In 1996, Carl Sagan warned us of a time when people would lose their ability to question, “when awesome technological powers are in the hands of a very few . . . when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.” Maybe Mr Sagan was somewhat pessimistic when writing The Demon-Haunted World. But then again, in times of conspiracy theories, Ancient Aliens, Antivaxxers, and Holocaust Deniers, the Age of Information appears just as capable of spreading dangerous frauds and charlatans as it is of disseminating reliable scholarship.

In literary fiction, the representation of consciousness has often been understood through what might be called the thought of looking: the ways narrative cognition renders a work into a perceptive, embodied, and self-reflexive experience through language. In cinema, by contrast, cognition typically becomes the look of thought: a mental interiority suggested through framing, editing, gesture, movement, and performance. Interactive stories told in videogames complicate this distinction through their intermedial nature. Games must not only represent what characters think, but also account for the player's "will to activity", translating the audience’s intentions into feedback, movement, and action.

The Global Southern Gothic

58th Northeast Modern Language Association Convention
March 6-9, 2027
Newport, RI

The US South, representative of the nation, has long been associated with gothic forms and tropes in part as a result of the suppression of violent histories. According to Sheri-Marie Harrison, the use of gothic tropes in American literature reveals “how ideologies of American exceptionalism rely on repressing the nation’s history of slavery, racism, and patriarchy.” Like the return of the repressed, what hasn’t been reckoned with in the nation’s history, such as slavery, racial oppression, and cisheteronormative expectations, reemerge in weird or haunted ways.

Shakespeare Here, Shakespeare Now 27-30 May 2027, Cape Town, South Africa

This conference, held as part of the thirteenth triennial congress of the Shakespeare Society of Southern Africa (SSOSA), invites delegates to reflect on and utilise the axes of space and time in making new contributions to the field of Shakespeare Studies.

Keynote Speaker: Farah Karim-Cooper (Director of the Folger Shakespeare Library, Washington DC)

In 1900, the Boston-based Colored American Magazine launched its inaugural issue, convinced of the “immediate need of a Race Journal, otherwise than our current local periodicals.” Within a year, Hopkins’s zeal would direct much of the publication. She quickly became the magazine's best-known literary contributor and one of the few Black women editors from the era. Hopkins continued to publish, lecture, and write after new management relocated the Colored American Magazine to New York City and severed the magazine’s relationship with the opinionated editor.

Seventeenth International Conference on Food Studies, Université Paris 1 Panthéon-Sorbonne, Paris, France, 9-10 September 2027

Founded in 2011, the Food Studies Research Network is brought together around a common interest to explore new possibilities for sustainable food production and human nutrition, and associated impacts of food systems on culture. We seek to build an epistemic community where we can make linkages across disciplinary, geographic, and cultural boundaries. As a Research Network, we are defined by our scope and concerns and motivated to build strategies for action framed by our shared themes and tensions.

The Seventeenth International Conference on Food Studies calls for research addressing the following themes.

Call for Papers

SPORTS AND POPULAR CULTURE

Southwest Popular / American Culture Association (SWPACA)

48th Annual Conference, February 17-20, 2027

Marriott Albuquerque

Albuquerque, New Mexico

https://swpaca.org/

Submissions open: September 1, 2026

Proposal submission deadline: October 31, 2026

The plantation’s agribiopolitical reorganization of environmental and (enviro-)racial relations has remained a focus of scholarship concerned with the afterlives of its logics. Yet, as Sylvia Wynter has argued, other narrative sites produced by and in dialogue with the plantation, such as the provision grounds, offer a means to think beyond the plantation’s hegemonic, monocultural narrative. In the Caribbean context of Wynter’s work, the provision grounds were found at the edge of the plantation hidden away from the main house, serving as a subsistence refuge for enslaved peoples to cultivate food on Sundays.

A Writer’s Palette: Colour in Late Modernist Literature 

Special Issue CfP for Textual Practice 

‘A Writer’s Palette’ examines the role, relevance, and relational representation of colours 

within late modernist literature. It asks how authors use colour in their work and what this use 

of colour contributes to an author’s creative process, a work’s meaning, and to broader 

literary movements. By extension, this special issue helps both literary and visual arts 

scholars understand how an interdisciplinary text is formed and the effect this aesthetic has 

on the creative milieu. In doing so, it expands upon recent research on colour in literature by 

  In the present digital era, the public sphere, as defined by Jürgen Habermas—a space where citizens negotiate power through collective discussion and political participation—has shifted on digital platforms. 

(ONE WEEK LEFT) The 98th annual SAMLA Conference is taking place Thursday, November, 5, through Saturday, November, 7, 2026, at the Wyndham Atlanta Buckhead Hotel & Conference Center in Atlanta, GA.  For more information, see https://southatlanticmla.org/.

Proposals for 15-20 minute papers responding to the following call for papers are invited for the Dickens Society's panel at NeMLA 2027 (March 6-9, Newport, RI).

Special call for specific chapters on the subject of Vampires and Fashion, for a volume under contract at Peter Lang. 

