DEADLINE EXTENDED to NOVEMBER 14

Calling the Devil:

Preternatural Projections, Diabolical Conceptions, and the Arcane Adversary                                             

Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics

The impact of the pandemic and the threat that it poses to future human experiences has been well-documented. However, now that non-human animals are possible carriers and becoming infected, their experiences, while often overlooked, are nevertheless integrated into the worldwide pandemic.

Thus, this collection seeks to balance essays about non-human animals during real-world pandemics, such as the COVID-19 one, with those of their experiences during literary or cinematic ones. The scope of this call for papers is broad and can include topics such as:

--Animals as victims of contagions

The MELUS Women of Color Caucus (WOCC) seeks scholars whose literary analysis (i.e., the examination of fiction, poetry, non-fiction, plays, film, music, and/or TV) of works by women of color centers approaches to literary research, especially work that makes visible or accounts for women of color’s invisibility and/or seeks to fill gaps in the canon and archives around experiences. Our models for this work include scholars and theorists such as Saidiya Hartman, Christina Sharpe, and Audre Lorde, and essayists such as Cathy Park Hong, Claudia Rankine, Elissa Washuta, and Carmen Maria Machado. These approaches can include: 

International conference "‘ Change life ", 100 years later: Surrealism from the origins till now" (December 9 and 10, 2024)

This year marks the centenary of the publication of the surrealist manifesto. The surrealist movement, itself derived from Dada, has since experienced internationalization and rebirths. In recent years, the movement has benefited from new insights while literary and artistic criticisms have sought to highlight figures and aspects hitherto neglected: the essential place of women in movement, its international dimension, its Relations with negritude and the criticism of colonialism, its intermediality, the multiplicity of its artistic practices.

Call for Papers

The Disasters and Apocalypses area of the Pop Culture Association offers a forum for analysis and critical approaches surrounding the culture of disasters, catastrophes, accidents, and apocalypses in global art, literature, media, film, and popular culture. Disasters, Apocalypses, and Catastrophes will address broader disciplinary topics and innovative intersections of humanities, musicology, social science, literature, film, visual art, psychology, game studies, material culture, media studies, ecology, and information technology.

Concept Note

Conference Date: April 4-5, 2025

https://drive.google.com/file/d/1AVXufNHQQFN00hrpVBOOsl2jMpv5-_ss/view

We warmly invite established and emerging scholars to participate in the Eaton Conference on Speculative Fiction, which will be held in-person at the University of California, Riverside from April 4-5, 2025. All scholars, especially graduate and undergraduate students are encouraged to submit abstracts for a two-day conference on speculative fiction and the archive to share and engage in conversation about their work, foster community and collegiality, and gain conference experience. This event will be free and open to the public.

The Memory and Representation area of the Popular Culture Association/American Culture Association invites submissions on any pertinent topic (see description below) for the 2025 National Conference in New Orleans, Louisiana, on April 16-19, 2025.

Memory and Representation: Area Description

“Auto—”

Duke University Department of English Graduate Conference

February 13 & 14, 2025

Keynote Speaker: Tyrone S. Palmer (Wesleyan University)

How does the novel give voice to art in other media? What does it take to render as text what has never existed textually? In this panel, we will be responding to this year’s SNS conference theme of “novel languages” by thinking through the ekphrastic act in its broadest sense, asking and answering questions about what it means to “translate” art or experience from one medium to another, what it might mean for representations of other media in the novel to constitute a language of its own.

The Department of Liberal Arts at IIT Bhilai is excited to announce the second Graduate Research Meet (GRM) on (Re)imagining ‘Progress’. Conventionally the idea of progress is understood as a linear trajectory towards improvement, scientific advancements, and socio-economic and technological developments. Progress, in contemporary times, can be seen as a holistic concept pertaining to not only societal but also individual betterment — more as a cultural, economic and psychological reality.

For a generation, J.K. Rowling’s Harry Potter franchise was emblematic of heroism, fighting against adversity, and inclusion of outsiders. This is why Rowling’s arguable alignment of herself, in 2020 and since, with transphobic and trans-exclusionary rhetoric felt like such a betrayal to many of her readers, prompting a revaluation of her work and what it means to them now. With the co-edited collection Potions, Powers, and Prejudice: Reassessing Harry Potter, we intend for contributors to explore the matter of what we collectively do with Harry Potter in the wake of its creator’s very public turn. Some readers have favored a careful delineation between author and work; others have regretfully concluded that no such delineation is possible.

Call for Papers: Studies in Hogg and his World 

Call for Papers

The 32nd Annual Midwest Conference on Literature, Language and Media (MCLLM)

April 5th & 6th 2025

Theme: “Trouble” - Confronting Bigotry in Higher Education and Academic Scholarship