Sidniwe Magona 2023 conference is a hybrid conference (April 12-14) intended to honor Sindiwe Magona on her 80th year. We are accepting paper proposals on Magona's work or on the work of other contemporary African women writers of fiction, peotry, drama, non-fiction. Our aim is to create discourse about creative work that can be brought into conversation with this formidable South Africa writer who writes about women's lives and women's rights, about the impact of colonialism/ apartheid and the need for decolonization, and about the challenges facing African children and families in the contemporary moment.

As a medium that conveys our acute sensitivities, longings, and struggles for justice, literature has always been responsive to human rights, namely, our political, economic, social, cultural, and environmental entitlements as rights-bearing subjects. The idea of human rights is simultaneously a political aim, a legal discourse, and a set of social, political, and legal practices. It figures in literary texts in the more recognizable form of access to justice. Writers and poets have always critically responded to injustices and violations of rights in their time and offered their reflections on the idea of justice and rights.

Ever since English literature made its way into academia, after enjoying a healthy relationship with other fields of knowledge for centuries, its connection with them became somewhat ambivalent, largely because of what Joe Moran calls its “woolly and ill-focused” disciplinary character.

The term “gaslighting” has reentered the popular lexicon with a vengeance in recent years, appearing in countless news stories and opinion pieces on the subjects of sex, race, politics, medicine, and emotional abuse. It refers to “the experience of having your reality repeatedly challenged by someone who holds more power than you do,” as one Washington Postcolumn recently articulated it. Such pieces often note that the term is drawn from a specific twentieth-century source text: George Cukor’s 1944 film Gaslight, based on Patrick Hamilton’s 1938 play of the same name, which tells the story of a sadistic husband actively working to make his wife believe she is losing her mind.

Dalit Studies: Key Terms and Concepts

Editors: Dr Mahitosh Mandal & Dr Sanjeev Kondekar

CALL FOR PROPOSALS: ECOLOGIES OF/AND ADAPTATION 

LITERATURE / FILM ASSOCIATION CONFERENCE

UNIVERSITY OF MONTANA, MISSOULA, MONTANA

SEPTEMBER 21-23, 2023

“There is another world, and it is this one.” - Paul Éluard
“There is another world, in this one.” - Octavio Paz
“There is no other world, not even this one.” - Emil Cioran

Otherworlds

The Stanford-Berkeley English Graduate Conference seeks proposals for 20-minute papers that
address any aspect of worldmaking in the context of otherness, alterity, subaltern studies, and
literal other worlds, from any period, for a one-day conference, “Otherworlds,” to be held on
April 22nd, 2023, in Stanford, CA, at Stanford University.

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In early 2023, the Global Asias Initiative (GAI) is kicking off a three-year collaboration with Japan Foundation New York (JFNY) aimed at creating a network of junior scholars between the United States and Japan. The collaboration will involve a Cyber Chats series in spring 2023, a year-long early career networking project designed to cultivate substantial engagement between scholars in the US and Japan, participation in the Global Asias 7 conference (spring 2025), and eventually a publication in Verge: Studies in Global Asias.

The relationship between Black women and the archive has long been fraught. We invite 250-word proposals for papers that probe Black women writers' literary and/or theoretical negotiations with these realities.

Please submit a 250-word abstract and a short bio by March 15th, 2023, to N. Morris Johnson at nmmorris@buffalo.edu. For more information about the MLA conference, please visit https://www.mla.org/Convention/MLA-2024/Presidential-Theme-for-the-2024-Convention

Care, hope, resilience: permacrisis and the emojification of critical thought   

Digital technology and internet access have expanded the ways of making meaning and of building and accessing audiences across the globe. Though unevenly available to refugees (UNHCR, Space and imagination: rethinking refugees’ digital access, 2020), digital technology has nonetheless offered previously unknown platforms for refugees to speak directly to global audiences.

Art About Writing | Writing About Art
Graduate Conference

Art, Literature, Architecture, Film, Museums, Creative Writing, and New Media

University of St. Thomas, April 28, 2023

CHE Graduate Student Symposium: Watersheds

The UW–Madison Center for Culture, History and Environment (CHE) will bring together graduate student researchers, educators, and artists from multiple disciplines to examine and discuss methods, applications, theories, ideas and practices related to the theme of watersheds.

IL PARLAGGIO

ISSN 2280-6849

This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.

“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.