Learning of Castiglione’s death in 1529, Charles V declared “one of the finest gentlemen in the world has just died.”
The Spanish emperor’s praise is evidence of the depth and scope of the influence of Il Cortegiano during the
sixteenth century, appearing in Spanish translation by Juan Boscán in 1534 and in an Elizabethan translation by
Thomas Hoby in 1561. Yet Castiglione’s Courtier—read at times as a book of manners, and other times as
representative of Renaissance ideals—continued to influence writers, poets, and literary critics well into the
seventeenth century and for long after. Whether interested in sprezzatura, the art of conversation, the persistence of

Call for Submissions to ROMARD: Research on Medieval and Renaissance Drama.

ROMARD is currently seeking submissions for publication in Volume 60. Anyone may submit original work to be considered for publication provided that they hold the authorized copyright for the work. ROMARD welcomes submissions of:

2023 will mark the hundredth anniversary of Wallace Stevens’s debut poetry collection, Harmonium. To celebrate the occasion, the Wallace Stevens Society is organizing a panel about this landmark publication for the American Literature Association Conference in Boston (May 25-28, 2023). All approaches welcome, including fresh readings of individual poems, archival discoveries related to the book’s composition and publication history, discussions of new literary theories and their relevance to the poems, or reflections on the volume’s enduring impact on contemporary poetry.

CFP: Routledge Companion to Cultural Text and the Nation

We invite prospective contributions for the forthcoming Routledge Companion to Cultural Text and the Nation, an exciting new addition to the growing, dynamic book series. 

I am looking for papers for our  panel at  the Annual Convention of the Northeast  Modern Languages Assocation  (NEMLA) to be help at Niagra Falls, Buffalo, NY March 23-26, 2023.

Asia in popular media was predominantly represented as sexually conservative with heterosexual narratives culminating in marriage. The 21st century, however, witnessed a surge of queer depictions that challenged the dominance of the heteronormative. This panel invites papers exploring representations of non-normative sexualities and genders from media industries within Asia. We are seeking in-depth discussions about queer narratives in films – independent as well as mainstream, television programs, and webseries. How do these different media formats shape the queer? To what extent does censorship affect these depictions? What roles do studios/production houses play in crafting queer subjectivities? How is the queer embodied in these narratives?

In a memorable scene from Questlove’s award-winning documentary, Summer of Soul about the Harlem Cultural Festival (1969), singer Nina Simone performs “Backlash Blues,” a poem by her friend Langston Hughes. Five decades later, Beyonce performed a rousing version of “Lift Every Voice and Sing,” for her Homecoming tour in 2019. The poem, affectionately called the Black National Anthem, was originally written by James Weldon Johnson in 1900. Across these multiple decades, (and long before) African American musicians have invoked Black Literature, while African American writers have referenced Black music.

In the documentary This Changes Everything, Naomi Klein describes the limits of depicting climate change as the inevitable result of human nature driven by greed and competition. As Klein argues, this story of climate change diminishes social agency, promotes powerlessness, and displaces solutions beyond the repetition of the status quo. Several years later, capitalist realism and apocalypse remain primary modes through which climate futures are envisioned in news media, film, television, and literature.

Mid-America Theatre Conference (MATC) will be holding its 43rd Annual Meeting at the Minneapolis Marriott City Center in Minneapolis, MN on March 9 through 12, 2023!

We are seeking proposals for paper and co-paper presentations, round-table discussions, organized panels, workshops, performances, and hybrid presentations that can be linked to the theme IMPOSSIBLE THEATRE broadly construed, from the perspective of historians, scholars, teachers, producers, directors, actors, playwrights, choreographers, movement specialists, scenographers, technicians, designers, dramaturgs, stage managers, and spectators. 

Proposals might engage:

CRITICAL CONVERSATIONS IN HORROR STUDIES 

Series editor: Dawn Keetley

Lehigh University Press's book series Critical Conversations in Horror Studies, edited by Dawn Keetley, Professor of English and Film at Lehigh University, is seeking manuscripts in all areas of horror studies, broadly defined.

Deadline for proposal submissions:

October 15, 2022

full name / name of organization:

John J. Han, C. Clark Triplett, & Matthew Bardowell / Missouri Baptist University

contact email:

john.han@mobap.edu

An academic press in New York has favorably responded to our initial book manuscript proposal.  In addition to the current 12 chapters, the editors plan to add 2-3 chapters on mystery fiction written by the authors who reside in the non-Western world (Asia, Africa, and Latin America) except for Japan and the Philippines.  Possible topics include but are not limited to:

Postcolonialism in mystery fiction

CALL FOR PAPERS

The World of Printed Prayers

2-day Virtual Conference

The University of Galway

26-27 January 2023

Thursday and Friday, 12:45-5:30 (Irish Standard Time)

UPDATED 09/13/2022 The Journal of Tolkien Research seeks to publish a special issue building on and expanding beyond the successful 2022 ICMS at Kalamazoo paper session, “Tolkien & the Medieval Animal.” This special issue, “Tolkien’s Animals,” seeks articles from a variety of theoretical perspectives, addressing a wide range of animals, and not necessarily connected with medieval conceptions.  Article drafts must be submitted DIRECTLY TO Kris Swank, at kris.swank@signumu.org by end of day on January 23, 2023.

The 1st International Humanities – Society – Identity Congress Programme Committee is looking forward to welcoming you to Warsaw. The Congress embraces the study of all aspects pertaining to the notions of Humanities – Society – Identity.

The Congress Programme comprises plenary lectures, debates, general sessions and networking research group sessions reflecting three main themes, i.e. Humanities (day 1), Society (day 2) and Identity (day 3). Each day there are Speed-Dating sessions for young researchers “The Voice of the Next Generation” on a special virtual venue.