including film, television, games, opera, theatre, musical compositions, and graphic novels. This is the planned guaranteed session for the Joseph Conrad Society of America Allied Organization at the Modern Language Association Convention in January 2027. Email 300 word proposals and 100-word biography to Jana Giles, giles@ulm.edu. Deadline: March 22, 2026.

For further information and to see the call posted on the MLA website, see: https://mla.confex.com/mla/2027/webprogrampreliminary/index.html.

How might Black fatherhood be understood as an improvisational practice? Across histories of racial capitalism, displacement, surveillance, and social constraint, Black paternal life has often unfolded beyond the frames of patriarchal authority and normative domesticity. In these conditions, fatherhood may be enacted through adaptive, creative, and relational practices that exceed dominant frameworks of masculinity and family.

Finnish Literary Research Society Annual Conference 2026

 May 20-22, 2026

Online Panel: Indigenous Futurisms Beyond the West: Arab and Global South Speculative Fiction

Seeking presentations addressing multilingualism and linguistic rights in South Asian literature and culture for a guaranteed panel of the MLA-allied South Asian Literary Association. 300-word abstract and short CV.

Deadline for submissions: Sunday, March 15, 2026

Hans-Georg Erney, Georgia Southern U (herney@georgiasouthern.edu )

This issue of Ampersand: An American Studies Journal invites submissions that take up the concept of the “American assemblage”. 

Theme Collection: Sovereign AI and Digital Sovereignty

Submission deadline

Thursday, 31 December  2026

Let’s call it “time work”: Those practices that negotiate the relations between the living and the dead. Time work is not merely conducted by archivists and historians, but by grave diggers and undertakers, documentary filmmakers and memoirists, politicians, war journalists, practitioners of living traditions, speakers of dead languages, as well as by any and all who keep something – a story, a trinket, an heirloom, a song – holding onto it to remember. Time work is not easily done without feeling; It is driven by the weight of mattering, it is attention called by the fact that now – this, ‘our’ now – is in-part composed by the shadows of what and who came before.

International Conference 

Women Filmmakers and New Feminist Cinemas in France, Great Britain, and the USA in the 21st Century 

21-22-23 October 2026, Université Toulouse 2 Jean-Jaurès, France 

The American Theatre and Drama Society (ATDS) and the Disability in Theatre and
Performance focus group (DTaP) invite submissions of conference-length essays (8-10 pages)
from current graduate students or early-career scholars, particularly those who have yet to
present at a major conference. Accepted submissions will present at our emerging scholars joint
debut panel during the Association for Theatre in Higher Education (ATHE) Conference held in
Baltimore, MD from July 22nd-26th, 2026. Submissions are encouraged to align with the ATHE
2026 Conference theme, “ACTIVATING IMAGINATION IN/AND COMMUNITY,” and address
pressing questions including, but not limited to:

Concept Note

Two-Day International Conference (likely to be ICSSR Sponsored) on  “Loss of Indigenous Knowledge in the Age of Digital Humanities: Preservation, Power, and the Politics of Representation” (Hybrid Mode)

The Activist Author: Contemporary Forms and Historical Precedents of Activist Literature

Dates and Location:

November 9th & 10th, 2026.

UCLouvain (Louvain-la-Neuve, Belgium).

Confirmed Keynote speakers:

Sara Dimick: Northwestern University; author of Unseasonable: Climate Change in Global Literatures.

Juan Meneses: UNC Charlotte; author of Resisting Dialogue: Modern Fiction and the Future of Dissent and editor of Postpolitics and the Aesthetic Imagination.

We invite in-person or hybrid submissions on any aspect of the medieval studies and their related topics, as well as short reports on ongoing projects, research or funding opportunities, or pedagogical approaches you’d like to share. We also invite in-person and hybrid individual or panel round table submissions addressing the following topics: 

Throughout its consolidation as an academic discipline, museum studies have tended to gravitate around major national and international museums, their emblematic collections, and the management models they have established as standards. These institutions, mostly located in urban centers and supported by solid structures of funding, research, and public outreach, have shaped a “canon” that has influenced not only academic agendas but also collective imaginaries about what a museum is (and what it should be).

In 1966, Seamus Heaney published Death of a Naturalist, the collection that would launch his career and establish him firmly in the public eye as a poet of place whose local accents and autobiographical bent marked a new direction in twentieth century Irish poetry. In the same year, Heaney accepted a lectureship at his alma mater, Queen’s University Belfast, and made his first appearance on Ireland’s Late Late show, reading Blackberry Picking and gaining a mass audience thanks to the power of broadcast media. 

Call for Papers:

The Art of Storytelling: Archetypes in Focus A Transdisciplinary Conference

May 30-31, 2026

Conference Webpage: https://labrc.co.uk/2026/02/24/storytelling-2026/

Where:

Oxford University (and Online)

Fees:

£180 (In person participation)

£100 (Online participation)