In his influential Palimpsests: Literature in the Second Degree, Gérard Genette proposed terms to refer to the relationship among texts: intertextuality, paratextuality, metatextuality, architextuality, and hypertextuality. Connections among texts are not new to medieval scholars, as is evident on volumes about sources and analogues; yet, textual networks might be more productively explored against trade routes, religious and political invasions, and ideological impositions. How are textual transpositions, which Genette defines as “serious transformation[s]” (212), anchored in cultural clashes and exchanges?

This roundtable, geared towards graduate students, independent scholars and early-career academics, seeks diverse voices to speak about the tension of interdisciplinarity and collaboration in the modern university. How do multimodal practices complicate the disciplines? What is multidisciplinarity vs. interdisciplinarity? What does it mean to be “undisciplined”? Contributions may include, but are not limited to: essays, graphic scholarship, pedagogical models, poetry and art.

Multiculturalism is arguably a fundamental aspect of contemporary western society that has garnered diverse reception. It has been the source of diversity (positive) and social disunity (negative). Multiculturalism stands as the most recent development of race relations in ethnic studies; therefore, to study the contemporary theory of race, it is vital to consider cultural diversity as a constitutive aspect of that theory. Multiculturalism is not only a descriptive or even normative concept; instead, it is more appropriate to consider it as a pragmatic concept.

The Call for Papers for the 58th International Congress on Medieval Studies in Kalamazoo, Michigan, USA (May 11–May 13, 2023) is now open. Proposals of papers and contributions to roundtables are due Sept. 15, 2022. The Centre for Fantasy and the Fantastic, University of Glasgow, is sponsoring the following session: Ursula K. Le Guin's Marvelous MedievalismContact: Kristine A. SwankModality: In person (in Kalamazoo, MI) Ursula K. Le Guin (1929–2018) left an unparalleled legacy of masterworks in science fiction and fantasy. Several of her imagined worlds were founded upon or enriched by global medieval influences from Europe, Asia, North & South America.

Call For Papers     submitted July 20, 2022

by Lauren Hehmeyer (co-editor of The Forgotten Alcott: The Literary Life and Artistic Legacy of May Alcott Nieriker) and Monika Elbert (co-editor of American Women’s Regionalist Fiction: Mapping the Gothic) for a proposed edited collection:

Expanding the Canon: Essays on the Minor Books of Louisa May Alcott  (working title)

Deadline for abstract submission:  November 1, 2022. Please limit your abstract to 350 words.

This session invites mentors and/or mentees to share their experiences in beginning, cultivating, sustaining, or–in other meaningful ways–interacting with mentoring relationships in the various pursuits of academia. The organizers are interested in the widest possible variety of mentoring relationships in both informal and formal settings: graduate student/faculty, peer or group mentorships, junior/senior faculty, as well as mentoring across disciplines, departments and even institutions.

Guest edited by James Aaron Green (University of Vienna) and João Paulo Guimarães (University of Porto)

Call for Papers for an Edited Volume of Essays on

Shakespeare and Indian Cinema

New Directions in Brut Studies

Here Be Monsters: General Call for Papers for the Monsters & the Monstrous Area of the Northeast Popular Culture/American Culture Association

2022 Annual Conference of the Northeast Popular Culture/American Culture Association

Virtual Event to be held Thursday, 20 October, to Saturday, 22 October 2022

Proposals are due 15 August 2022

“The worst monsters are the ones we create”: Monstrosity in the Witcherverse

Session Organized by Kris Larsen, Central Connecticut State University

Sponsored by the Monsters & the Monstrous Area of the Northeast Popular Culture/American Culture Association

2022 Annual Conference of the Northeast Popular Culture/American Culture Association

Virtual Event to be held Thursday, 20 October, to Saturday, 22 October 2022

Proposals are due 15 August 2022

With the advent of social media and platform infrastructures, cancel culture has engendered new means of regulation through digital media platforms which appear to further silence already marginalised communities. Having roots in the Black vernacular tradition, the clear social justice agendas of culturally linked meta-networks of social media practices and community digital infrastructures are argued to have become highjacked by social elites (Clark, 2020). For some commentators this means that the viral nature of social media backlash can claim, to the detriment of democracy, various careers and reputations among well-known celebrities, political figures,

NeMLA 2023: Niagara Falls, NY. March 23-26, 2023.

In the second half of the 20th century, Haitian society has been profoundly impacted by massive waves of exile provoked by the collective trauma of the Duvaliers dictatorships and epitomized by the internationally recognizable image of the "boat people". On the literary scene, the resulting Haitian diaspora, in North America and elsewhere, has found ways to maintain connections with the native land, reminiscing on childhood memories, revisiting Haiti both physically and metaphorically, and engaging with their shared history, myths, and traditions.

Call for Papers