This panel will explore the many existing and potential connections between video games and the literary world. Many leading games have explicitly referred to works of literature, either within their storyworlds or in their marketing (for instance, Bioshock’s interactive rebuttal of Ayn Rand’s ideas). More broadly, emerging video game theory has often defined itself either by analogy or by opposition to existing concepts from literary theory. Book genres such as the choose-your-own adventure format (eg. Steve Jackson’s Sorcery! series) have also anticipated video gaming, and in turn been remastered as games using the same text and narrative structure.

Call for Papers 

Routledge Volume

Planetary Health Humanities and Pandemics

Heike Härting and Heather Meek (eds.) 

In his 1962 essay, “The Creative Process,” James Baldwin writes, “A society must assume that it is stable, but the artist must know, and he must let us know, that there is nothing stable under heaven. . .The artist cannot and must not take anything for granted, but must drive to the heart of every answer and expose the question the answer hides.” The link between artist and activist illustrates the import of black public voices that challenge institutions of white supremacy, gender oppression, and systemic dehumanization. Historically, artists have critiqued, documented, and contextualized racial violence to ensure that the past is not forgotten and to reshape the nation’s consciousness.

As Anis Bawarshi and Mary Jo Reiff argue in Genre: An Introduction to History, Theory, Research, and Pedagogy, genres are not mere “text types,” buckets that writers fill with familiar conventions, but dynamic “social actions” that exist in activity systems (3, 78). And as suggested by contemporary texts across modes and media, for instance Alison Bechdel’s Fun Home (which blends features of comics, autobiography, comedy, and tragedy) or Ana Lily Amirpour’s A Girl Walks Home Alone at Night (which merges conventions of horror movies and westerns), contemporary authors and artists appear to be increasingly invested in the work of challenging genre conventions and meshing genres.

Call for Papers

Title: Peer Review and the Pandemic
Deadline: 1 September 2021

"Ecofeminist Readings of Life on Earth"Lecture and Workshop8 July 2021 – London/Online10am-1pm (London Time)

organised by

London Centre for Interdisciplinary Research

and

Academic LAB

Abstract:

WinC Magazine is the official publication for Women in Comics Collective International (WinC), which was founded in May 2012.Autumn 2021 Issue Submissions CallSeptember 2021 | Theme: Changes...When you think of Autumn, what words come to mind? Cool nights, foliage colours, warm cider, crisp breezes, new weather events, pumpkins?

Contact|Touch

Plenary Speakers:

Hussein Fancy, Department of History, Yale University

Elina Gertsman, Department of Art and Art History, Case Western Reserve University

Resilience During the Harlem Renaissance and Beyond

Call for Contributions: Collection Mental Health Narratives – History, Concepts, Education, Practice 

Edited by Ronja Bodola, PhD; Michelle B. Moore, PsyD; Cody Roi, D.O. 

Call for Papers

Essays and Studies, the journal of the Department of English, Jadavpur University invites scholarly essays for its non-themed issue to be published in 2022. Faculty members and researchers (specializing in Literature/English Literature) in India and abroad are requested to send us by 31 July 2021 a 500 word abstract indicating the subject/focus of their essays. The authors of the selected abstracts will receive a confirmation email by 21 August 2021. They will then be expected to mail in their essays by 30 November 2021.

Screen Bodies invites submissions to be considered for a forthcoming general issue. We welcome work that focuses on matters of embodiment in media arts from any of the disciplinary or methodological perspectives described below. Research articles are typically between 6k–9k words. Please see our website for details about the inclusion of artwork/images (www.berghahnjournals.com/submissions).