CFP “Narrative ethics and character in the representation of the past in Contemporary English-speaking fiction”
Day 1: 21st October 2022, University of Caen Normandie, France.
UPDATE 16 May: The project is secured. We are hoping to improve the table of contents by adding one final contribution dedicated to culture-bound syndromes from the Arab world, the Middle East, Africa or indigenous communities.
We welcome chapter proposals on any cultural syndromes and their representations in popular culture BUT ONLY for these regions. For example:
- the evil eye (Al-Ayn, in Arabic), Djinnati
- Zar possession, brain fag, boufée delirante
- mental illnesses that are often attributed to evil spirits, also known as “jinns” etc.
IASA World Congress 2022
International American Studies Association
Guru Gobind Singh Indraprastha University
IASA 10th World Congress
22nd to 24th November, 2022
Call for Papers
Matters of Life: Human Scapes and Scopes
"Whatever is my right as a man is also the right of another; and it becomes my duty to guarantee as well as to possess."
-Thomas Paine, Rights of Man
PAMLA 2022 RHETORICAL THEORY PANEL
CALL FOR PAPERS
UCLA, November 11-13
Chair: Dr. Ryan Leack (USC)
This panel will explore recent movements in rhetorical theory writ large, either in connection with or apart from composition theory and practice. Special attention will be given to proposals that engage with the conference's theme.
Symposium Concept Note and Call for Papers
Keynote speaker: Daniel Jütte, NYU, Department of History
New York University’s Medieval and Renaissance Center invites proposals for papers for its annual conference to be held November 3-4 2022. The conference theme is “Leaving Home.”
In Passage : The International Journal of Writing and Mobility, the journal of the Department of English of the University of Boumerdes (Algeria), seeks essays in English or French for its fifth issue, to be released in December 2022. In Passage is indexed in MIAR and the MLA Directory of Periodicals.
All the contributions should either be written in English or discuss questions that relate to the English-speaking world. They should fit within the broad scope of texts and mobility and their interconnectedness in the fields of literature, linguistics, and translation, among others. The subjects that the journal seeks to investigate include but are not restricted to:
FINAL CALL FOR BOOK CHAPTER PROPOSALS!
Moving Words: Multimodal and Digital Creative Writing Pedagogies
We seek 350-word abstracts for approximately 5,000-word chapters for an edited book collection that explores the impact(s) of multimodal and digital media on the teaching of creative writing in higher education.
The 27th Annual Gender & Sexuality Writing Collective
Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies
October 21-22, 2022, University of Rochester, Rochester, NY
The Susan B. Anthony Institute for Gender, Sexuality, and Women’s Studies at the University of Rochester will hold a two-day writing collective on October 21-22, 2022. The writing collective will provide a lively platform for graduate students, early career researchers, and independent scholars to workshop a paper with peers and faculty from multiple institutions.
Special thematic dossier | STEM in US Popular Culture: Assessing Gender Discourse, Stereotypes and Mainstreaming
Editors: Laura Álvarez Trigo (Universidad de Alcalá) and Erika Tiburcio Moreno (Universidad Complutense)
44th Annual Conference of the Association for Canadian Studies in German-speaking Countries (GKS)
March 3-5, 2023, in Grainau, Germany
We welcome and encourage poetry submissions from African-American writers.
With that, send atleast '5' poems per submission.
Contact info is; MyPoems@Ctadams.com
Note: Established in 2001, we have had the pleasure of showcasing thousands of poets. Nearly 22 years later, our mission still is the same, as we continue to uplift another generation of poets and poetry lovers.
Have a question or need more info, do feel free to drop us a note, before sending in your work.
The Journal of the Wooden O is a peer-reviewed academic publication focusing on Shakespeare studies. It is published annually by Southern Utah University Press in connection with the Gerald R. Sherratt Library and the Utah Shakespeare Festival.
The editors invite papers on any topic related to Shakespeare, including Shakespearean texts, Shakespeare in performance, the adaptation of Shakespeare works (film, fiction, and visual and performing arts), Elizabethan and Jacobean culture and history, and Shakespeare’s contemporaries.
The editors of The Harold Pinter Review invite submissions for the forthcoming issue (7), to be published June 2023.
We welcome scholarly articles, book reviews, or performance reviews. For this issue, authors may write on any aspect of Pinter’s career (in theater, film, radio, television, etc.) or its import on modern drama.
To submit your work, please visit: https://www.editorialmanager.com/hpr/default1.aspx.
To review author guidelines, please visit: https://www.editorialmanager.com/hpr/account/HPR%20Author%20Submission%20Guidelines.pdf
International T. S. Eliot Society 43rd Annual Meeting
The Waste Land Centennial September 23-25, 2022, in St. Louis
Call for Papers
The Society invites proposals for papers to be presented at our annual meeting, this year held in St. Louis, MO from 23-25 September (Friday to Sunday). Clearly organized proposals of about 300 words, submitted as Word or PDF documents, on any topic reasonably related to Eliot, along with brief biographical sketches, should be emailed by June 1, 2022, to email@example.com, with the subject heading “Conference Proposal.”
Call for Papers: International Conference
Immunity and Contagion: Philosophical and Biopolitical Approaches Toward the Pandemic
29-30 September 2022, Vilnius
The conference “Immunity and Contagion: Philosophical and Biopolitical Approaches toward the Pandemic” will seek to reconceptualize the notions of immunity and contagion and redefine the concept of biopolitics in the current crisis caused by the COVID-19. We invite scholars from different philosophical backgrounds to consider key questions that constitute and are constituted by the concepts of immunity and contagion.
“Lost in La-la-land, or, W(a/o)ndering in the City”
Call for submissions for 'Contemporary One Act Plays' (Volume 2)
Maximum 3 submissions.
You can send one-act play (Maximum 15 pages for each work).
Also send a summary of the work.
All submissions to be sent to firstname.lastname@example.org
WORK & PLAY
2022 Literature/Film Association Conference
New Orleans, Louisiana, USA
October 20 to October 22, 2022
Keynote: Vicki Mayer, Tulane University
The XXIV Annual Elizabeth Madox Roberts Conference:
July 10-12, 2022
St. Catharine Motherhouse—Springfield, Kentucky
Images and Stories of the Origin(s) of the World and Humankind
(online conference, 3-4 November, 2022)
ICR Santa Barbara, October 20-22 2022
Persuasions: The Rhetoric of Romanticism
TEMPER: A Women and Gender Studies Graduate Journal
The Women and Gender Studies Graduate Student Union at the University of Toronto is pleased to introduce TEMPER, a new journal featuring interdisciplinary scholarship by graduate students.
TEMPER is a space where graduate students and their work can shine. We strive to provide greater opportunities in graduate professional development, scholarship, and community development within the feminist university community.
4th Ventana Conference on Latin America:
Decolonial Dialogues from, within and beyond the Global Margins
5th-7th October 2022
University of York, United Kingdom
This special issue centers Blackness in fandom studies. Fandom studies has gestured toward race generally, and Blackness in particular, from its alleged white center while always keeping race at its margin. It has largely co-opted the language of race, difference, and diversity from the margins and recentered it around white geeks and white women. Indeed, fandom studies has done lots of things—except deal with its race problem. But as Toni Morrison (1975) asserts, that is the work of racism: it keeps those at the margins busy, trying to prove that they deserve a seat at the center table.