For the last 100 years vampires have graced screens large and small, dressed in clothing that has become part and parcel of their appeal. From drab gray and black German frock coats to full formal tuxes, from diaphanous gowns to sleek, form-hugging dresses, from haute couture to jeans and leather jackets, and from wing-collared capes to Middle Eastern chadors, vampire fashion is varied and exciting, yet has, to date, received little academic attention.

The Institute for Medieval Studies at the University of New Mexico invites proposals for three
sponsored sessions for ICMS 2027. Proposals must be submitted through the ICMS Confex
Portal (https://shorturl.at/d05So) by 15 September 2026, including title, 300 word abstract and
50 word description.

CALL FOR PAPERS/AMERICAN LITERATURE

COLLEGE ENGLISH ASSOCIATION ANNUAL CONFERENCE

APRIL 1-3, 2027 / ST LOUIS, MO

SUBMISSION SITE IS OPEN: https://www.conftool.pro/cea2027 

DEADLINE: 11/01/2026

For its 2027 annual conference,the College English Association (CEA) invites proposals for papers and panels that explore the theme of “Gateways” and their significance in literature, criticism, and pedagogy. we also encourage proposals on GENERAL TOPICS, including AMERICAN, BRITISH, AND WORLD LITERATURES.

DON'T KNOW CEA? YOU SHOULD!

Call for Papers | Chronologies 

The Velvet Light Trap, Volume 100 (to be published fall 2027) 

Submission deadline: September 20, 2026 

Framing the Human in the Nineteenth Century

48th Annual Conference

Nineteenth-Century Studies Association

Philadelphia, PA

March 11-13, 2027

Conference website: https://ncsaweb.net/2027-conference-information/

Call for Proposals
Submission Deadline: October 31, 2026
Notification of Acceptance: January 2027
Please submit proposals via this Google Form
Questions? Email the conference organizers at ncsa2027conference@gmail.com 

CALL FOR PAPERSDHARTI 2026 Biennial ConferenceDecolonising the Digital: Social Justice, Inclusion, and Equitable Knowledge Production

18–20 December 2026
KIIT Deemed to be University, Bhubaneswar, Odisha, India

Hosted by KIIT Deemed to be University in collaboration with the Digital Humanities Alliance for Research and Teaching Innovations (DHARTI).

Conference Theme

This panel seeks to examine the profound significance of food as a central narrative element in literature and its broader implications for literary scholarship. Inspired by this year's conference theme, Empowering Communities, the panel explores moments in which food transcends its culinary function to become a source of cultural knowledge, communal identity, and collective agency. Whether gathered around a dinner table, preserving family recipes, or cultivating food traditions in the face of displacement or oppression, literary communities frequently use food to sustain memory, foster belonging, and resist erasure.

West Coast Review (SDSU Press) is seeking art, flash fiction, short stories, and any creative prose that falls in-between. This includes creative non-fiction, memoires, craft essays and experimental prose pieces. We accept all genres--we just want pieces that are bold and embrace the diversity found on the west coast!

Guidelines:

We are currently accepting flash fiction, short stories, and any creative prose that falls in-between (this includes creative non-fiction, craft essays, and experimental work). Our maximum word count is 5000 words. For flash fiction, we accept up to three stories in a single submission.

What strategies can paper ephemera teach us in the digital age? This panel invites conversations by writing instructors, educators, poets, and artists exploring the work that happens at/within the margins of writing. Both literally and figuratively, we take an expansive scope to the term “margins,” imagining not only the writing that appears on the space of the printed page, but writing that would normally be scrapped, discarded, remixed, or ephemeralized. This can include digital ephemera, such as “disappearing” messages in Instagram or other communication services. At another angle: margins can also mean the liminality of writing, the furthermost edges of what’s often standard and visible.

We are seeking chapter proposals for a new edited collection entitled Modern Meta Myths, examining intersections of mythic adaptation/reception with critical self-awareness. The collection aims to bring together a diverse array of chapters, working through different methodologies, generic focuses, and analyzing adaptations/receptions of various world mythological traditions. We define “myth” broadly, to include legends, fairy tales, religious stories, even folk tales, in addition to more traditional bodies of mythology. In particular, we’re excited to read proposals about world mythic engagement beyond the Euro-American tradition.

In his seminal and final film Black Is…Black Ain’t, the documentarian Marlon Riggs utilizes a pot of gumbo to articulate his thesis that Blackness necessitates an identity built on multiplicity, complication, and depth, a production requiring expansiveness in its sustained attention (Riggs 1995). Such a vision contests and destabilizes narratives depicted within the film that sought to limit Black identities and identifications, and it cuts against the second half of his title, which suggests Blackness in terms of negation, evasion, and minimization. The title to this conference continues a conversation with Riggs and also with Ralph Ellison, Ama Ata Aidoo, Toni Morrison, Stuart Hall, and centuries of international Black thought.

 Society for Reformation Research (SRR) welcomes 20 minute papers across the disciplines for our four Virtual Sessions at the 62nd Medieval Congress May 13-15, 2027. Focus on the Long Reformation (medieval roots to current iterations).

Sessions are: