In a letter to Lucilius, Seneca distinguishes between a person's being and "the trappings in which he is clothed," urging his interlocutor to "consider [the] soul" in order to distinguish true being from false appearance. In addition to the distinction he makes between being and appearance, Seneca indicates here an analytical tool by which Lucilius can learn to see beyond illusory appearances in order to comprehend the true nature of things (animum intuere). Seneca's instrumental approach to this analysis constitutes a major component of the Ancient tradition of introspective analysis: across genres ancient authors such as Virgil, Propertius, Martial, Horace, Tacitus, Plato, and Aristotle performed similar analyses.

Caribbean novelists, poets, and playwrights have contributed inestimable riches to the world of literature. How have the themes and styles of established Caribbean voices, including Brathwaite, Walcott, Cliff, and Naipaul, been adapted or diverged from by younger Caribbean voices? Abstracts should be a maximum of 300 words and be submitted via the Northeast Modern Language Association website. Go to http://www.buffalo.edu/nemla/convention/callforpapers/submit.html

To what extent have 19th-century British novelists, such as Austen, Dickens, Eliot, and Hardy, influenced the works of contemporary British writers? Is there a continuity of themes and styles, or have 21st-century British authors fundamentally broken away from examples of the past? Abstracts should be a maximum of 300 words and be submitted via the Northeast Modern Language Association website. Go to http://www.buffalo.edu/nemla/convention/callforpapers/submit.html

Subject: Call for Papers: Assessment and/or Learning Outcomes at CEA 2021

Call for Papers, Assessment and/or Learning Outcomes at CEA 2021

April 8-10, 2021 | Birmingham, Alabama

Sheraton Hotel, Birmingham | 2101 Richard Arrington Jr Blvd N, Birmingham, AL 35203

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on Assessment and/or Learning Outcomes for our 52nd annual conference. Submit your proposal at www.cea-web.org

CFP / / What Goes Up Must Come Down: High and Low Theories of the Victorian Novel

This panel examines high and low theories of the Victorian novel. Value of the 19th-century novel has fluctuated over time and under the influence of critics. Taking core theories into renewed consideration, this panel aims to gain perspective over high and low culture in its relation to the novel.

Monsters and the Monstrous
2nd Inclusive Interdisciplinary Conference

Friday 16th April 2021 - Saturday 17th April 2021
Vienna, Austria

“I’m hated, execrated, those I meet are repelled by me. They want me crucified, and maybe their feelings are all too justified,” sang the American band The Bastard Fairies in their 2010 title track “Man-Made Monster.” The lyrics of the song oscillate between cackling threats of murder and cannibalism, and the lament, “It didn’t have to be this way, I’m a man-made monster led astray.”

Evil Women/Women and Evil
3rd Global Inclusive Interdisciplinary Conference

Friday 16th April 2021 - Saturday 17th April 2021
Vienna, Austria

In the mid-twentieth century, Kenneth Burke's massive body of work on the "new rhetoric" was widely considered to be a watershed for the rhetorical tradition and its interlocutors. Routing classical and new rhetorical concepts through contemporary understandings of the unconscious, ideology, media, discourse, literature, politics, ecology, and economics, Burke rendered "mere rhetoric" relevant to the concerns of modernity.  In 2020, his trailblazing approaches to terms such as identification, orientation, attitude, hierarchy, interpretation, occupation, action, trope, etc.

Call for Book Chapters- Paris in the Americas: Yesterday and Today

Vernon Press invites book chapter proposals for the forthcoming scholarly volume Paris in the Americas: Yesterday and Today, an interdisciplinary edited collection of essays that will examine the long-established relationship between Paris and North, Central, and South America from the 15th century until today.

Call for Papers – CLOSURE: The Kiel University e-Journal for Comics Studies #8 (November 2021) / Thematic Section: »Non-Narrative Comics«

Open Section

In the fall of 2021, CLOSURE will once again offer a forum for all facets of comics studies. From literary, cultural, media, social and image research to the sciences and beyond: the seventh edition of CLOSURE continues our ongoing search for the best and most innovative articles and reviews representing the state of the art in comics research. We welcome detailed close readings as much as comics theory and pioneering approaches to the medium — our open section comprises a diverse range of interdisciplinary studies of all things ›comic‹.

While the expressive potential for programming and writing is closely associated with corporate use (such as customer-facing chatbots, aggregate sentiment analysis of product reviews, and text generators), there are authors who build and use these tools to reveal something about, and generate, literature. Out of this emerges a poetics of programming that can serve to reconceptualize how we think of and consider the place of programming in a creative writing classroom. The rich history of digital poetics is being rapidly advanced by authors like Allison Parrish, Nick Montfort, Milton Laufer, Rafael Perez y Perez, Stephanie Strickland, and more.

CR: The New Centennial Review Special Issue CFP

“21st Century Religion: 

Global Christian Reconstructionism and its Radical Discontents”

CALL FOR ARTICLES 

Giant Steps: Coltrane, Space, and Innovation

The Savoy Ballroom in New York, Preservation Hall in New Orleans, the intersection of 12th Street and Vine in Kansas City, and the Green Mill on Chicago’s North Side all stand as cradles for jazz tradition.

How does one site those spaces though that have housed jazz innovations, like 1511 North 33rd in Philadelphia, John Coltrane’s Strawberry Mansion?Where are the places that jazz can call home? Improvisations and experimentation certainly, but what spaces and which places make those transitions in the artform, its delivery, and reception?