The Incredible Nineteenth Century: Science Fiction, Fantasy, and Fairy Tale is now taking submissions of articles between 5,000 and 10,000 words on fantastic and speculative literature from about the time of the French Revolution to about the time of World War I. We are interested in works from all parts of the globe.

Articles on early film (until about 1920) are also encouraged.

Studies on neo-victorian works, such as Steam Punk reimaginings of the Victorian era or newer fantastic works set in the nineteenth century are welcome as well. We are interested in not only written literature, but also films, television, video games, and other media. 

The C19 Podcast invites proposals from individuals and collaborators of all ranks for single podcast episodes that offer creative, story-driven analysis of topical events that spark connections to nineteenth-century America. We are especially interested in episodes that help make both the nineteenth-century and the specific disciplinary knowledge of our scholarly community legible and exciting to a wide audience.  As our podcast grows, we seek to expand its potential to engage diverse publics in the civic and cultural life of the past.

To honor the work of Elizabeth J. Bryan on Lawman and the English prose Brut, this session focuses on the collaborative nature of Brut texts.  By examining both literal collaborations between scribes, illuminators, and compilers, and collaboration broadly conceived, as between readers of Brut texts or between texts and editors to derive meaning, for instance, papers in the session will offer insight into the intricacies of the production and reception of Brut manuscripts.  Papers will advance conversations that, in Professor Bryan’s words, “make room in our critical model for the multiple participants of a manuscript text” (Collaborative Meaningxiv).

The Signum Collaboratory and Signum Press Present A Call for Papers

Creative Philology: Studies in Speculative Fiction, A Tribute to J. R. R. Tolkien

The Second Plague Pandemic inflicted unimaginable hurt and triggered multiple crises (demographic, spiritual, political, socio-economic), whose impact informed new artistic and literary modes of expression such as the danse macabre or the carnivalesque. 

This panel examines how writers and artists processed pandemic experiences, both in terms of actual outbreaks and long-term repercussions (such as peasant revolts or multi-generational trauma). Where do we find traces of ‘long plague’ (analogous to ‘long Covid’), and what form do they take? How do pandemic experiences affect collective memory and shared narratives? And what theoretical frameworks might be helpful for studying (post)pandemic discourse in literature and art?

Conference: 22-23 August 2024 (online)

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland

Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology

​CFP:​

Americana: The Journal of American Popular Culture, 1900 to Present > http://www.americanpopularculture.com

We invite you to submit in areas related to American Studies, American history, American popular culture, comics, music, film, politics, sports, fashion, food, fandom, radio, television/streaming, Broadway/popular theater, travel/tourism, etc.

You can visit the guidelines for submission here >
https://americanpopularculture.com/journal/call_for_papers.htm

CONFERENCE - CALL FOR PROPOSALS

Towards the History of a Heterodox Tradition in Analytic Philosophy:

Transformative, Humanistic, Conversational

Vita-Salute San Raffaele University

Milan, March 20th – 21st , 2025

Keynote Speakers:

Adrian William Moore (University of Oxford)

Naoko Saito (University of Kyoto)

Organizers:

Call for Papers Apocalyptica

Apocalyptica is an international, interdisciplinary, open-access, double-blind peer-reviewed academic journal published by the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University.

Journal Editors: Robert Folger, Felicitas Loest, and Jenny Stümer

Special Issue editor: Bruna Della Torre

Article length: 8,000 - 9,000 words

Deadline: Year-round – 1 November, 2024 (for our next issue)

Contact: publications@capas.uni-heidelberg.de

Unbound Spaces; The Limitless Possibilities of World-building

CALL FOR PAPERS: 

Special issue of TOPIA: Canadian Journal of Cultural Studies, Spring 2025

On the Work of Rinaldo Walcott

Edited by Ronald Cummings (McMaster University) and Nalini Mohabir (Concordia University)

Several prominent accounts of the end of epic attribute its demise to modernity. A society riven by contradictions cannot make epic poems. The incoherence of modernity baffles the grand aspirations of epic to tell the “tale of the tribe,” to compass an entire world and way of life in a single grand vision. That is one story of the end of epic in Western literature. The rise of natural philosophy, the disenchantment of the world and banishment of God to the gaps left by naturalistic accounts broke up the enchanted world that created epics, leaving in its wake elegiac mourning for the totality epic represented.

This panel for the McNeil Center for Early American Studies May 2025 “Where is Early America?” conference invites papers on the relationship between poetry and identity, broadly conceived, in the seventeenth-century. Recent work on colonial English poetry has identified both ruptures and continuities between canonical early American English poetry and its metropolitan counterparts, upsetting strict delineation between “English” and “colonial” poetry. Likewise, scholars have identified the ways in which colonial ideology is inflected in such areas as amatory and religious verse written and read on both sides of the Atlantic.

The Editors of Vestron Horror Films are looking for four additional chapters about films not taken yet for other contributors. We want to produce a book with analysis on most of Vestron horror’s catalogue and, thus, we need chapters on:

-Communion (Philippe Mora, 1989)

-Amsterdamned (Dick Mass, 1989)

-Dolls (Stuart Gordon, 1986)

-Gothic (Ken Russell, 1986)

-Chopping Mall (Jim Wynorski, 1986)

-The Company of Wolves (Neil Jordan 1984)

-The Gate (Tibor Takács,1987)

-Revenge of the Living Dead Part 3 (Brian Yuzna, 1993), 

-Blue Steel (Kathryn Bigelow, 1990)