Drawing its inspiration from Edward Said’s discussion of the ways in which texts become ‘worldly’ through a series of filiations and affiliations, the ALA invites papers and panels that address such relations in all their forms. What are the filial structures that a text brings to its readers? What kind of affiliative readings might a critic bring to the text to disrupt the filial ties? What are the stakes in engaging in the traffic between filiative and affiliative readings? Beyond considerations of (a)ffiliated critical practice, how do literary and other cultural texts represent filiations and affiliations and in what ways do they constitute such relations?

Call for Papers

Film Studies

Southwest Popular / American Culture Association (SWPACA)

                                                    45th Annual Conference, February 21-24, 2024

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on September 1, 2023

Proposal submission deadline: October 31, 2023

“All work and no play makes Jack a dull boy.” Does play guarantee pleasure? Does work preclude pleasure? Do you have a guilty pleasure?

This interdisciplinary conference aims to explore the dynamic relationships between play and pleasure in various literary and cultural contexts, while critically examining the contemporary debates surrounding these themes. We encourage submissions that emphasise their interconnectedness rather than treating them as separate entities. In this light, we invite scholars to redefine, subvert, or “play” with these terms.

The Southern Humanities Conference, 2024

Call for Papers

Conference Theme: (Em)Body/Environment

Savannah, GA, February 1-4, 2024

The Southern Humanities Conference provides an opportunity for scholars, artists, writers, musicians, performers, and humanists of all kinds to share their knowledge, research, work, and experiences in an interdisciplinary, welcoming, and engaging intellectual space.

Submit 200-300 word abstracts (with a short bio) via the NeMLA Portal | EXTENDED DEADLINE: October 15, 2023.

https://cfplist.com/nemla/Home/CFP 

Please contact Ronny Litvack-Katzman (ronny.litvack-katzman@mail.mcgill.ca) or Adam Hill (adam.hill@mcgill.ca) with any questions.

Frame Narratives: Then and Now (Seminar)

Guest Editors: Dr. Eric Fure-Slocum, St. Olaf College, furesloc@stolaf.edu, Dr. Cristina Băniceru, West University of Timisoara, cristina.baniceru@e-uvt.ro, Dr. Loredana Bercuci, West University of Timisoara, loredana.bercuci@e-uvt.ro

Steven Spielberg’s A.I. Artificial Intelligence  (2001) was not a blockbuster in the sense of Jaws, E.T or Jurassic Park (the other films covered in this book series) – it did however make a heavy return on its near $100 million budget and received critical praise in the media. The film is the product of several authors: science fiction writer Brian Aldiss on whose short story ‘Supertoys Last All Summer Long’ (1969) the film was based; Stanley Kubrick, whose project it had been initially before passing it over to Spielberg in the wake of Jurassic park, Spielberg made and released the film two years after Kubrick’s death.

We are looking to round out our collected volume of critical essays in American popular culture from 1865-1940,  that examine how women vigilantes, anti-heroines and outlaws of this era were represented in movie serials, radio dramas, films, comics, theater, and pulp fiction.  We are seeking at least one additional chapter. The majority of the book is set, and we are in contract with a peer-review publisher.  We are on a tight deadline, so preference will be given to papers that are already in progress that are a good fit for this collection. 

CFP: Medievalism in Popular Culture

PCA/ACA 2024 National Conference

March 27-30, Chicago, IL (In-Person)

The Medievalism in Popular Culture Area (including Early to Later Middle Ages, Robin Hood, Arthurian Legend, Chaucer, Norse, and other materials connected to medieval studies) accepts papers on all topics that explore either popular culture during the Middle Ages or transcribe some aspect of the Middle Ages into the popular culture of later periods. These representations can occur in any genre, including film, television, novels, graphic novels, gaming, advertising, art, etc. For this year’s conference, I would like to encourage submissions on some of the following topics:

Call for Papers, CEA 2024: Atlanta

53rd Annual Conference | March 21–23, 2024

Westin Buckhead Atlanta

TRANSFORMATIONS

ABSTRACTS DUE: NOVEMBER 1, 2023

JOIN CEA IN ATLANTA!

Ninth Annual Post45 Graduate Symposium

Concordia University and McGill University

March 22nd-23rd, 2024

Submission deadline: December 1st, 2023

Keynote Faculty: Mary Esteve (Concordia) and Alexander Manshel (McGill)

Violence surrounds us, sometimes visibly (in times of conflict and wars, directly or mediated through images), and sometimes invisibly, as part of a statistic. With the increasingly extremist rhetoric on parts of the US political spectrum, the so-called “culture wars,” violent hate crimes against LBTQ+ people have surged in recent years. During the COVID-19 pandemic, Pacific-Asians and Asian-Americans were targeted because of xenophobia and conspiracy theories. Similarly, the Black Lives Matter protests of 2020 were met with violent responses from authorities. Additionally, mass and school shootings hit an all-time high for two years in a row between 2021 and 2022.

Authorship in a Global and Transnational Context30-31 May 2024, KU Leuven (Belgium)

Spiritual Responses to American Literary Modernism~ Call for Chapter Proposals

At the end of 1920, F. Scott Fitzgerald’s first novel, This Side of Paradise, explored the crises of a new generation who had “grown up to find all Gods dead… all faiths in man shaken.” Scholars and theologians concur that American literature, like the culture at large, was undergoing a passage from a spiritual to a secular outlook throughout the 1920s and 30s. This transition was so dramatic and widespread that that the years between 1925-1935 have been termed “the American Religious Depression.” Indeed, many texts from these two decades present their own version of the larger cultural secularization thesis.