In her artist statement for Along the River of Spacetime (2020), a virtual reality “activation” of Anishinaabe star knowledge, scholar, artist, and video game designer Elizabeth LaPensée (Irish, Métis, Anishinaabe) described the ways in which Anishinaabe cosmologies anticipated a series of experiments carried out by CERN's Large Hadron Collider, the world's most advanced particle accelerator.

This panel seeks presentations on uses of generative AI in the college classroom, with a particular focus on approaches that combine theory and practice. Especially welcome are presentations that are built around transferable skills and activities/assignments in different disciplines including writing and literature.

The panel will take place during the MMLA's annual convention from November 14-16 on the campus of Marquette University in Milwaukee, Wisconsin. For more informationa about the organization and the conference, see: https://www.luc.edu/mmla/convention/futureconventionplans/

This panel explores how fire and fossil fuels shape modernity and modernisms, focusing on literature, art, and culture beyond 1850. Papers may explore intersections of:

• Environmental and energy humanities 
• Extractivism, petroculture, infrastructure
• Anthropocene, Pyrocene, energy unconscious 
• Fire, fire suppression, thermal politics 
• Aesthetics, identity, materiality

Please submit 250-word abstracts to Jennie Sekanics at jennie-sekanics@uiowa.edu or Harry Stecopoulos at harilaos-stecopoulos@uiowa.edu. 

While revising Between the Acts in 1940, Virginia Woolf edited her drafts to reinforce the disruptive wartime shifts in food culture triggered by the Second World War: the novel notes a particular wariness for rationed beef and mutton, references the interwar freedom of easily obtaining bacon and oil, and suggests the indulgence of sugar consumption. The modernist moment saw a variety of such shifts in the alimentary, from increased industrialization and food processing to a more gastronomic turn to the realities of wartime food rationing that Woolf and others chart.

Space is not defined objectively, but in relation to bodies, as it is a manifestation of their needs, intentions, and desires. It is not a container in which objects exist but is intertwined with the body’s orientation in the world and its movements within the space. Human body, therefore, is at the centre of all spaces, which are more than a geometrical concept in abstraction. Individual bodies apprehend and appropriate space differently and give meaning to embedded systems and institutions through established and evolving associations. Any assumption of personalised space, whether private or public, is embedded with historical, cultural, and social meanings which help curate embodied experiences.

Social justice is the virtue which guides us in creating those organized human interactions we call institutions. In turn, social institutions, when justly organized, provide us with access to what is good for the person, both individually and in our associations with others. Social justice also imposes on each of us a personal responsibility to work with others to design and continually perfect our institutions as tools for personal and social development.

–             The Center for Economic and Social Justice (CESJ), Washington, D.C., USA

Call for Papers: Stories and Sacredness: Reimagining Myth and Folklore Across Indian Cultures

(Proposed as Part of Palgrave Studies in Global Literatures and Religions)

Editors:

Dr. Rajkumar Bera, Assistant Professor, Dept. of English, Midnapore City College, West Bengal

Dr. Sakti Sekhar Dash, Fellow of Social Science Research Council, USA

Cinema’s First Epics in Focus:

Silent Epic Film from Literary Adaptation to Contemporary Epic Narratives

ReFocus: The International Directors Series: David Cronenberg

Edinburgh University Press

Canadian filmmaker David Cronenberg is widely regarded as one of the finest proprietors of the body-horror genre. Cronenberg’s filmography traverses the realm of the corporeal beyond its bare form, testing the limits of what a body can do. His films explore the intricate relations between the market, science, and desire. Cronenberg also examines disease and illness, situating their grotesque ramifications in the soma and the psyche, while many other later film narratives diverge from Cronenberg’s earlier focus on body horror to exhibit a wide spectrum of directorial capabilities.

Article Collection “Human & Beyond: Exploring Our More-Than-Human World”.

Collection's Advisors: Professor Peggy Karpouzou and Dr. Nikoleta Zampaki

Publisher: Routledge Open Research

The study of life-forms’ interplays has much to contribute to the survey of alternative post-anthropocentric narratives. This is no more pressing while the disastrous phenomena afflicted on Earth’s ecosystems continues to threaten all life-forms’ existence.

Book Series: "Posthumanities and Citizenship Futures" at Rowman & Littlefield

Series Editor: Professor Peggy Karpouzou and Series co-Editor: Dr. Nikoleta Zampaki

Book Series: “Brill Research Perspectives in Critical Theory”

Series Editor: Professor Peggy Karpouzou

The Book of Acts contains elements of human actions and inactions that depict the beginning of a
new religious dispensation – Christianity that sought to redefine the nexus between the nascent
Christian faith, ethnicity, and identity. Identity is a hallmark of many religious groups manifest in
their practices that become a cultural identity of the group. This did not leave out ethnic issues in
the nascent group called Christianity. Early Christianity is construed as a "Jewish ethno-religious
identity into a Christian identity that was unattached to a particular geopolitical and ethno-cultural
identity” (Bennema 2015). This identity was formulated and emerged through conflict with

MLA 2026, Toronto, Prose and poetics of aging in migration literature

I would like to organize a panel on aging in migration literature to provide a forum where participants can discuss current trends in and concerns about the representation of aging and older persons across various genres of migration writing as well as think about future possibilities. I am particularly interested in aesthetic representations of aging in irregular migration, asylum, and refugee narratives in addition to the portrayals of aging parents and relatives who are impacted by younger generations’ migration.