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UPDATE: Gender on Our Minds (1/26/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:16am
Gender on Our Minds

Call for Submissions
*

Gender on Our Minds
*

A Journal of Southern Connecticut State University's

Graduate Program in Women's Studies
*

Submission Deadline

January 26, 2007
**

Gender on Our Minds
*is a recently established sibling publication to *Woman in Mind *, an
interdisciplinary publication dedicated to making women's voices heard
through a variety of writings and art submitted by students, staff, and
guests. *

CFP: Race and the Post-Civil Rights South (1/12/07; 3/38/07-3/29/07)

updated: 
Saturday, December 16, 2006 - 1:15am
lduck_at_memphis.edu

The Scholars in Critical Race Studies (SCRS) at the University of =
Memphis seek submissions for their second annual colloquium, "Race and =
the Post-Civil Rights South," March 28-29, 2007. Keynote speakers will =
be Adolph Reed and Kenneth Warren. Please send all inquiries or =
proposals to lduck_at_memphis.edu. The deadline for 250-500 word abstracts =
of 30-minute papers is January 12, 2007. Selected papers will be =
published in a special issue of the journal Patterns of Prejudice.

CFP: Race and the Post-Civil Rights South (1/12/07; 3/38/07-3/29/07)

updated: 
Saturday, December 16, 2006 - 1:15am
lduck_at_memphis.edu

The Scholars in Critical Race Studies (SCRS) at the University of =
Memphis seek submissions for their second annual colloquium, "Race and =
the Post-Civil Rights South," March 28-29, 2007. Keynote speakers will =
be Adolph Reed and Kenneth Warren. Please send all inquiries or =
proposals to lduck_at_memphis.edu. The deadline for 250-500 word abstracts =
of 30-minute papers is January 12, 2007. Selected papers will be =
published in a special issue of the journal Patterns of Prejudice.

CFP: 2007 TYCA West: Building Communities of Lifelong Learners (6/10/07; 10/12/07-10/13/07)

updated: 
Saturday, December 16, 2006 - 1:15am
Brieat7_at_aol.com

2007 TYCA-West Conference =E2=80=93 Call for Proposals=20
BUILDING COMMUNITIES OF LIFELONG LEARNERS=20
October 12 -13, 2007=20
Atrium Suites Hotel=20
Las Vegas, Nevada =20
The National Council of Teachers of English, Two-Year College=20
Association-West invites participation from everyone who desires practical,=
 hands-on ideas=20
for teaching. The theme for the October conference centers on Building =20
Communities of Lifelong Learners. =20
Each year, the conference will focus on a particular theme. While proposals=
=20
that address the theme are especially welcome, other proposals will be=20
considered that address relevant topics and issues. Of particular interes=

CFP: Composition Session (3/16/07; SCMLA '07)

updated: 
Saturday, December 16, 2006 - 1:15am
Donna Dunbar-Odom

Call for papers for SCMLA, October 2007, Memphis, Tennessee

Session Theme: Currents in First-Year Composition

Description: Where is composition--its theory and practice--at the
current moment? Where and what are the sparks? What characterizes
it's steady flow?

Deadline: March 16, 2007

Please submit your abstracts to Session Chair:
         Donna Dunbar-Odom
         Department of Literature and Languages
         Texas A&M University-Commerce
         Commerce, TX 75429

Or your abstract to Donna_Dunbar-Odom_at_tamu-commerce.edu

CFP: Trauma in the Twenty-First Century (3/16/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
Kate Douglas

**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

CFP: Trauma in the Twenty-First Century (3/16/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
Kate Douglas

**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

CFP: Drama Section (4/16/07; MMLA, 11/8/07-11/11/07)

updated: 
Saturday, December 16, 2006 - 1:15am
Hall, Ann C.

The Drama section of the Midwest Modern Language Association (MMLA) is
accepting papers on the following topic: =20

Displacing the Stage

This section welcomes essays on the Protean nature of theatre, the
definition of theatre, theatrical events outside of the traditional
theatre space, the use of history, current events, popular culture, and
technology in plays both now and in the past, theatre and political
activism, politics as theatre, theatre's future, and theatre's effects
on "the real" world. Send 50-word abstracts, contact information
(preferred email, address, and phone) to Ann C. Hall,
halla_at_ohiodominican by April 16, 2007. =20

CFP: Trauma in the Twenty-First Century (3/16/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
Kate Douglas

**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

CFP: Trauma in the Twenty-First Century (3/16/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
Kate Douglas

**************

Life Writing
Special Issue 2008

"Trauma in the Twenty-First Century"
Guest editors: Kate Douglas and Gillian Whitlock

This issue of Life Writing seeks to explore the ways in which life narratives of
trauma are circulating in contemporary cultural landscapes. What events and
memories are considered 'traumatic' in the contemporary world and why? Whose
traumatic memories are commemorated in the public sphere? And what is the
political utility of these traumatic memories? What are the implications of
representing an event or memory as traumatic, or in representing an individual
or community as traumatised?

