DIFFERENCE REFRAMED: REFLECTIONS ON THE LEGACIES OF FEMINIST ART
HISTORY AND VISUAL CULTURE

One-day conference at the University of Sussex, UK
Saturday 16 September 2006

Confirmed Speaker: Professor Griselda Pollock, University of Leeds, UK.

CALL FOR PAPERS
(abstract deadline: 12 May 2006)

DIFFERENCE REFRAMED: REFLECTIONS ON THE LEGACIES OF FEMINIST ART
HISTORY AND VISUAL CULTURE

One-day conference at the University of Sussex, UK
Saturday 16 September 2006

Confirmed Speaker: Professor Griselda Pollock, University of Leeds, UK.

CALL FOR PAPERS
(abstract deadline: 12 May 2006)

CFP: Critical Theory (3/15/06; PAMLA, 11/10-06-11/11/06)

Pacific Ancient and Modern Language Association Conference (PAMLA)
Panel Topic: Critical Theory
November 10-11, 2006
UC Riverside
Riverside, California

Submission Deadline: March 15, 2006

Paper proposals sought for a panel on literary theory. Proposals are
encouraged on any topic in 20th- and 21st-century literary theory. All
submissions acknowledged by email.

Please email 500-word abstract (inline or attachment) to Jennifer J.
Thompson at gw15fh_at_bellsouth.net.

(dis)junctions 2006: lost in translation
University of California Riverside
April 7-8, 2006
Keynote Speaker: Professor James Kincaid

The University of California Riverside's annual (dis)junctions conference is
extending the deadline for submissions to Tuesday, February 28, 2006. If
you have an idea that you wanted to submit, but missed the original deadline
of Feb. 1, we will now be accepting abstracts until the 28th of February.

CFP: Alternative Representations of Father/Son Relationships (dis)junctions:
(grad) (2/28/06; 4/7/06-4/8/06)

(dis)junctions; Lost in Translation (April 7-8, 2006)

Modern Jewish Popular Literatures: Beyond the U.S.

Recent investigations into American Jewish popular literature and culture
have highlighted both the ³inside² interest of American Jews to subvert or
recontextualize Jewish identity, and the ³outside² interest of the culture
industries in exploiting yet another profitable brand of urban youth
culture.

But less explored are the Jewish popular literatures that developed in
Eastern and Western Europe, in Israel and the Middle East, and among
Orthodox as well as secular Jews upon their entrance into modernity. Their
extensive history offers a much-needed transnational context for the
contemporary American Jewish scene.

(dis)junctions 2006: lost in translation
University of California Riverside
April 7-8, 2006
Keynote Speaker: Professor James Kincaid

The University of California Riverside's annual (dis)junctions conference is
extending the deadline for submissions to Tuesday, February 28, 2006. If
you have an idea that you wanted to submit, but missed the original deadline
of Feb. 1, we will now be accepting abstracts until the 28th of February.

CFP: Henry James' Queer characters (dis)junctions: (grad) (2/28/06;
4/7/06-4/8/06)

(dis)junctions; Lost in Translation (April 7-8, 2006)

Modern Jewish Popular Literatures: Beyond the U.S.

Recent investigations into American Jewish popular literature and culture
have highlighted both the ³inside² interest of American Jews to subvert or
recontextualize Jewish identity, and the ³outside² interest of the culture
industries in exploiting yet another profitable brand of urban youth
culture.

But less explored are the Jewish popular literatures that developed in
Eastern and Western Europe, in Israel and the Middle East, and among
Orthodox as well as secular Jews upon their entrance into modernity. Their
extensive history offers a much-needed transnational context for the
contemporary American Jewish scene.

CALL FOR PAPERS

Revisiting Slave Narratives II

Call for contributions

« Les Carnets du Cerpac »
Paul Valéry University, Montpellier III (France)

Revisiting Slave Narratives II

Call for contributions

« Les Carnets du Cerpac »
Paul Valéry University, Montpellier III (France)

Hyperrhiz: New Media Cultures (http://www.hyperrhiz.net)

Hyperrhiz, the peer-reviewed new media satellite site of Rhizomes:
Cultural Studies in Emerging Knowledges, is seeking web-based video
documentary/vlog/video art contributions for its second issue, a
special topics issue devoted to video.  Hyperrhiz affirms and extends
the mandate of Rhizomes, which is to publish peer-reviewed electronic
works based on or responding to Deleuzian analyses of culture.

All contributions will be fully refereed by an editorial board. 
Accepted contributions will be prepared for web presentation in
conjunction with the technical editors.

Hyperrhiz: New Media Cultures (http://www.hyperrhiz.net)

Hyperrhiz, the peer-reviewed new media satellite site of Rhizomes:
Cultural Studies in Emerging Knowledges, is seeking web-based video
documentary/vlog/video art contributions for its second issue, a
special topics issue devoted to video.  Hyperrhiz affirms and extends
the mandate of Rhizomes, which is to publish peer-reviewed electronic
works based on or responding to Deleuzian analyses of culture.

All contributions will be fully refereed by an editorial board. 
Accepted contributions will be prepared for web presentation in
conjunction with the technical editors.

Rocky Mountain Modern Language Association

October 12-14, 2006

Tucson Arizona

This special session invites papers that explore any aspect of popular
women's fiction, both American and British of the 18th and 19th centuries,
but we are particularly interested in papers that discuss women's works that
have been traditionally categorized as "popular" in terms of how they might
be reconsidered. Popular fiction could include novels, short fiction, or
serialized fiction. Please e-mail 300-500 word proposals to
pwashington_at_ucok.edu or mail them to Pamela Washington, University of
Central Oklahoma, Box 182, Edmond, OK 73034.

Rocky Mountain Modern Language Association

October 12-14, 2006

Tucson Arizona

This special session invites papers that explore any aspect of popular
women's fiction, both American and British of the 18th and 19th centuries,
but we are particularly interested in papers that discuss women's works that
have been traditionally categorized as "popular" in terms of how they might
be reconsidered. Popular fiction could include novels, short fiction, or
serialized fiction. Please e-mail 300-500 word proposals to
pwashington_at_ucok.edu or mail them to Pamela Washington, University of
Central Oklahoma, Box 182, Edmond, OK 73034.