Investigating Textual, Sonic, and Cinematic Atmospheres/Moods/Tones
Panel on Affective Tonalities and Aesthetic Moods
In academia, what has come to be called “the affective turn” of the 1990s—surfacing in the wake of a “performative turn” that arguably originated in the 1940s and 1950s— was first used in the works of feminist scholars such as Patricia Clough and Lauren Berlant. Indeed, the affective turn has sparked generative debates, consonances, dissonances, and intense exchanges of views on a broad range of issues such as (post)critique, (non)intentionality, rational actor theory, and agency across disciplines in the humanities and social sciences.