UPDATE: UCLA e-journal MEDIASCAPE (1/1/07; e-journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
bmccracken_at_ucla.edu

MEDIASCAPE, UCLA's online Critical Studies journal, is now accepting
submissions for the Features, Reviews, Columns and Meta sections of its
next issue. This journal, a place for articles pertaining to film,
television, new media and other areas of visual culture, is
peer-reviewed and published on an annual table. The deadline for the
next issue is the 1st of January, 2007.

Updated submission guidelines and section-specific calls for the next
issue can be found on the submissions page of the Mediascape website:
http://www.tft.ucla.edu/mediascape/about/submissions06.html

UPDATE: UCLA e-journal MEDIASCAPE (1/1/07; e-journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
bmccracken_at_ucla.edu

MEDIASCAPE, UCLA's online Critical Studies journal, is now accepting
submissions for the Features, Reviews, Columns and Meta sections of its
next issue. This journal, a place for articles pertaining to film,
television, new media and other areas of visual culture, is
peer-reviewed and published on an annual table. The deadline for the
next issue is the 1st of January, 2007.

Updated submission guidelines and section-specific calls for the next
issue can be found on the submissions page of the Mediascape website:
http://www.tft.ucla.edu/mediascape/about/submissions06.html

UPDATE: UCLA e-journal MEDIASCAPE (1/1/07; e-journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
bmccracken_at_ucla.edu

MEDIASCAPE, UCLA's online Critical Studies journal, is now accepting
submissions for the Features, Reviews, Columns and Meta sections of its
next issue. This journal, a place for articles pertaining to film,
television, new media and other areas of visual culture, is
peer-reviewed and published on an annual table. The deadline for the
next issue is the 1st of January, 2007.

Updated submission guidelines and section-specific calls for the next
issue can be found on the submissions page of the Mediascape website:
http://www.tft.ucla.edu/mediascape/about/submissions06.html

UPDATE: C.S. Lewis: Critic, Christian and Creative Writer (UK) (1/31/07; 4/13/07-4/14/07)

updated: 
Saturday, December 16, 2006 - 1:15am
Crawford Gribben

New Deadline:

Call for papers: 'C.S. Lewis: Critic, Christian and creative writer', April
13-14, 2007, University of Manchester, UK

Contributions are invited for a major international and interdisciplinary
conference reassessing the critical, creative and theological work of C. S.
Lewis. This conference is being hosted by the University of Manchester, UK, and
is being planned in conjuction with the Centre for Literature and Belief,
University of Ulster, UK.

Contributors should send a 100-word abstract and brief CV to crawford.gribben
[at] manchester.ac.uk by January 31 2007.

UPDATE: C.S. Lewis: Critic, Christian and Creative Writer (UK) (1/31/07; 4/13/07-4/14/07)

updated: 
Saturday, December 16, 2006 - 1:15am
Crawford Gribben

New Deadline:

Call for papers: 'C.S. Lewis: Critic, Christian and creative writer', April
13-14, 2007, University of Manchester, UK

Contributions are invited for a major international and interdisciplinary
conference reassessing the critical, creative and theological work of C. S.
Lewis. This conference is being hosted by the University of Manchester, UK, and
is being planned in conjuction with the Centre for Literature and Belief,
University of Ulster, UK.

Contributors should send a 100-word abstract and brief CV to crawford.gribben
[at] manchester.ac.uk by January 31 2007.

UPDATE: C.S. Lewis: Critic, Christian and Creative Writer (UK) (1/31/07; 4/13/07-4/14/07)

updated: 
Saturday, December 16, 2006 - 1:15am
Crawford Gribben

New Deadline:

Call for papers: 'C.S. Lewis: Critic, Christian and creative writer', April
13-14, 2007, University of Manchester, UK

Contributions are invited for a major international and interdisciplinary
conference reassessing the critical, creative and theological work of C. S.
Lewis. This conference is being hosted by the University of Manchester, UK, and
is being planned in conjuction with the Centre for Literature and Belief,
University of Ulster, UK.

