International Journal of Humanities, Art and Social Studies(IJHAS)

Submission System

http://vingcs.com/journals/hass/index.html

Scope

Università del Piemonte Orientale (Vercelli, Italy) invites paper proposals for a conference exploring the routes and branches of literary and cultural exchanges from Italy to the United States in the years 1945-1975. The conference is the third in a series of events taking place within the framework of the transdisciplinary research project Transatlantic Transfers: the Italian presence in Postwar America 1949-1972 (PRIN 2017, 2020-23) developed in partnership with Politecnico di Milano, Università degli Studi Roma Tre, and Università di Scien-ze Gastronomiche di Pollenzo. 

   The Digital Popular in Indian context (2010-2019)

CALL FOR ABSTRACTS

The 39th International Conference on English Teaching and Learning
English Teaching and Research Association 2022 Annual Conference

Conference Theme:
Innovations Across Boundaries in English Language and Literature Education

 Date: July 15-16, 2022
Venue: Fu Jen Catholic University, New Taipei City, Taiwan

http://english.fju.edu.tw/etra2022fju/

Abstract submission deadline extended to February 14, 2022

Queerness has been represented on film, in varying ways, from the advent of motion pictures to the present day. This special issue of the academic journal Queer Studies in Media & Popular Culture will explore the forms and functions of groundbreaking queer cinema in the early decades of the 21st century. Completed articles on any topic pertaining to contemporary cinema studies at the intersection of gender/sexuality studies and/or queer theory are invited from established and emerging scholars of various disciplines.

International Journal of Humanities, Art and Social Studies (IJHAS)

*** January Issue ***

Submission System

https://flyccs.com/jounals/IJHASS/Home.html

Scope

IL PARLAGGIO

ISSN 2280-6849

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.

‘Culture’ is a loaded and intense term that encapsulates the intersections of complex social structures, ideologies, and representations. Culture and its intricate study are thus situated in the dense interplay of deeper linguistic expressions, diverse literary and non-literary constructions, and polymorphous media narratives. While reading a Harry Potter book; watching a Bollywood movie; enjoying an IPL match; relishing the WhatsApp jokes; buying a Maharaja burger; and interacting in a multicultural classroom—we are invariably and unwittingly encompassed and informed by the ‘circuit of culture’ (Paul Du Gay: 1997).

Chinese Fandoms

Chinese fandoms are a growing area of interest attracting attention from groups as diverse as academia, industry, and even government. Although the foci of these groups vary, at the core are questions related to the function, organization, interests, and activities of fan groups. As Chinese media and entertainment industries mature and transnational collaborations increase, content and celebrity figures both inside and outside the Chinese context are increasingly distributed, consumed, and implicated in the formation (or extension) of fan communities.

Telling Life Stories: Ethos, Positionality, and Structures of Narrative

The reading and analysing of life stories offer multiple perspectives in understanding the self-reflexivity of authorial consciousness, the rhetorical/stylistic fashioning of ethos, and the fabulation/fictionality of narrative. Lived experiences, of the author as well as the reader, allow perception of meaning against the sedimented social, political, and cultural paradigms of the “master” or “grand narrative,” as Jean-François Lyotard puts in his seminal work, The Postmodern Condition (1979). The dialectic of human action and social reality within such narratives serves to map the interrelated progression of individuals and cultures throughout history.

THE 23rd ANNUAL INTERNATIONAL CONFERENCE OF THE ENGLISH DEPARTMENT,

UNIVERSITY OF BUCHAREST

LITERATURE AND CULTURAL STUDIES SECTION

CALL FOR PAPERS

The English Department of the University of Bucharest invites proposals for the Literature and Cultural Studies section of its 23rd Annual International Conference:

Disaster Discourse: Representations of Catastrophe

For far too long the story of British history and culture (of Western history generally) has presented the presence of Africans within Britain as a product of the Atlantic slave trade. Not only is this figuring of Africans as first arriving in the British Isles as enslaved people simply inaccurate as a matter of historical fact, it carries deeply troubling and problematic categorical and ontological implications through casting the very identity of Africans and their descendants first and foremost as enslaved people in the historical imagination. 

Keynote and plenary speakers of the conference:

The book provides an in-depth analysis of global perspectives on advancing public and social gender policy worldwide; it also examines women’s political representation and participation in peace processes in the context of their community, emphasizing existing cultural norms with biases, questioning societal prejudices toward women, for example, in STEM and creative economies. The volume covers several domains presenting a wide range of important issues that demonstrate gender inequality, discussing a wide range of cultural and geographical realities.