Across a career spanning over 40 years, French-born filmmaker Leos Carax has firmly established himself as one of the most unique and innovative voices in modern European cinema. After a period writing criticism for Cahiers du Cinéma while he was still a teenager, Carax released his debut film Boy Meets Girl (1984) at age 23 to international acclaim. Carax followed up on this early promise with the futuristic neo-noir Mauvais Sang (1986), the romantic drama Les Amants du Pont-Neuf (1991), and the Herman Melville adaptation Pola X (1999).

The Dame Ivy Compton-Burnett Estate is delighted to invite applications for a generous new scholarship to enable a student, independent scholar or academic to develop and disseminate new research into any aspect of the work or legacy of one of the most famous 20th century English writers.

CALL FOR RESEARCH PAPERS (2025-2026)

SOPHIA COLLEGE FOR WOMEN INVITES RESEARCH PAPERS FOR THE FIFTH ISSUE OF SOPHIA LUCID: A PEER REVIEWED MULTIDISCIPLINARY RESEARCH JOURNAL.

Newly launched by De Gruyter, Digital Studies in Language and Literature (DSLL, ISSN: 2943-0607) is a peer-reviewed, interdisciplinary publication dedicated to advancing research on the intersection of digital technology, language, and literature.

DSLL welcomes all submissions in line with the aims and scope below. Accepted articles will be published via fully sponsored Open Access through a Creative Commons Attribution (CC-BY-4.0) License, so your research will be freely available for all to read and download.

Useful Links

Vampires and Fashion

For the last 100 years, from Nosferatu to Nosferatu, vampires have graced screens large and small, dressed in clothing that has become part and parcel of their appeal. From drab gray and black German frock coats to full formal tuxes, from diaphanous gowns to sleek, form-hugging dresses, from haute couture to jeans and leather jackets, and from wing-collared capes to Middle Eastern chadors, vampire fashion is varied and exciting, yet has, to date, received little academic attention.

Call for Papers

The ATHE Theory & Criticism Focus Group seeks papers for its annual Graduate Student Essay Contest.

The contest presents an exciting opportunity for an emergent theatre and performance studies scholar. It introduces the winning writer to the ATHE conference and provides them with a venue in which to showcase their work. 

The contest prizes are intended to support the development of the student’s academic work, ease financial challenges related to conference attendance, and connect the student with appropriate scholarly resources for the paper’s development and impact. 

The winning scholar will receive: 

Call for Papers

Southwest Popular / American Culture Association (SWPACA)

2025 SWPACA Summer Salon

June 26-28, 2025

Virtual Conference

https://swpaca.org/

Submissions open on March 25, 2025

Proposal submission deadline: April 15, 2025

In his Poetics, Aristotle famously distinguishes poetry from history, claiming that “the distinction between historian and poet is not in the one writing prose and the other verse…it consists really in this, that the one describes the thing that has been, and the other a kind of thing that might be.” Yet despite their different intentions, history has continued to remain a subject of drama from Aristotle’s time until the present day, often serving to enact the tension between truth and believability in order to highlight the often porous boundary between fact and fiction. This session will explore the depiction of historical subjects on the stage in theatrical works originating from any time period.

This panel, "Of Monsters and Mothers: Challenging Representations and Theories of Maternity in Literature," seeks to explore how literature complicates, subverts, and redefines conventional understandings of motherhood. From monstrous maternal figures to radical reimaginings of care, the maternal body has long been a contested site of power, anxiety, and transformation in literary texts. We invite interdisciplinary perspectives that engage with literature across historical periods and genres, drawing from feminist, psychoanalytic, postcolonial, disability, and queer theories to interrogate the intersections of motherhood, agency, and monstrosity.

Sponsored by the Center for Medieval and Renaissance Studies, the University of Virginia’s College at Wise Medieval-Renaissance Conference promotes scholarly discussion in all disciplines of Medieval and Renaissance studies.

“Make you to ravel all this matter out” (Shakespeare, Hamlet, 3.4)

Within early modern studies, there has been a growing interest in the intersections between text, materiality, and performance, both in and beyond the commercial theatres. The Revels Office, an international research group comprised of early career academics, has always been fascinated by the relationship between textual, visual and material cultures and the material realities of theatre and performance.

While revising Between the Acts in 1940, Virginia Woolf edited her drafts to reinforce the disruptive wartime shifts in food culture triggered by the Second World War: the novel notes a particular wariness for rationed beef and mutton, references the interwar freedom of easily obtaining bacon and oil, and suggests the indulgence of sugar consumption. The modernist moment saw a variety of such shifts in the alimentary, from increased industrialization and food processing to a more gastronomic turn to the realities of wartime food rationing that Woolf and others chart.

Language, Literature, and Interdisciplinary Studies (LLIDS), an open-access peer-reviewed academic e-journal, invites original and unpublished, interdisciplinary, research papers and book reviews from various interrelated disciplines including, but not limited to, literature, philosophy, psychology, anthropology, history, sociology, law, ecology, environmental science, and economics.

ReFocus: The International Directors Series: David Cronenberg

Edinburgh University Press

Canadian filmmaker David Cronenberg is widely regarded as one of the finest proprietors of the body-horror genre. Cronenberg’s filmography traverses the realm of the corporeal beyond its bare form, testing the limits of what a body can do. His films explore the intricate relations between the market, science, and desire. Cronenberg also examines disease and illness, situating their grotesque ramifications in the soma and the psyche, while many other later film narratives diverge from Cronenberg’s earlier focus on body horror to exhibit a wide spectrum of directorial capabilities.