Contributors should send a 100-word abstract and brief CV to crawford.gribben
[at] manchester.ac.uk by January 31 2007.

CFP: Humanities and Technology Review (3/30/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
DAVID MACAULEY

The Humanities and Technology Association invites submissions to its annual journal, *Humanities and Technology Review* (HTR) for Autumn, 2007.
HTR offers a publication outlet for interdisciplinary articles on a broad range of themes addressing the interface between the humanities and technology. HTR is a refereed journal, and all decisions will be made by the assessing editors, the editorial advisory board and the chief editors. Commentaries and responses to individual articles and reviews are welcome.

Manuscript Submission Guidelines:

CFP: Humanities and Technology Review (3/30/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
DAVID MACAULEY

The Humanities and Technology Association invites submissions to its annual journal, *Humanities and Technology Review* (HTR) for Autumn, 2007.
HTR offers a publication outlet for interdisciplinary articles on a broad range of themes addressing the interface between the humanities and technology. HTR is a refereed journal, and all decisions will be made by the assessing editors, the editorial advisory board and the chief editors. Commentaries and responses to individual articles and reviews are welcome.

Manuscript Submission Guidelines:

CFP: Disability Studies Approaches to Modernist Literature (3/1/07; RMMLA, 10/3/07-10/6/07)

updated: 
Saturday, December 16, 2006 - 1:15am
cara cardinale

Call for Papers
Annual meeting of the Rocky Mountain Modern Language Association,
Calgary, Alberta, Canada, October 3-6, 2007.

Session: Disability Studies Approaches to Modernist Literature
Seeking papers utilizing disability studies approaches to modernist works:
oppositional identities, embodied discourses, ableist rhetoric etc.

Please send one-page abstracts and queries via email to:
cara.cardinale_at_gmail.com

On your abstract, please include your name, institutional affiliation
(if applicable), email address, and whether you
will need any AV equipment for your presentation.

CFP: Humanities and Technology Review (3/30/07; journal issue)

updated: 
Saturday, December 16, 2006 - 1:15am
DAVID MACAULEY

The Humanities and Technology Association invites submissions to its annual journal, *Humanities and Technology Review* (HTR) for Autumn, 2007.
HTR offers a publication outlet for interdisciplinary articles on a broad range of themes addressing the interface between the humanities and technology. HTR is a refereed journal, and all decisions will be made by the assessing editors, the editorial advisory board and the chief editors. Commentaries and responses to individual articles and reviews are welcome.

Manuscript Submission Guidelines:

CFP: Journeys Across Media 2007: 'See - Hear - Feel' (grad) (UK) (1/26/07; 4/20/07)

updated: 
Saturday, December 16, 2006 - 1:15am
e.nedelkopoulou_at_reading.ac.uk

Plain text version below:

 

APOLOGIES FOR CROSS POSTING

 

Journeys Across Media 2007

 

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

 

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

 

 

 

CFP: Journeys Across Media 2007: 'See - Hear - Feel' (grad) (UK) (1/26/07; 4/20/07)

updated: 
Saturday, December 16, 2006 - 1:15am
e.nedelkopoulou_at_reading.ac.uk

Plain text version below:

 

APOLOGIES FOR CROSS POSTING

 

Journeys Across Media 2007

 

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

 

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

 

 

 

CFP: Journeys Across Media 2007: 'See - Hear - Feel' (grad) (UK) (1/26/07; 4/20/07)

updated: 
Saturday, December 16, 2006 - 1:15am
e.nedelkopoulou_at_reading.ac.uk

Plain text version below:

 

APOLOGIES FOR CROSS POSTING

 

Journeys Across Media 2007

 

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

 

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

 

 

 

CFP: Journeys Across Media 2007: 'See - Hear - Feel' (grad) (UK) (1/26/07; 4/20/07)

updated: 
Saturday, December 16, 2006 - 1:15am
e.nedelkopoulou_at_reading.ac.uk

Plain text version below:

 

APOLOGIES FOR CROSS POSTING

 

Journeys Across Media 2007

 

See - Hear - Feel:

Perception & Engagement in Visual Media & Performance

 

20 April 2007

Department of Film, Theatre & Television - University of Reading Supported
by the Standing Conference of University Drama Departments (SCUDD) and the
Graduate School in Arts and Humanities, University of Reading.

 

 

 

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