Special session for ICMS Kalamazoo 2024

Delivery Mode: Virtual (fully online)

There has been a veritable outpouring of both popular and academic writing on folk horror in the wake of folk horror’s resurgence in the post-2009 period. The last three years, for instance, has seen an excellent and comprehensive documentary film, Kier-La Janisse’s Woodlands Dark and Days Bewitched: A History of Folk Horror (2021); a special issue of the journal Revenant: Critical and Cultural Studies of the Supernatural (2020) dedicated to folk horror (with a special issue of Horror Studies in the works); and four collections of scholarly essays either just published or forthcoming in 2023 (see Bacon; Bayman and Donnelly; Edgar and Johnson; and Keetley and Heholt).

Speaking Opportunity – Open Call

ICMS 2024: Neomedievalism and New Media (A Roundtable)

In-Person at the International Congress on Medieval Studies 2024, Kalamazoo, MI

Deadline: September 15, 2023

Physical and mental disability traditionally garners impressions of helplessness, asexuality, and invisibility that certainly extend to popular media. However, these attitudes have been challenged in recent years with the demand for more inclusive representations through diverse lenses. This panel aims to reexamine the representation of disability in film, TV and other media beyond education to consider the theoretical , cultural, aesthetic and historical implications that disability conveys as a site for reconsidering identity and body politics, often through transgression.

Some potential topics include but are not limited to:

Disability Questioning Gender Norms

55th Annual Convention of the Northeast Modern Language Association

Conference Theme: Surplus

Dates: March 7-10, 2024 in Boston MA

In the fourteenth century, book-making became a well-established trade in France. With extensive networks of professionals and readers, streamlined production, and consolidated norms, the French book acquired distinctiveness. We invite papers that explore how the distinctively bookish and reflexive character of French literature of the period may be linked to the practices of book-making. Papers could ask what, exactly, book-making meant, how it was represented (in literature, visual culture, and beyond), and what methods we might best employ to discuss book media holistically. Papers that compare book-making from elsewhere to the French context are encouraged. 

Call for Paper on “Indian Diaspora Literature: A Critical Evaluation”

Authentic, scholarly and unpublished research papers are invited from academics and writers for publication in an edited volume with ISBN. Authors are requested to strictly follow the submission guidelines mentioned herewith in their papers. Only electronic submission via email will be accepted for publication. The proposed title of the volume which is below, may subject to change:

Indian Diaspora Literature: A Critical Evaluation

Indiana English, a peer-reviewed journal sponsored by the Indiana College English Association, encourages submissions on the role of English studies in the Midwest but will consider submissions on any topic related to English literature and criticism, linguistics, or pedagogy. We are particularly interested in narratives that explore the recent struggles our colleagues have had with AI. We also publish original creative work (fiction, poetry, creative or literary nonfiction, and photography).

Submission Instructions:

• Scholarly articles should be between 4,000-10,000 words, include an abstract of no more than 300 words.

Call for Proposals!

Organized by the students in the Interdisciplinary Graduate Studies (IGS) program at the University of British Columbia - Okanagan, our conference mission is to bring together folks who are invested in interdisciplinary work. Our Fall 2023 Conference theme, An Interdisciplinarian’s Toolbox: Emerging Practices and Methodologies for Crossing Disciplinary Boundaries, focuses on the ways in which we engage in interdisciplinary research, further reflecting on how these processes may give rise to new ideas, knowledge, and change.

Spy Fiction: Exploring Ian Fleming and 70 Years of James Bond

International Conference
30 September 2023
(Zoom sessions: 1 day/Virtual platform: 3 days)

(more information: https://www.gires.org/activities/conferences/spy-fiction-exploring-ian-fleming-and-70-years-of-james-bond/ )

Thematic Approach

GIRES, the Global Institute for Research Education & Scholarship dedicated to interdisciplinarity organizes the conference dedicated to the captivating world of spy fiction, with a particular focus on the works of Ian Fleming and the 70-year anniversary of the first James Bond novel.

Every society experiences growth as it tries to move from a traditional agrarian one to a more industrialized one. Growth is the only constant in society where it occurs both qualitatively and quantitatively. While population growth, agricultural growth etc. may be considered to be a quantitative growth, urban growth, societal growth etc. may be considered to be qualitative growth. This steady growth also implies that the sustainable development of all societies is crucial. To balance the growth and sustainability in the changing society itself is a complex process and requires a comprehensive study with respect to the growth of population, economic, urban growth and so on.

*Seeking participants for a proposed roundtable for RSA 2024* In recent decades, race has been firmly established as a significant category and rich site of analysis in the early modern world. Religion is an essential part of this story. Christian doctrine was the lens through which European explorers, colonizers, and slaveholders understood somatic and cultural difference and, subsequently, the means by which they justified their violent and extractive practices, including the institution of slavery.

International conference:

Hollywood Before the Code (1921-1934)

Sorbonne University and Université Paris Nanterre, Paris, France

June 27-28-29, 2024

The implementation of the Production Code in 1934 established a pre- and post-classic Hollywood era. From 1934 onward, the studios submitted their productions to some internal control to ensure the conformity of contents and guarantee their commercial viability at a time when ideological and religious elites were actively trying to enforce the respect of moral principles.

International Conference for PhD students and young doctors — “Authenticity and Heritage”
 March 7-8, 2024
 Université Bordeaux Montaigne, UR CLIMAS 4196